瑪麗·阿瓦迪斯——練習曲 12 號_揭秘(官方音樂影片)  Marie Awadis - Étude No. 12_ Unveiled (Official Music Video)

瑪麗·阿瓦迪斯——練習曲 12 號_揭秘(官方音樂影片) Marie Awadis - Étude No. 12_ Unveiled (Official Music Video)

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69 Video Views·Jan 26, 2025  #stageplus #deutschegrammophon #classicalmusic

Marie Awadis - Étude No. 12_ Unveiled (Official Music Video)
瑪麗·阿瓦迪斯——練習曲 12 號_揭秘(官方音樂影片)

51,226 views Premiered Sep 14, 2024 #stageplus #deutschegrammophon #classicalmusic
Listen and order your copy of Études Mélodiques here: https://dg.lnk.to/EtudesMelodiques
Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/
觀看次數:51,226 首播日期:2024 年 9 月 14 日
在此處收聽並訂購《Études Mélodiques》:https://dg.lnk.to/EtudesMelodiques
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Chopin, minimalism and Armenian flair come together on Études Mélodiques, the debut DG album from composer-pianist Marie Awadis. Its 12 tracks for solo piano reveal her individual and unique voice, a product of the diverse influences that enrich her music. The classical foundations of her conservatory years persist – with Chopin providing the obvious formal starting point – but they’re interwoven with aspects of everything from Bach to Kancheli, via jazz and the Armenian folk tunes she has known since childhood. And, reflecting a more recent musical discovery, the dual strands of US and European minimalism also play a key role here.
蕭邦、極簡主義和亞美尼亞風格在作曲家兼鋼琴家瑪麗·阿瓦迪斯的首張 DG 專輯《旋律練習曲》中融為一體。專輯中的 12 首鋼琴獨奏曲目展現了她獨特的嗓音,這是多種影響的產物,豐富了她的音樂。她在音樂學院學習期間所打下的古典基礎依然存在——肖邦顯然是她正式的起點——但它們又與從巴赫到坎切利、再到爵士樂和她從小就熟悉的亞美尼亞民歌等各方面交織在一起。此外,反映最近的音樂發現,美國和歐洲極簡主義的雙重流派在這裡也發揮關鍵作用。

“My music is not typically classical or neoclassical or avant-garde; it’s something in between,” says Awadis. “When I compose, I have feelings, pictures, stories or places in my mind, rather than a sequence of themes moving across a pre-planned structure. The ideal, for me, is to combine my own intuitive approach with the rhythmic precision of American minimalism, the spirituality of European minimalism and the emotions of Armenian music. Because that’s me – an Armenian-Lebanese-German combination.”
「我的音樂不是典型的古典主義、新古典主義或前衛主義; 「它是介於兩者之間,」阿瓦迪斯說。 「當我作曲時,我腦子裡會浮現出感受、畫面、故事或地點,而不是按照預先計劃的結構移動一系列主題。對我來說,理想的做法是將我自己的直覺方法與美國極簡主義的節奏精確性、歐洲極簡主義的精神性和亞美尼亞音樂的情感結合在一起。因為那就是我—亞美尼亞人-黎巴嫩人和德國人的混合體。

Armenian by ancestry, Marie Awadis grew up in war-torn Lebanon before moving to Germany to continue her musical studies. Since then she has steadfastly followed her own path, allowing her music to speak for her. Études Mélodiques reflects Awadis’s determination to remain true to herself, to strip away the outer surface of display and reveal the emotions that lie beneath.
瑪麗·阿瓦迪斯 (Marie Awadis) 的血統是亞美尼亞人,她在飽受戰爭蹂躪的黎巴嫩長大,後來移居德國繼續學習音樂。從此以後,她堅定地走自己的路,用音樂表達自己。 《旋律練習曲》 (Études Mélodiques) 體現了阿瓦迪斯 (Awadis) 忠於自我的決心,剝去外表的浮華,展露出潛藏於背後的情感。

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