祖賓梅塔與貝爾格萊德愛樂樂團 - 《費加洛的婚禮》與第 40 號交響曲 Zubin Mehta and the Belgrade Philharmonic - Marriage of Figaro and Symphony No.40
Zubin Mehta and the Belgrade Philharmonic - Marriage of Figaro and Symphony No. 40 (W. A. Mozart)
祖賓梅塔與貝爾格萊德愛樂樂團 - 《費加洛的婚禮》與第 40 號交響曲（W.A. 莫札特）
295 views Jan 7, 2025
Zubin Mehta conducts the Belgrade Philharmonic Orchestra in performances of Mozart's "Marriage of Figaro" overture and Symphony No. 40.
295 瀏覽 2025 年 1 月 7 日
祖賓梅塔指揮貝爾格萊德愛樂樂團演出莫札特的《費加洛的婚禮》序曲與 40 交響曲。
01:05 Marriage of Figaro, overture
01:05 費加洛的婚禮，序曲
Symphony No. 40
06:35 I movement: Molto allegro
15:30 II movement: Andante
23:40 III movement: Menuetto. Allegro - Trio
28:25 IV movement: Finale. Allegro assai
第四十號交響曲
06:35 第一樂章：快板
15：30 第二樂章：行板
23：40 第三樂章：小步舞曲。快板 - 三重奏
28:25 第四樂章：終曲。快板
From the program notes: In search for a new libretto, W. A. Mozart met the poet and librettist Lorenzo da Ponte, who had just arrived to Vienna from Venice and served as the court poet for Emperor Joseph II. Mozart hired him to adapt the Beaumarchais play The Marriage of Figaro, which was the start of an important and long collaboration between the poet and the composer, the kind of which was recorded in music history only several more times.
節目說明中寫道：為了尋找新的歌劇劇本，W.A. 莫札特遇到了詩人兼歌劇劇本作家洛倫佐·達·蓬特(Lorenzo da Ponte)，他剛從威尼斯抵達維也納，擔任約瑟夫二世皇帝的宮廷詩人。莫札特聘請他改編博馬舍的戲劇《費加洛的婚禮》，從此開始了詩人和作曲家之間重要而長期的合作，此類合作在音樂史上的記載也僅有幾次。
The overture of The Marriage of Figaro was famously composed a day before the opera's premiere, and apart from the jubilant atmosphere of a celebration, contains no music materials from the opera score itself. Three themes play one after the other, maintaining the same joyful character.
眾所周知，《費加洛的婚禮》序曲是在歌劇首演前一天創作的，除了慶祝的歡樂氣氛外，沒有任何來自歌劇樂譜本身的音樂素材。三個主題依序響起，保持著同樣歡快的風格。
After the failure of the Viennese premiere of Don Giovanni, Mozart was not a favorite among the music circles of the Austro-Hungarian capitol. His confidence lost, the artist turned to composing some of his most famous works, whose publishing and premieres he did not live to see. In the summer of 1788, three of Mozart's last symphonies were written - according to biographers, "as in one breath".
《唐璜》在維也納首演失敗後，莫札特不再受到奧匈帝國首都音樂界的青睞。由於失去了信心，這位藝術家開始創作一些最著名的作品，但他無法活著看到這些作品的出版和首演。 1788 年夏天，莫札特創作了他的最後三部交響曲 - 據傳記作家所說，「如同一氣呵成」地完成。
Symphony No. 40 in G minor was already a sensation based on its key alone. Mozart rarely composed in minor key, and this was just his second venture in this direction within the symphonic genre. The symphony's orchestration was another sharp turn from norm, with originally no parts for clarinet, trumpet or timpani. With this famous work, Mozart left tradition and standards set by Joseph Haydn, through bold harmonies, tight form on both macro and micro levels, and the beginnings of counterpoint; these tendencies would all culminate in his Jupiter symphony.
第 40 號 G 小調交響曲僅憑其調性就已引起轟動。莫札特很少以小調創作音樂，這只是他在交響樂流派中第二次嘗試小調創作。這張交響曲的配器編排再次與常規有很大不同，最初沒有單簧管、小號或定音鼓的部分。透過這部著名的作品，莫札特透過大膽的和聲、宏觀和微觀層面的緊密形式以及對位法的開創，擺脫了約瑟夫·海頓樹立的傳統和標準；這些傾向都在他的《木星交響曲》中達到頂峰。
Concert date: October 12, 2024.
Recording by: Radio-televizija Srbije (RTS)
音樂會日期：2024年10月12日。
錄音者：塞爾維亞廣播電視台 (RTS)
Provided to YouTube by Beogradska filharmonija
由貝爾格萊德斯卡交響樂團提供給 YouTube