布拉姆斯 - 第一號鋼琴協奏曲 _ 魯道夫·布赫賓德 _ WDR 交響樂團 Brahms - Klavierkonzert Nr. 1 _ Rudolf Buchbinder _ WDR Sinfonieorchester

Brahms - Klavierkonzert Nr. 1 _ Rudolf Buchbinder _ WDR Sinfonieorchester
布拉姆斯 - 第一號鋼琴協奏曲 _ 魯道夫·布赫賓德 _ WDR 交響樂團

39,791 views Premiered Dec 21, 2024 KÖLNER PHILHARMONIE
Johannes Brahms' Concerto No. 1 in D minor for piano and orchestra, op. 15, performed by piano soloist Rudolf Buchbinder and the WDR Symphony Orchestra under the direction of its principal conductor Cristian Măcelaru. Recorded live on November 15, 2024 at the Cologne Philharmonic Hall.
觀看次數：39,791 首映日期：2024 年 12 月 21 日 科隆愛樂樂團
約翰內斯·布拉姆斯的 D 小調第一號鋼琴協奏曲，作品。 15，由鋼琴獨奏家魯道夫·布赫賓德（Rudolf Buchbinder）和西德廣播交響樂團在首席指揮克里斯蒂安·馬塞拉魯（Cristian Măcelaru）的指揮下演奏。 2024 年 11 月 15 日於科隆愛樂音樂廳現場錄音。

Johannes Brahms - Piano Concerto No. 1 in D minor, Op. 15
00:00:00 I. Maestoso
00:21:00 II. Adagio
00:32:33 III. Rondo. Allegro non troppo
Rudolf Buchbinder, piano
WDR Symphony Orchestra
Cristian Măcelaru, conductor
約翰內斯·布拉姆斯 - D 小調第一號鋼琴協奏曲，作品。 15
00:00:00 我·梅斯托索
00：21：00 二.柔板
00：32：33 三。輪盤。快板
魯道夫·布赫賓德，鋼琴
西德廣播交響樂團
克里斯蒂安·馬塞拉魯（Cristian Măcelaru）指揮

Introduction to the works:
Düsseldorf, 1853. A 20-year-old visitor announces himself to Robert and Clara Schumann and plays them some of his compositions on the piano. The Schumanns are thrilled, even euphoric, by his outstanding talent. His name: Johannes Brahms. A little later, Robert Schumann publishes one of his now most famous texts in the “Neue Zeitschrift für Musik” (New Journal of Music), which he edits. In it, he sings the praises of his young colleague: “And he has come, a young blood, at whose cradle graces and heroes kept watch.”
作品簡介：
杜塞爾多夫，1853 年。舒曼一家對他的傑出才華感到非常激動，甚至欣喜若狂。他的名字：約翰內斯·布拉姆斯。不久之後，羅伯特舒曼在他編輯的《新音樂雜誌》上發表了他現在最著名的文章之一。在信中，他大肆讚揚他的年輕同事：“他來了，一個年輕的血液，他的搖籃旁有優雅的氣質和英雄的守護。”

What is more than well-intentioned sets the bar so high for the young, already extremely self-critical Brahms that he will laboriously work his way through these expectations in the years that follow. In the year following their memorable meeting, Brahms set about composing a sonata for two pianos. But his expressive will seemed greater than was possible with this instrumentation. Brahms reported to the violinist Joseph Joachim: “I often played the first three movements with Mrs. Schumann. Actually, not even two pianos are enough for me.” And so the 21-year-old boldly reaches for the stars and begins to rework the sonata into a symphony. By the end of the year, he is able to send Joachim the score of the first movement. But he remains dissatisfied. Somehow the music, conceived for piano, resists being transformed into a pure orchestral work. Then, in a dream one night, the solution comes. In early 1855, Brahms writes to Clara Schumann: “Do you know what I dreamt last night? I had used my ill-fated symphony for a piano concerto and played it. The first movement, scherzo and finale were terribly difficult and grand. I was completely thrilled.” And indeed, he spent the next two years reworking the piece into his first piano concerto. “Grand and heavy” – that perfectly describes this music. Never before had there been such a powerfully sonorous piano concerto. At the premiere in Hanover in January 1859, the audience showed the young master the respect he deserved.
這不僅是出於好意，還為年輕、已經極度自我批評的布拉姆斯設定了過高的標準，以至於他將在接下來的幾年裡艱難地努力實現這些期望。在他們那次令人難忘的會面之後的第二年，布拉姆斯開始創作一首雙鋼琴奏鳴曲。但他的表達意願似乎超出了這種樂器所能達到的範圍。布拉姆斯向小提琴家約瑟夫‧約阿希姆報告說：「我經常和舒曼夫人一起演奏前三個樂章。事實上，兩架鋼琴對我來說也不夠。於是這位 21 歲的年輕人勇敢地開始將這首奏鳴曲改編成交響曲。到了年底，他就能把第一樂章的樂譜寄給約阿希姆。但他仍然不滿意。不知何故，這首為鋼琴創作的音樂卻無法轉化為純粹的管弦樂作品。然後，有一天晚上，在夢中，解決方案出現了。 1855年初，布拉姆斯寫信給克拉拉舒曼：「你知道我昨晚做了什麼夢嗎？我曾將這首命運多舛的交響曲改編成鋼琴協奏曲並演奏它。第一樂章、諧謔曲和終曲極為困難且宏偉。我非常激動。事實上，他花了接下來的兩年時間將這首曲子改寫成他的第一號鋼琴協奏曲。 「宏大而沉重」——這是對這首音樂的完美描述。以前從來沒有出現過如此強勁洪亮的鋼琴協奏曲。 1859年1月在漢諾威的首演上，觀眾對這位小大師表示了應有的敬意。

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