Unexplainable Ruins Unearthed In Peru?

Chachapoyas is an ancient city once effortlessly mingled among the mountains of northern Peru. At an elevation of 2,335 meters, it is still an inhabited location that was once the home of a little-known or indeed understood enigmatic civilization known as the Cloud People. Situated in the mountains far from the Peruvian coast, although this didn't apparently stop them somehow creating elaborate jewelry from seashells, Chachapoyas remains extremely isolated to this day. Only ever accessed by enthusiastic hikers, adventurers, and airlifted scientists, it is a site like many others we have covered which dot our planet that, through our own research, has been revealed to have a contradictory explanation for their construction. Indeed, these sites are dated too and subsequently tagged to convenient culprits. We have not only found compelling evidence to suggest that this most isolated, once thriving location is one of the oldest pre-Incan relics anywhere in Peru. But that the datings of such sites is often a funded conspiracy rather than a reality. Los Pinchudos is an elaborate Chachapoya tomb complex molded into a high rock face. It is a natural and cultural World Heritage Site and is guarded 365 days of the year and closed off to all except specific scientific exploration. What is remarkable about the site is the fact that the wooden statues marking the tombs have mysteriously survived the ages. These statues were used by academia to date the site. However, although the explanation for the statue's survival is apparently, quote, an arid climate, end quote, the actual site displays evidence of a far greater antiquity than these timber ghosts. Wooden artifacts rarely survived the humidity found within the Peruvian mountains, and although scientists attribute the figure's preservation to the site's location in an arid climate, the site, when discovered, was in such disrepair an emergency conservation effort was launched to save it from further erosion. Many believe that the tombs would have been lost completely without Church and Peruvian conservator Ricardo Morales Gamara, who restored the eroding foundations. The clay and stone tombs of the complex also have wooden roofs and have surviving Inca paint in red, yellow, black, and white. We feel, due to the other compelling evidence that has been gathered and subsequently shared upon our channel, along with the extensive erosion found at many of the sites attributed to the Chachapoyas, that there may be a high chance that the wooden roofing and statues commemorating the graves may have been another conservation effort performed by people placed more recently within history. People, modern academia, claim as the original builders. Is it possible that with the extensive erosion evident at the site, in contrast to the highly preserved and seemingly recent wooden monuments and protective roofing, that we are actually looking at more than two building phases upon these tombs? An original construction, followed by a later Incan conservation effort, and then a modern correction? We find the evidence to suggest such highly compelling. When people visit the southeastern Anatolian province of Mardin, this gem of lost antiquity quietly sits, often overlooked, and when one begins to investigate said site, they are often left with more questions than answers. For why does such an astonishing ruin go largely unnoticed? Why is it not more largely discussed within archaeological circles? Could it be, due to the fact, as one with any level of knowledge regarding lost civilizations, and the proof therein latches eyes upon the site, they instantly recognize its characteristics synonymous with these studies? Matching other, yet rather interestingly, accidentally revealed ruins from around the world. The style of, and the decision to bore the dwellings from solid stone, reminiscent of many unexplained ruins, such as the underground city of Derinkuyu, a particularly interesting site when indeed discovered entirely by accident, one which to this day remains heavily debated, and to some, highly controversial. This site, known as Dara, is exhibiting geological processes which are now, unfortunately, beginning to erode it back into the landscape. The construction technique, however, still testament to its original builders abilities, and indeed its possible age. Yet, this does not answer the question as to why this ruin goes largely untalked of, largely unstudied, and overlooked. For parallel to the erosion argument exhibiting its true age, it can also be used as an advocate for its official dating within the Byzantine era. The lack of surviving ruins will often be used as a way to dismiss such claims of antiquity, due to a lack of evidence. Thus, we wanted to dig a little deeper to see if, via visual evidence, we could confirm that there is indeed reason to suspect that the site could possibly generate controversy for those who originally dated the site. This, to confirm our initial suspicions. Still, surviving tool marks present upon the stones match that of other controversially dated sites. How can a ruin, apparently dating from the Bronze Age, exhibit such long cut marks or finishes across the stone? Like that of the ancient pyramids, how could copper tools have accomplished such feats within Dara, Giza, and the other sites around the world? It is a question which we find highly compelling. There are many gems from ancient architecture which can be found nestled amongst the mountains of Peru. One form of these, in which is a particularly fascinating mystery, is the different types and sizes of polygonal masonry found throughout this incredibly ancient landscape. One such site, once named by the Inca after this site, namely Rimac-Tabo, was Lima-Tabo, now popularly known as Terrahuasi. We feel the reason why this site is rarely mentioned, like the many other archaeological and historical anomalies we share on our channel, rarely visited or indeed studied, is due to its truly remarkable, and we feel almost unique, polygonal methodology, which can still be found within the walls that make up this little publicly shared ruin. In addition to its seemingly impossible nature, a mystery of construction no one to this day seems to be able to decipher. Found some 80 kilometers west of Cusco, the site was used in antiquity as a ceremonial center and a resting place for the Inca chasquis. Known as legendary Inca runners, ones who would deliver messages by foot throughout these mountainous regions over long distances at incredible speed. Yet with all the other remarkable polygonal masonry found throughout Peru, we feel that this site was merely adapted by the Inca, and due to its remarkable location and the aforementioned unique polygonal stonework present, was also seen by the Inca as a significant location. The design of the site itself is particularly peculiar, and it does indeed appear to have once been a ceremonial site of some kind, perhaps a tomb. Yet what sort, or indeed how, these polygonal sites were once constructed remains a complete mystery, one which we find highly compelling. How did a lost global civilization once cut solid stone with such ease and precision? Unimaginably large megalithic structures, laser-like cut stones utilized within the baffling polygonal masonry, not to mention the mystery surrounding the construction of the Great Pyramids. Many mysterious drilled stone cores can be found throughout Giza. These enigmatic tool marks can also be found at the incredibly ancient dolmen of Valkonsky in Russia, exposing the capabilities and clear technological prowess that this lost civilization, who we feel were possibly experiencing an ice age, had left in order to survive its fallout. Yet I digress. Discovered within Austria, we were initially presented with just these three images, two of the exterior, which, if one looks closely, not only displays the porthole of a hidden chamber hidden upon the side of a solid rock face, but that the surrounding rocks had also been cut and finished to an incredibly high standard, somewhere in the very distant past. This indicated to us that this chamber that is not only reminiscent of the Hypodium in Malta, with the addition of the stone within the circular chamber, which we cannot avoid feeling, could have some form of connection to resonance creation, with erosion indicative of a site with an age similar to Cappadocia's ruins, but later revealed to have been, as we expected, but one chamber, in a maze akin to that of the underground city of Derinkuyu. Hidden within an Austrian book of antiquities, we discover a series of fortunately mapped, solid stone-cut chambers, which litter this enormous chunk of exposed bedrock. Clearly an astonishing prehistoric site, one cut by an incredibly, capably, and we feel, technologically advanced civilization. For why would a civilization with simple, primitive tools, such as those made of blunt or brittle stones, or soft, malleable metals, such as that of copper, go to such extremes in the creation of a maze of hidden chambers, each not only finished to an incredibly precise degree, but to have worked stones into unnatural shapes outside of these chambers, many serving no essential function as far as we can identify? Who created this prehistoric site found within the landscape of Austria? How old are the chambers? What technology or tools were utilized in the creation of such a magnificent ancient ruin, or indeed that of the Volkonsky Dolmen, along with the many similarly drilled cores and their stone blocks found throughout Giza? Do all these pieces of evidence indicate the past existence of a lost civilization, one who possessed advanced stone-cutting technology? We find such possibilities highly compelling. Lake Titicaca, undoubtedly a location of extraordinary history. A shoreline known by the historical world for a substantial time as somewhere of considerable interest, having been inhabited for an unknown, yet incredibly long time. With legends of large, antediluvian, highly developed cities plummeting to the bottom of its lake, thus claimed as modern locals as revered, yet also the source of life. But I digress. Polygonal structures still litter its shores and further afield in other watercourse-connected regions. Known as Chilpas, these most intriguing of stone structures still stand here, built with pre-Incan polygonal technological precision, with varying qualities and types of stones, also with stone brick and overall statures of various sizes. They are claimed as spherical burial chambers, yet the precision that went into their construction is evident from without, and also from within, among the few that have inevitably fell to nature over time. The most concentrated area of these enigmatic structures are located at a site known as Puna Cemetery. The Silustani Chilpas surround an adjacent lagoon to Lake Titicaca, and just like the others found in other sparsely scattered regions, were all built with extraordinary precision, built into perfectly circular towers with a perfect pre-Incan polygonal masonry technique. Therefore, we feel, the possibility that they were once made by a now lost civilization has strong evidence to suggest so, still present within their builds for all to see. Furthermore, if indeed they were tombs, as claimed, is a possibility we find highly intriguing. For if true, parallel to the fallacious claims of the great tombs of Egypt, then these many still intact structures would still possess the remains of a now lost civilization. It is a possibility, and indeed collection of buildings which we find highly intriguing. Heikeberg, meaning Fortress of Heike, is an ancient, once fortified ruin found within the Gürpenar district of the Van province in Turkey's eastern Anatolia region. It was used by Eurasian kings as a fortress during the 8th century BC. According to academia and Armenian folklore, the fortress was built by Heike, the legendary founder of the Armenian nation. It was situated close to the site where he slew the invading Babylonian King Bel, who, according to said legends, was in fact an ancient giant. Heike and his people had migrated south toward the warmer lands. There, they discovered a wicked giant known as Bel. Bel tried to impose his tyranny upon Heike's people, but Heike refused to submit. Heike eventually rose up and defeated Bel in what has become known as the Battle of Giants. However, what is intriguing regarding this story is the fact that the sites mentioned are actually ruins left by the same highly advanced and thus highly capable lost civilization, responsible for many of the exquisitely stone-built sites which dot the many continents of Earth. Additionally, the fact that ancient giants are again mentioned surrounding such ruins could be seen as a compelling lead. Easter Island, Guatemala, the Amazon, Peru, South America, the list goes on, all with their own intriguing tales of ancient giants, either once inhabiting said sites or, in some cases, noted as being responsible for their construction. Much of the ancient site is now extremely eroded, yet in many areas, such as Cavustepe, a number of remarkably refined stone blocks are still to be found. Presumably once foundation stones, these blocks still retaining their extraordinary machined-like appearance. These blocks were so perfectly carved, we can only replicate such levels of accuracy using modern-day technologies. The question is, how did a civilization so far back within known history create so many stones cast to the same degree of precision? What's more, these masterfully and mysteriously created stones are seemingly placed upon an even older site, one clearly of an even greater antiquity. Were these newer stone blocks actually robbed stonework from another area of the structure? These blocks then used by a later civilization to build upon these ruins? Are we actually looking upon two lost ancient civilizations' work in ascending order? Rather like what we have postulated later covered the enormous skeletal blocks of the Great Pyramid. Were these sites actually the work of a lost civilization of ancient giants? Or are all these separate accounts of the same beings found all over the world a mere coincidence? With so many sites and legends attached thereof telling the same thing, it is only a matter of time before the truth is proven beyond doubt. Jordan, a precious area of our planet with a number of jewels, still surviving from what we claim is a lost antiquity. Baalbek, with megaliths which, if not in perfect placements, would simply be unimaginable as the ancient objects used to create these enormous temple complexes, littered with numerous blocks estimated at well over 1,000 tons in size. It is a site whose explanation for construction is, predictably, avoided by modern archaeology. Although once dismissed by academics as immovable, the stone of the pregnant woman, for example, has since, due to more modern digging, been proven to, in fact, be merely a block part of another temple, which is now still mostly buried under millennia of strata. Another incredible find, and one that pushes the sizes of what these ancient civilizations were capable of, is an enormous stone upar known as the Colossal Hand of Hercules. Excavated in Amman, and due to the find's proximity to what is now known as the Temple of Hercules, it is now thought to have been a hand of a gargantuan marble statue of Hercules himself. However, regardless of identity, when one begins to estimate the past size of the statue in relation to the hand, the statue itself would have been many, many thousands of tons in weight, undoubtedly towering into the sky. There exist many legends of statues built in many other parts of the world, some in Docklands, some in capital ancient cities, some topple such as the Obelisk of Aksum, again over the thousand tons in weight mark, and many unfinished. Yet this statue would have dwarfed all in size. And the fact that it was found in Jordan, a boiling pot for unexplained antiquity. A simply gigantic stone megalithic site, its discovery has made all the more intriguing, and we feel can be legitimately used to argue, or rather push, the capability of this lost civilization's capabilities of moving ancient stones, even more advanced and astonishing in capability. Unfortunately, we feel due to the sheer age of the statue, and the fact that it lived through a catastrophe of global proportions, only this fragment of hand and a portion of the elbow exists, subsequently found at the site. But reiterating the sheer size of other artifacts at the site, again gives credence to the past existence of a complete statue, and regardless of whether it was indeed once of the mythological character Hercules. We find the hand, and indeed its possible origins, as highly compelling.