貝多芬：第一號鋼琴協奏曲 |瑪格麗塔‧霍恩瑞德 Beethoven: Piano Concerto No. 1 | Margarita Höhenrieder, Staatskapelle Dresden & Fabio Luisi

Beethoven: Piano Concerto No. 1 | Margarita Höhenrieder, Staatskapelle Dresden & Fabio Luisi
貝多芬：第一號鋼琴協奏曲 |瑪格麗塔‧霍恩瑞德 (Margarita Höhenrieder)、德勒斯登國家管弦樂團與法比奧‧路易西 (Fabio Luisi)

Piano Concerto No. 1 in C major by Ludwig van Beethoven is Beethoven for piano virtuosos. Margarita Höhenrieder shines on the piano, accompanied by the Sächsische Staatskapelle Dresden conducted by Fabio Luisi. The concert took place in 2008 at the Philharmonie im Gasteig Munich.
路德維希·凡·貝多芬的《C大調第一號鋼琴協奏曲》是貝多芬為鋼琴演奏者所作的作品。瑪格麗塔‧霍恩瑞德 (Margarita Höhenrieder) 在德勒斯登國家管弦樂團 (Sächsische Staatskapelle Dresden) 的法比奧‧路易西 (Fabio Luisi) 指揮下，在鋼琴上大放異彩。音樂會於 2008 年在慕尼黑加斯泰格愛樂樂團舉行。

(00:00) I. Allegro con brio
(18:39) II Largo
(29:50) III Rondo: Allegro scherzando
(00:00) I. 充滿活力的快板
(18:39) II 廣幅
(29:50) 第三迴旋曲：諧謔快板

Ludwig van Beethoven (1770 - 1827) wrote seven piano concertos, five of which are numbered as opuses. The Piano Concerto in C major, Op. 15 is known as Piano Concerto No. 1, even though it was not the first concerto for piano that Beethoven wrote. First drafts for the Piano Concerto in C major date from 1793, a first complete transcription was available in late 1794 or early 1795, a new score existed before 1800 and finally the print appeared in 1801 after the solo part had been rewritten a second time. Beethoven probably performed an early version of the C major concerto himself in Vienna in 1795, where he is also thought to have performed a later version for the first time in 1800.
路德維希·範·貝多芬（Ludwig van Beethoven，1770 - 1827）創作了七首鋼琴協奏曲，其中五首被列為作品。 C大調鋼琴協奏曲，作品。第15號鋼琴協奏曲被稱為第一號鋼琴協奏曲，儘管它不是貝多芬創作的第一首鋼琴協奏曲。 C大調鋼琴協奏曲的初稿可以追溯到1793年，第一個完整的轉錄版本出現在1794年底或1795年初，新的樂譜出現在1800年之前，最後在獨奏部分第二次重寫後於1801年出版。貝多芬可能在 1795 年在維也納親自演奏了 C 大調協奏曲的早期版本，據信他也於 1800 年在那裡首次演奏了晚期版本。

Beethoven initially wrote his piano concertos primarily for himself. As a piano virtuoso, he wanted to show off his skills to an audience with the solo concertos; he was, after all, famous for his brilliant improvisations on the popular instrument.
貝多芬最初主要為自己寫鋼琴協奏曲。身為鋼琴演奏家，他想透過獨奏協奏曲向觀眾展現自己的技巧；畢竟，他因在流行樂器上的精彩即興演奏而聞名。


There are similarities between the Piano Concerto in C major and Symphony No. 1, not only with respect to the period in which they were composed. In both works, the young Beethoven’s knack of bringing forth the most diverse musical emotions from a simple thematic idea is already evident. And both works are characterized by a festive tone in which virtuosity is celebrated to the highest degree.
C大調鋼琴協奏曲和第一號交響曲之間不僅在創作時期上有相似之處。在這兩部作品中，年輕的貝多芬從簡單的主題理念中帶出最多樣化的音樂情感的技巧已經顯而易見。這兩部作品都以喜慶的基調為特點，在其中對精湛技藝進行了最高程度的頌揚。

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