“我害怕墳墓的黑暗”摘自 BWV 66：J.S 巴赫 "Ich furchte zwar des Grabes Finsternissen" from BWV 66: J.S Bach

"Ich furchte zwar des Grabes Finsternissen" from BWV 66: J.S Bach
“我害怕墳墓的黑暗”摘自 BWV 66：J.S 巴赫

Violinist: Davina Clarke
Alto: Hugh Cutting
Tenor: Nick Pritchard
Harpsichord: Tom Foster
Cello: Alexander Rolton
Theorbo: Sergio Bucheli
小提琴家：達維娜克拉克
中音：休·卡切特
男高音：尼克普理查德
大鍵琴：湯姆·福斯特
大提琴：亞歷山大·羅爾頓
塞奧博：塞爾吉奧·布切利

I'm delighted to be sharing an extract from my latest single with you all, which is available to listen to on Apple Music, Spotify, Tidal and Deezer.
"Ich furchte zwar/nicht des Grabes Finsternissen" is from from Bach's Cantata "Erfreut euch, ihr Herzen" (Rejoice, you Hearts), BWV 66. It was composed for the Second Day of Easter in Leipzig and first performed it on 10 April 1724.
Throughout the cantata, there is a dialogue between the tenor and alto, both of whom represent different attitudes towards the Resurrection of Jesus, similarly to the two disciples.
In this aria, the alto expresses a fear of the grave, whereas the tenor is not afraid. The two solo voices weave in and out of the violin line, illustrating Bach's brilliant use of the obligato technique.
The complete album, "The Art of Obligato" will be launching on Friday 22nd November and we are are so excited to share it with you all 🎻
我很高興與大家分享我最新單曲的節選，您可以在 Apple Music、Spotify、Tidal 和 Deezer 上收聽。
「Ich Furchte zwar/nicht des Grabes Finsternissen」選自巴赫的康塔塔「Erfreut euch, ihr Herzen」（歡樂吧，你們的心），BWV 66。 4 月10 日首次演出1724.
在整個康塔塔中，有男高音和女低音之間的對話，兩人代表著對耶穌復活的不同態度，就像兩個門徒一樣。
在這首詠嘆調中，女低音表達了對墳墓的恐懼，而男高音則不害怕。兩個獨奏聲音在小提琴旋律中穿插穿出，展現了巴赫對義務演奏技巧的出色運用。
完整專輯《The Art of Obligato》將於 11 月 22 日星期五發行，我們很高興與大家分享🎻

Provided to YouTube by Davina Clarke
由 Davina Clarke 提供給 YouTube