Comment calquer le make-up naturel d'une Parisienne en 10 minutes chrono ? | Vogue Paris

Bonjour Vogue, I am Leslie Dumex, a make-up artist from Paris. And today I'm going to show you a spring makeup tutorial Fresh, glowing and sure, Paris style. I'll start with the skin care routine. It's very important, it's the stage to not be rated. When you want a fresh and glowing make-up So I always put a lotion on first. Prepare my skin to receive my care I'm using a contour of the eyes. The Royal Bee of Guerlain I find it quite effective since it removes really well The little ridges, it fatigues the contour of the eyes And then of course I mass well Then I 'll come and apply the serum. The Queen of England Two pompes is enough. I always apply it under pressure. Like this on the face After the serum on met une crème It's very important to moisturize the skin. Then I always come and put a mist to really decuple the hydration of my products and last stage the baume lèvre Very important to hydrate your lips well Before you put on lipstick to avoid having Des petites peaux partout when on se maquille on est parti pour le make-up I always start with this shade of Shiseido. It's the Synchro Skin that's a little more common. And then I'll put my little blend of face and body At MAC, a little gout is more mild. And more transparent, that's the secret of makeup artists. to have the perfect colour at the level of your skin tone I'm not gonna get too worked up with my brush. I'm just going to fondle him, I hide if I have redness If I have little buttons, very light, very natural Just pour unifier my complexion How do you know if the color you have chosen is right? I take a little bit of my colour I'll apply here. And if I see that the product is melting well It's just that the color is right. When I've finished my stage of fond de teint I use a palette of corrector I like the one from MAC because there are several colors. It's something indispensable for me. To correct the small imperfections I 'll take a little of these two colors. And I'll just correct the small imperfections There's a little product. And I tap, rather than put a ton of fondant on It's better to put very little of the background. and make corrections That's what makes the complexion stay lighter, fresh and natural. Afternoon, the anti-cerne. I use this stylus light de Chanel. This is stage number one. to correct the color of the cerne un stylo dans le produit (a pen in the product) And just in the creux de la cerne I'll show you the product first. with the brush It's not compulsory. It's true that sometimes, I do it with the finger Afterwards, I'll use my finger. Pouring the product You see, that's already corrected the color. I don't have any more blue. I see my head again, but it's a real correction. Especially if you have very colored circles. At the same time, it illuminates, that's what I like about this type of product It has a slightly lighter matter than some anti-cernes. It's more like a stage of light. So if you have very little heart, la lumière, ça suffit I pass to my second anti-cerne Fenty Pro Filter, there's no need to put much on it. I make three little points and I remain always well in the creux de la cerne I never raise my product to eye level. Because otherwise, in the course of the day, you find yourself with des lignes sous l'oeil (with the lines under the eye) With plenty of anti-cerne, it doesn't make very clean. And it made especially the ridges to avoid this kind of problematic on reste vraiment dans le creux de la cerne (on really remains in the creeks of the cerne) Little tips, on don't forget this little coin de l'oeil Because we're always a little red. And it tends to make the look fall I always correct everyone, it raises the eyes Afternoon, la poudre That's what I need. I use this powder from MAC, La Blot. A little brush with a little biseauté. Who marries the shape of my heart I'm coming to powder, to make more. If we can't get the brain, unfortunately, it won't hold. And in addition, when we can't, on an air encore plus cerné Since it makes the volume stand out It is the first thing that makes you brilliant. I'm fine with it. The areas of transpiration, the front The coin of the nose, the coin of the eye, sous l'oeil And here, you can leave a little more glossy It's not embarrassing. I came to put on a blush from Mac's. It has a slightly hybrid texture, brilliant. But not pailletée, and with my brush, la bouche rouge I take the product I pass d'abord on my hand to remove the excess of matter I smile and I apply the game There's a good way to get to the tent. A little blow on the nose to put the side fresh, printer You can pass a coup like this I like to finish and pass like this. It's already coloring my eyelids a little. The bronzer I'm going to use, is this one. I take a colour quite foncée, so there is the colour deep. I take the product with the same brush that I use to blush it. I'm going to put a little on my hand so I don't have to do chores. And I always start with the tent. I'm gonna really make a 3 and around my face So if on a un du tout petit front Of course, we'll avoid putting I'm going to go to the front. I place vraiment dans le creux, sous l'os. I place really in the creux, sous l'os. I'm going to go to my mouth. And then I continue in the neck It really avoids having a demarcation of background. In general, so it catches up a little bit the colors And then the neck is always whiter since it doesn't bronze. Always clearer than the face. Stop the nose, that's the little technique if you want. A little more nose-tingling. After the 3 de la Terracotta, the eyes I'll start with this palette, I like these colors. It's rosé, it's fresh, it's easy to use. On all the colors of eyes and especially you have mattes And the irises, so it's very complete I take a brush to the eyes a little fluffy The white fluffy, ça c'est indispensable So I'm going to take my color Rose matte in the first place Same, I pass on my hand And I 'll put my brush there. In the crevices of my eye and also the end So never in redescendant, always Étire en remontant pour on bien ouvrir l'œil (to open the eye) is a French word for "to open the eye". And always a color. The following shall be added: That crease and that brilliance. So I'll take the colour a little bit more. Foncée, I pass on my hand and I go Just come put this color foncée At the end of the eye. You can use these iridescent colors on the I'm going to have another one today. I love it and it's a glow. Absolutely sublime, it is a product of MAC. And then there's my finger, this time not with a brush. I close my eyes and I come really pleased This little light on The bombé de l'œil right in the middle Then I fond a little with my finger and With a little brush, I'll really come So you can also do it With the finger but there I have the nails a little long, it works We'll avoid getting an eye pierced anyway. You can also put a little bit of it underneath at the beginning. I look at you and it changes completely. The make-up. It's true that it made me afraid to hurt. I'll use it as soon as I make it. So we're going to catch his eyelashes. And it really comes It's already like if we had missed the After having recourse my eyelashes, I'll apply directly The mascara to make them hold upwards So I use this mascara from Charlotte Silbury. There are little picots that come really separating That's what I like about this kind of mascara. It's just that it's more natural. Then, that's the little one. With a little stick that doesn't have a I'm going to brush my eyelashes. to remove the excess of mascara, not to do On a finishing touch with the look of the eyes I'm going to use the eyebrows. This is a crayon from Shiseido. So there's a side pencil and there's a small So first, I'll take a look at the side with a little brush. on brosse le sourcil vers le haut (on the brow to the top) I 'll come fill the line on the bottom. I'll just fill in the little holes. You need to fill in more, you're redrawing the whole line. I'll finish by lengthening just a little bit. La pointe et ensuite on the brush towards the bottom And we'll see what we can do. And the same, if you have much more to complete, do not hesitate to re-do the line I 'll brush you well if I need to. I fill the inside of my eyebrow I brush well especially to melt the product and to avoid any traces The crayon, what we often see when we do the eyebrows And another trick to avoid having marks, especially not taking A crayon too dark, prefer almost a crayon Plus clair qui va coming just filling up And don't crayone your eyebrow completely Pour savoir où doit s'arrêter votre sourcil (to know where your eyelid should stop) In general, a line is drawn between the eyeball and the eyeball. The coin is coming in. A little bit of that. And the same for the inside of the eyebrows, in general, when you put your pencil angle of the nose, coin de l'oeil And we'll see where the beginning ends. La tête du sourcil, after that, I fix my eyebrows To the top, that's really the product. Don't I pass, it's true that as soon as I don't do my eyebrows At least I brush them, I raise my head well du sourcil et ensuite à l'arrière (from the front and back) I brush them a little more straight for real. I'm glad you're here. Disciplined, it's true that this is the fashion French to have big eyebrows Well, well, well, well, well, well, well, well, well, well, well, well. Now I 'll do it I highlight, ça c'est l'étape I'm going to highlight I prefer the highlighters liquid. I'm going to use the powder because I think it's the best. Matters are much lighter and more I'm just going to be honest. 1, 2, 3 gout and ensuite With my finger, I come Tapoter l'excédent (Tap the excess) I put it on the nose, that's what's really gonna give This effect is fresh at the level of the complexion. This effect glowy comme on aime l'highlighter If you want this effect, use it, it's really Magical, and it's true that you choose the color It's the same, there's a des couleurs au niveau des highlighters, so when on a tint A little more bronze, a little more gone, on va vraiment Choisir des couleurs qui sont plus dorées (choosing the colors that are more golden) Who have little reflections or, et quand on a teint peut-être plus blanc Can we go to the colours a little bit more, call it that? Lune, vraiment plus blanche or more Rosée, la bouche, je mets toujours un crayon I'm going to have to put a pencil in my mouth If you want lips a little more pulpy, a little bit Better definitions, that's essential, especially When on a les lèvres fines, on peut tricher un petit peu in passing légèrement in dessous Don't worry, you won't look like that. Crayonné with a very high crayon stroke If you choose a good color, that is, a natural and light colour Who doesn't see too much, who is almost the hue of your lip I come especially as a rat-catcher, on a never. The mouth is symmetrical, so if one side is higher than the other, it overflows. Un petit peu et on corrige, on corrige aussi (a little bit and on corrige, also on corrige) The end, the coins des lèvres qui sont jamais hyper remplis naturellement on vient bien jusqu'au bout, to redefine I'll add some lipstick to your mouth. The pencil was Charlotte Tilbury and the lipstick is also Charlotte Tilbury It's the same color, it's Le Piloto, so normally they're really I'm very well. Not much, just a little bit to fill. Le coeur, mais quand on a les lèvres plus fine of course Don't hesitate to go to the colors a little bit more satin. Who pulpent davantage the lips And voilà, the look is over, I hope that it's a pleasure I 'll take the barrettes out. Thank you Vogue, to be soon.