Hellbound Season 2 Interview with the Cast and Director Yeon Sang-Ho | AsianFeed

The filming of the first season was also experienced by the director of the show but it was very efficient landing. It rolls like a cog. I think the combination of the staff that worked with you for a long time is very good. And the actors who met in season 1 and the actors who joined in season 2 look at each other with such reverence. And on TV only see that actor and in Korea too redundant such names are wonderful actors I think I was very impressed by the process of filming myself, thinking that we are all gathered here together. It seems that this is the process of filming a movie or a drama series that is almost always smooth. The shooting of Hell season 2 was really smooth so there are no more episodes. This is an episode that's actually a little hard to talk about and fight over. And the one that stays in my memory most vividly is that it was actually an episode. My director was so neatly filming the concert I really need to shoot today. I'm gonna shoot all the parts that need to be shot today. As a result, when I saw the editorial, it was the same as what I saw on the computer. So how did you pre-work this and how did you draw it so perfectly? I have the staff's respect this time. And as I said, if you say episode Our actor is shooting for the movie. That's the only episode. I'm in a fight in the third and fourth quarters and I'm down there. There are episodes where you can't control your body and you just have a momentary impulse. It seems that the question of life and death is always of interest to us, even if we are not asked directly. Now we live longer, but what kind of life do we have to live? And how I die, when I die, how I can die well. I don't think we've thought about it, but in fact we had many such curiosities or questions. And how to live well and die well again. I think that the need for such trials is something that I too have thought about while watching this work. I've been thinking that maybe these things are some kind of global question that you can ask me. If you ask me if I have any cultural views on Korea, I don't really know. Because I've actually only been to Korea and I've never really been outside of Korea. I don't know anything about anything other than Korean culture. Because I don't know, I just naturally made it to express the parts of me that I feel. Now I think that of course the whole story was actually made within Korean culture. But despite all this, I watched a lot of foreign films as a child. The fact that even if I didn't live in the cultural realm, I didn't really understand the film or the characters' feelings. So I guess maybe people feel like humans feel like Anyway, I think this work is a work that deals with some humanism. I think that the things that I feel like being human are very common things that clearly exist. The only thing that's so different is that putting it out and making it public and seeing it is a special experience that people from all over the world can share in real time. Maybe through a medium called Netflix, it seems that such things are possible. Such experiences seem to me to be very new experiences.