年代未详 - 闽南民间戏曲 「管甫送」专辑
年代未详 - 闽南民间戏曲 「管甫送」专辑
歌手的资料很缺乏。
----------------------------------------------------------------------------------------------------------------------------------------------------
Guanfusong
Guanfusong is from Minnan Zhuma Drama. At the same time that the influence from the Liyuan Opera on the Zhuma Drama, Liyuan Opera was also influenced by the Zhuma Drama, and the effect of the Zhuma Drama to Liyuan Opera was spreading their own repertoire, and Guanfusong then became the common and traditional highlights of the three school of Liyuan Opera, Shanglu, Xianan and Qiziban, and Guanfusong is a skit which was always played after bigdrama. The origin of Guanfusong is unknown, and the exact creation time can not be tested. The version of Guanfusong in this paper is belong to school Xianan of Liyuan Opera. The discussion direction of this paper is divided into three parts. First, this paper explores the relationship between the historical origins of the repertoire and the present version. Secondly, this paper selects twelve Minnan dialect words form Guanfusong, which is divided into ＂borrow words＂, ＂special words and special lexical words＂ and ＂abbreviations＂, and from the perspective of voice and grammar to explore the dialect words, lexical use and the words before abbreviation. Finally, this paper discusses the language features between Minnan dialect and minority languages, especially those with Miao and Dong language. After the study, at the beginning of the year of Guanfusong, it was the drama influenced by Zhangzhou and Quanzhou drama during the Yongjia period, and it is an important source of southern play. Many of the characters in the Minnan dialect are unknown; therefore, the ＂unique words＂ is often written in the form of ＂borrowed words＂, because this is the fastest and easiest way to write spoken dialects as the written texts. As for the relationship between Minnan dialect and ethnic minorities in southern China, there is a large number of ＂overlapping words＂ one can also find many use cases in Guanfusong.
〈管甫送〉源自闽南竹马戏，在梨园戏影响竹马戏的同时，也受到竹马戏的影响，竹马戏对梨园戏的影响表现在传播自己的剧目，〈管甫送〉遂成为上路、下南、七子班三派所共有的传统单折戏，是经常加于大戏之后搬演的「小出」，因受观众欢迎而经常上演。 〈管甫送〉剧目来源不详，确切的创立时间不可考，本文研究的〈管甫送〉属下南派外棚头折戏，讨论方向分三部分：首先，探讨〈管甫送〉剧目的历史来源与现今版本之间的关联；其次，从〈管甫送〉选取十二个具有闽南方言色彩的词汇，分为「借音词」、「特有词与特殊词法」、「缩读词」三类，并从语音、语法的角度探讨其方言本字、词法用例以及缩读前的语位；最后，讨论闽南方言与少数民族语言，尤其是与苗侗语相类似的语言特征。经研究，〈管甫送〉最初之时，为受永嘉杂剧时期的漳泉杂剧影响而产生的戏剧作品，属南戏重要源头，而闽南方言许多本字未定，或难以考订，因此「特有词」多以「借音词」的形式写定，这是将口语方言写定为文字最快也最简便的方式；至于闽南方言与中国南方少数民族的关系，大量存在于苗语的「叠音词」，也可在〈管甫送〉找到许多用例。
------------------------------------------------------------------------------------------------
『抱歉：年老的黑膠唱片品质不好, 有杂音, 请原谅!』
《 资料来源：网路文章》真心感谢原作者！ ～ ～ ～ 如有乱码、错别字、侵权问题，欢迎您告知，将即速更正补充删除！