Hilary Hahn & Andrés Orozco-Estrada – Dvořák_ Violin Concerto in A Minor, Op. 53, B.108_ III. Finale

Hilary Hahn & Andrés Orozco-Estrada – Dvořák_ Violin Concerto in A Minor, Op. 53, B.108_ III. Finale

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35 Video Views·Oct 7, 2024

希拉里·哈恩 & 安德烈斯·奧羅斯科-埃斯特拉達 – 德沃夏克_ A 小調小提琴協奏曲,作品 53,B.108_ III 結局
Hilary Hahn & Andrés Orozco-Estrada – Dvořák_ Violin Concerto in A Minor, Op. 53, B.108_ III. Finale

Hilary Hahn’s album Eclipse features Dvořák’s spirited Violin Concerto. The violinist performed this tour de force from the Czech composer’s “Slavic period” in Frankfurt in April 2021.You can enjoy her captivating performance of the third movement (III. Finale. Allegro giocoso, ma non troppo) here.
希拉蕊·哈恩 (Hilary Hahn) 的專輯《Eclipse》收錄了德沃夏克充滿活力的小提琴協奏曲。這位小提琴家於2021 年4 月在法蘭克福演奏了這位捷克作曲家“斯拉夫時期”的傑作。

Dvořák, a village butcher’s son raised in central Bohemia, incorporated the folk songs and dances he had heard as a boy in his mature musical language in defiance of the Austro-Hungarian Empire’s suppression of Czech culture and language. The Violin Concerto in A minor, Op.53, written between 1879 and 1882 for the great virtuoso Joseph Joachim, weaves folk-inspired themes typical of Dvořák’s Slavic period into the classical forms of sonata and rondo. It concludes with a stylized version of the furiant, a fiery Czech dance, part of what Hahn calls “a gigantic statement of human emotion.”
德沃夏克是波希米亞中部鄉村屠夫的兒子,他將兒時聽到的民歌和舞蹈融入到自己成熟的音樂語言中,反抗奧匈帝國對捷克文化和語言的壓制。 A 小調小提琴協奏曲 Op.53 於 1879 年至 1882 年間為偉大的演奏家約瑟夫·約阿希姆 (Joseph Joachim) 創作,將德沃夏克斯拉夫時期典型的民間主題融入奏鳴曲和迴旋曲的古典形式中。它以風格化的狂怒舞蹈結束,這是一種火熱的捷克舞蹈,哈恩稱之為「人類情感的巨大表達」的一部分。

Hilary Hahn’s latest album, Eclipse, celebrates the power of authenticity. Recorded with the Frankfurt Radio Symphony and Andrés Orozco-Estrada, it sees the triple Grammy-winning violinist deliver interpretations of three works charged with universal emotions yet rooted in their composers’ musical heritage: Dvořák’s Violin Concerto, Ginastera’s Violin Concerto and Sarasate’s Carmen Fantasy. “This recording tells stories I didn’t understand until I returned to the stage after a long hiatus: the elation of coming into one’s own, the declaration of an artistic identity, and what it means to regain your native language through music,” says Hahn.
希拉蕊哈恩 (Hilary Hahn) 的最新專輯《Eclipse》頌揚了真實的力量。這張專輯由法蘭克福廣播交響樂團和安德烈斯·奧羅斯科-埃斯特拉達共同錄製,這位三屆格萊美獎得主小提琴家詮釋了三部充滿普遍情感但植根於作曲家音樂傳統的作品:德沃夏克的《小提琴協奏曲》、吉納斯特拉的《小提琴協奏曲》和薩拉薩蒂的《卡門幻想曲》。 「這張唱片講述了我在長時間中斷後重返舞台之前無法理解的故事:成為自己的喜悅,藝術身份的宣言,以及通過音樂重新獲得母語意味著什麼,」哈恩說。

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