約翰·施特勞斯二世：皇帝華爾茲 op. 437維也納音樂協會Johann Strauss II: Emperor Waltz op. 437 | Musikverein Vienna

Johann Strauss II: Emperor Waltz op. 437 | Musikverein Vienna
約翰·施特勞斯二世：皇帝華爾茲 op. 437維也納音樂協會

Alfred Eschwé, Dirigent | Conductor
Vienna Johann Strauss Orchestra
艾施韋 (Alfred Eschwé)，指揮 |導體
維也納約翰‧史特勞斯管弦樂團

Recorded live on October 26, 2016 in the Golden Hall of the Wiener Musikverein.
2016 年 10 月 26 日在維也納金色大廳現場錄音。

Synopsis:
In the fall of 1889, Johann Strauss (Sohn) was invited to conduct a number of his own compositions at several festivals on the occasion of the opening of the new Berlin establishment "Königsbau" in the former "Poduktenbörse".
He was granted generous terms and provided him with an orchestra of 100 men.
It tempted the Waltz King to perform once again in the metropolis on the Spree and, moreover, in such a noble setting. Strauss (Sohn) therefore wrote a new composition for these concerts, for which he chose the title "Hand in Hand". This should probably point to the good relations between Vienna and Berlin. Corresponding to the festive occasion, Johann Strauss (Sohn) wrote a large-scale waltz with an introduction, the beginning of which was perceived as "Prussian." All the more Viennese was the following waltz. Before the work was played for the first time, an important political event took place in Berlin:
Emperor Franz Joseph paid a visit to Kaiser Wilhelm II. On this occasion, the alliance between Austria-Hungary and the German Reich was solemnly summoned.
Probably this imperial meeting in Berlin offered the suggestion to give the new waltz by Johann Strauss (son) the title "Kaiser-Walzer".
The premiere of the work took place under the direction of the composer on October 21, 1889 in Berlin's "Königsbau". The Vienna premiere followed on 24th November in the Golden Hall of the Musikverein. Johann Strauss (Sohn) performed his masterpiece even in the hometown itself to the audience.
In both cases, there was a complete success. The special
rank of the festive composition was immediately recognized, and at the same time it remained in the future.
摘要：
1889 年秋天，在位於前“Poduktenbörse”的柏林新建築“Königsbau”開幕之際，約翰·施特勞斯（Sohn）受邀在多個音樂節上指揮了許多自己的作品。
他獲得了慷慨的條件，並為他提供了一支由 100 人組成的管弦樂隊。
圓舞曲之王很想再次在施普雷河畔的大都市，而且在如此高貴的環境中表演。因此，施特勞斯（索恩）為這些音樂會創作了一首新的作品，他選擇了標題「手拉手」。這或許顯示維也納和柏林之間的良好關係。與節日相對應，約翰·施特勞斯（兒子）寫了一首帶有引子的大型華爾茲，其開頭被認為是“普魯士的”。接下來的華爾滋更是維也納式的。在這部作品首次演奏之前，柏林發生了一件重要的政治事件：
法蘭茲·約瑟夫皇帝拜訪了德皇威廉二世，在此之際，奧匈帝國與德意志帝國之間的聯盟被莊嚴地召喚出來。
也許這次在柏林舉行的帝國會議提出了將約翰·施特勞斯（兒子）的新華爾茲命名為“皇帝華爾茲”的建議。
該作品於 1889 年 10 月 21 日在作曲家的指導下在柏林“Königsbau”首演。隨後於 11 月 24 日在維也納金色大廳舉行了首演。約翰·史特勞斯（兒子）甚至在家鄉向觀眾表演了他的傑作。
在這兩種情況下，都取得了圓滿成功。特別的
節日作品的地位立即得到認可，同時它仍然保留在未來。

Provjded to YouTube by Vienna Johann Strauss Orchestra
由維也納約翰史特勞斯管弦樂團提供給 YouTube