简单的樱花油画 - 鲍勃·罗斯认证讲师春季绘画/Simple Cherry Blossoms Oil Painting - Bob Ross Certified Instructor Spring P

Hello, folks. Howdy, howdy, howdy. It's me again. Here at the easel. You may have figured that out, right? I've got a weird little canvas up here. It's a little oval canvas. I haven't had it in quality for quite some time. And I thought I'd paint on it. A little quick scene. Similar to something I painted maybe in April of last year. And the video is on YouTube here. But the quality is not good. So I want to do just a little scene. And show you a couple of things here on this one. All right. So I've got liquid white on the canvas. And just a little bit. And I've got a little... I actually had Prussian blue out here. But I would probably rather have phthalo blue. So I'm using very little blue. So I'm lazy. So whatever is out is what I'll pick up and use. Unless it's just really going to be ugly. And I wouldn't want a yellow sky for this one. So I'm going to make that top a little darker. A little darker. Yeah. We don't need much. We don't need much sky in this one at all. Easy little scene here. We can leave a little bit of light areas in there. It looks nice. No clouds or anything today. Hope everybody's okay. And I'm ready for spring. Which is unusual for me. So if I'm ready for spring, I know other people are definitely ready for spring. I'm just darkening it up until I like it. A little bit more. Remember the key to any time you're putting in a sky, especially a sky, is start with less paint and work your way up. Don't just take a run and go and grab, you know,a gallon of phthalo blue and throw it on the canvas. It's going to be a lot easier for you to put more paint on than to try to take it off later on. Maybe just a little bit more down here. Just grab a little color down there. Something like that. Yeah. I think that'll do. That's all I really want. Maybe. Yeah. I want a little bit darker at the top. This is an odd-sized canvas. I think that'll look nice. There we go. Let's take us a 2-inch brush now. And hopefully it's a clean 2-inch. And down here,just in the lighter area, kind of work your way up. Just kind of blending it out until you like it. Okay,and I'm just using little side-to-side strokes there,really. Nothing to this one for the sky. All right. I think that's probably all I need. Actually,I'm going to change my mind just a little bit. I'm going to throw a little bit down here. I'm going to make it at an angle here. Just a little hint of color there. I do that to you,don't I? I change my mind all the time. I say I'm done,and then I'm not. And we'll just swirl that in. Because I just want some... I just want a little color there. I don't need it. I just want it. All right. Super simple painting is what I promised. So let's keep our promise today. And really, there's only one big feature in this painting. And that will come here in just a second. But for right now, I've got to take a little... I've got a little mountain mix today. I'm also going to grab about equal parts of sap green. And mix those two together. Because it's kind of green. But it's also a little darker than the sap green. Makes it a little bit more dark. And we'll just take that brush we were using for the sky. And beat on it. You can always wipe it off on a paper towel. That would be nice. I did not do that, because I'm crazy. I'm going to be a little bit of grassy area. Just kind of like that. That's it. Now,it goes all the way down,of course. So we'll go ahead and just tap in our dark here. But you can see that little bit of mountain mix made the phthalo green a lot nicer, a lot darker,a lot deeper green. Here,a little hill here,too. Grassy area to kind of... We can change it,too. But however you want to form it. It's kind of up to you. And these aren't meant to be like paint on. I hope you're just enjoying watching. Maybe you'll pick up a tip or two from me. You know. Laugh at how bad the paintings are at times. Or how bad I sound on video. Things like that. A little bit more. So as it gets closer, it gets a little darker. And I'll tell you what, we'll add just a touch more of our darker color, which you could use black. You could use all kinds of colors. Just tap it in there. And for now,that's probably good. And we don't need to worry about it too much. So yeah. I think I like that so far. I deserve a sip of tea. I always like to have a nice cup of tea while I'm speaking on the video. Hopefully it'll keep my voice fairly clear. And it is just tea. What is it? Apple honey? Apple cider honey or something? Tea? And my double R mug. If you know where this mug is from and what it's really stands for, You and I could probably be best friends. So there you go. Alright. Now I'm going to switch to a Filbert brush. And the reason I'm doing that is you could use a fan brush Whatever you've got available use it. I'm gonna pick some man dyke brown. 就在這裏 然後再加一點 那種暗的顏色 隨便你用 我用山藥 因爲我喜歡 山藥的味道 山藥有點像 藍色 有點像藍色 這就是我喜歡的 好,我現在就拿一些顏色 在我的 色彩筆 我們有一個大樹在這裏 那樹在哪裏 我們不想在這裏 但是我想在這裏 我想在這裏 讓我們去 我告訴你,我們可以 做得比較短,然後我們可以 在這裏 也許在這裏 這 是一個小的顏色 我認爲這是 我必須 把紙放在這裏 我必須測量它 這聽起來像是工作 這是一個小的 橫幅 相信 或不相信 你認爲這應該是便宜的 但這不是 如果你嘗試買一個橫幅 你會感到震驚 他們負責什麼 不要擔心這部分 因爲我們將 混淆它 並添加一些東西 我將把它放在 頂部 很多東西被覆蓋 現在是時候 混亂它 它有些大樹 我們也會使用紙 但我們將放一些在這裏 讓我們可以 某個地方 把它 某個地方 這只是 一些示範 讓我們開始 我們甚至不需要這些 有時候它幫助我 找出樹枝的形狀 可能是這樣 我將把它 填充 用這把刷子 但我將把它 用這把刷子 不要讓它太大 記住樹枝的規則 樹枝需要 變得更薄 如果它不變薄 它將 變成這樣 我們將用刷子 刷出樹枝的枝枝 好了,這是我 畫的最危險的部分 我已經犯了錯 但我們可以改善 好了,所以 我將用綠色的顏色 給你一些 黃色的 你可能會注意到 我們需要 一些 我忘了 放在樹枝 我曾經在樹林裏走過 我通常都這樣做 讓它不出現任何新問題 我們不需要太多 但太多 可以用綠色的 這是個私人喜好 加一點藍色和綠色 綠色 我們去 我的顏色很厚 所以我只是添加了一點點 液體白色 在我的畫筆上 讓它變得更容易 你有這些利益 使用液體白色 所以我 我真的很擔心的 就是在我樹林後面 我只是在觸摸 當我們走過 我不會在樹枝的外側 就像我現在在這裡 我只是想 掩蓋 大部分樹枝的 這裡 我們可以一直觸摸它 如果需要 沒什麼大不了 這看起來很奇怪 我們來修改它 修改它 如果我們弄錯了 我們再尋找樹枝 在那裡 你可以 用紙巾 把它弄得很薄 然後 把它修改成這樣 你看 多容易 不要擔心 錯誤 它們會發生 我會忘記 這是不好的 在你的畫筆上 我會在樹枝上 加一點色彩 我會用一點 藍色和一點白色 我會用濾鏡 用一點彩色 我會用一點色彩 這樣 這裡有一點顏色 這些位置 我們會用一點色彩 你也可以用匕首 很容易 但我會用一點色彩 不要擔心它太亮 在樹枝的外側 我會用筆 塗一點色彩 在哪裡 塗一點色彩 你可能想要 更亮的色彩 你可能想要 塗一點色彩 筆尖的工作 有點慢 我們可以看到Bob 不花太多時間 Bob是一個魔術師 他可以做 100棵 和我10棵 和1棵 我不認識他 他可能是個魔物 就把它們扔到任何方向都可以 我認爲我總是說這些 這裏 我認爲我需要多扔一點 這裏 我可以修一下這個形狀 因爲它看起來有點醜 這樣扔出去 這裏還有一個 它甚至還能垂直 我可以把它扔下去 我可以把這些小東西都扔掉 由於我沒有主管 我可以花時間 我只需要修一下這個 不要在樹上弄破頭 通常除非樹是破的 這樣就有點不妥了 現在我們要做什麼呢 我們需要在這裏 把這個人的大腳扔出去 We could put it in with the Gilbert, but that won't work. This will work. Imagine it's a little softer branch. And the dark brown vibrancy because it's going through so much paint. So we'll see what it looks like at the end. And I bet it will look just fine. There. All right, so we got our, we'll call it a craggly little tree there. All right, I think we got plenty of branches on that thing. So, in the luxury that I have, I'm going to go to a couple of these. One's going to be for clean and one's going to be for dirty. I'm sorry, one's going to be for dark, one's going to be for light. I'll get it right in a minute. And I'm going to make a little cherry tree here. I've made one of these before. What do you want to do? A flowering cherry tree is use straight alizarin crimson. And start warping some of that crimson into this tree. And like I said, you can cover up all these branches you don't like. And we're going to need some up here. Just like that. This is straight alizarin crimson at this point. Over here, think about a tree and let it kind of come back. You're going to want to really use a good bit here. You want to make sure on this level or this stage of the painting that your, your crimson that you're using is very dry. If it's not, the next step's going to be even harder. And in there maybe. Like that. Now we'll have some over here. Like that. I'm just touching and reloading. You probably hear me reloading over here every so often. I don't want to lose the entire shape of the tree. And I also don't want to have a tree that just has things on one side. So in somewhere in here, we're going to have to make a decision and go. Just put some of this dark right over the tree. Wherever you decide. I decided right through here would make sense. Covers up some of that. Right through there. There we go. You can still see a lot of the branches. And that's probably nice. Get some down in here. Again, you've got to make sure and keep this stage dark. If it's not dark, the next stage will not look good. So do not add any liquid white at this point. In the painting. I'm even going back and darkening up a few of those little areas. Maybe. So thick right there I wouldn't even see through that tree trunk. Alright. Maybe. There. Maybe up there. And then maybe some down here. Now we've got that brush kicked up. Remember, kick it up a little bit. And then, really, we're going to need some. Maybe put a touch right there. But we need probably just a little bit right in there. Have you ever seen one of these? I'm sure you have. These big cherry trees have a name. They bud and flower profusely and it's just beautiful. One of the prettiest trees you can find. There's a whole cherry tree festival in Washington. You've probably seen that. In D.C. Okay, so we've got our first level of paint down. Now what we'll do, we'll just keep that same dirty brush. We're going to go into a touch of white. I'll show you. Just add a little white to your brush. And add that to your crimson. Okay, just a touch. Add that to your crimson. And maybe one little of this. Maybe a little bit of liquid white. Just a little bit, okay? Not much. And that will just do it. You can also use a drop of this. But right now, you still want to keep it dark. But you want it a little bit lighter. So we're working with three tones here. You've got a dark color. You've got a medium base. And then you've got your highlight. Let's see if that will work. Maybe a little bit more white. Okay. I also want this one to be pepto-bismol, if that makes sense. Something like that. Okay, that probably will work. Because the last highlight that you do almost white. Almost, almost. Not quite, but almost. Oops, sorry. I shook the camera. Let me make sure that I make sure the camera back where it goes. I'm just going to touch some of those on there. Like that. Stand up to see that, because I like get around here. You just don't want to cover up all your dark. You want some of those darks in there, too. Kind of just go on the outside. Just on the outside of these areas. Put that in here. I'm going to need it here. It's not sticking. I remember. And I just had to, because it's not really sticking as good as I want. And just a touch of liquid white. And don't just go crazy. Think about it. Bob always talked about that. I think people still think he just kind of went crazy and just smacked his brush around the canvas. He didn't. He tried to work on form and shape, so do the same thing. I'm just building this tree out like that. Just a little bit of this because this is not our house. That comes next. Maybe that creeps over there. Who knows? I'm going to work on these guys. These are even lighter. I might add just a touch of I don't know what touch of this is like because these are really close. I think there are a lot of spots right in there. Just without covering up all the dark. Add a little bit more color there. Right here. This one will be important because we're sitting against that green. Add a good bit here. There we go. I think that will get us where we want. Just a touch of color right there. I don't like that one branch. Now's your time just to cover up things. Let's see here. There. OK. I think that will work, guys. There we go. Try to round them. Bad to leave them a little flat like that. That one's a little flat. Let's just take that one off the edge of the top of the canvas should say. All right. There's a big cherry tree. Now I'm going to go to my clean brush. Recall I want this to stay fairly white. Hey, you could clean your brush. I just don't because I've got so many. And I'm lazy. With less crimson mostly white. I'll show you what it looks like on my brush here. I've got a little bit of crimson added to the pile of white now. This is going to be a pink. A very, very white pink. Look at that. How bright that is. Oh, you can't see from the shadow. Look against that green. How bright that is. Let's see if this will work. A little bit more of the white, I think. Remember, when you're working on now, this is your third layer of paint. There's a lot of paint you've got to stick to. Oh, yeah. There we go. And this will just kind of go on the outskirts there. You can add a touch of crimson into your white if it gets a little too something. There we go. You've got to leave some of all the colors showing there. You don't want to have just a blob of one color. You want to see them all. Let's work on this one. There we go. And I'm reloading that brush quite often as you probably can hear. Something like that. All right. Do this one right here. A little more of the white. How much? When I add a little, when I say a little, I mean it. I'm not adding much at all. Just enough. Go up here. You'll really see this up here. Drop down a little bit. Reload. Come outside. Let's go right here. Oh, yeah. This is going to look nice right here. We're losing most of our branches and that's okay. We know they're there. Something like that. Add a little bit more white as I need it. Let's go right here. Oh, boy. Think about little bush shapes. Something like that. I lost it right here, so I'm going to try to get that back. There we go. Cover up that branch so I can do that, too. It's so cool. You really wouldn't see much. There we go. Oh, maybe touch up here. Trying to think. Of the tree. If it's lightest over here, most of your highlights will be on this side of your tree shape. Let's color the bush. Doesn't mean that we wouldn't have highlights on this side of the tree, though. Just not as many. I don't know. Let's see. I'm taking my time just to make sure it doesn't get too much. All right. A little bit more right here. Maybe a touch a touch there and we'll leave some of that dark showing on this side more than the other. Maybe this one sticks out a little bit. There. And we've got a pretty, pretty pink pink cherry tree that is full of blooms. We're going to put our brush down in a minute and let that sit while we finish our grass. And then when they look at it at the end, we've got cad yellow, a little bit of indian or yellow ochre and a little bit of green. Mostly cad. We don't want this to be really bright and cheery. There we go. Touch, touch, touch, touch, touch, touch, touch, touch. Maybe it goes up like that. Who knows? Something like that. We'll just knock those feet the footsies in here. There we go. You can see why I didn't spend much time on this guy. Really no need, huh? And that is probably good for the grass. Let me finish those edges up there. Put mine a little bit more up there. Just kind of connect right there under that tree. We're being realistic. Yes. We'll do this. It should be a little darker back here. A little bit of shadow. A little more green. Now we're good. Back in here would be mostly. I'm going to touch into the tree and probably pull it back out. It's not quite as bright back there. And where I said I'm going to touch the tree back up. Pull it back out. I like that shade. Watch this. Finger paint. Brush here. A little green. Pretty much just green. There we go. Now that looks good. Just a little bit. Now if I add a tree trunk to that. Kind of kill. There. Kind of go for it right there. There we go. All right. A little more texture right there. There. That works. Sorry. My video stopped for a minute. I just added a touch more. Just a tiny bit of highlight. Even though realistically there would be a big shadow here. I don't want it. So I just changed it. Now the video in on my phone sometimes is a is a nuisance. Pull it back out. A little highlight for it. The trunk kind of comes out like that. And in there. Something like that. All right. And I think we got a finished springtime painting. We could add stuff to it if we wanted to. I'm not going to. It's just a way to kind of show you guys how I would springtime with the trees. Some of this one from where over here. Again it's an oxide stainless. Weird kind of shape to it. But I think it looks nice. I'm just going to put my initials there. And I'm going to say that one is done. If you wanted something else you can always throw something in here. But I think it's pretty good the way it is. All right guys. Everybody take care. I'll see you soon. But this is kind of how you would do a nice big flowering ornamental tree of some sort. Take care. And everybody be well, stay well and be good to each other. Take care. Bye bye.