如何绘制鲍勃罗斯风格的云和树 超级简单的初学者油画

OK Let's get it on Hello hello Back here at the easel again So I have a 16 to 20 inch canvas up here on my easel Got black gesso, let that dry I put a little bit of liquid clear Bob's specialty brand of clear medium here Really great product for the black canvases Or a white canvas, either one And what we want to do here is I just want a very simple painting Doing some clouds Because someone asked And someone really liked the clouds In another one that I did With a black canvas So I've got a little Very very very simplistic scene here Thought out And I may change it even as I go But the color that I have on the canvas Just so you can kind of see Because I won't really hold my palette much Because there's not a lot of colors here It's black, midnight black, phthalo blue And phthalo green mixed together And you can kind of see What the color sort of looks like On my palette So we'll use that I've got the whole canvas covered with that And we're going to just mainly paint A bunch of clouds And see what happens So what we'll do first Is we will take One second All right, so we will take a Bob Ross one inch brush here And use it to just put a little bit of color On the canvas Before we actually put clouds on it So I'm going to go into Just a touch of titanium white Over here on my palette Knock a little bit of color in there Or since it's one of the absence of color there All right, here we go And I'm going to have a little moon And then the clouds all around it So we got to figure out where we want a moon I would not suggest putting a moon in the center Unless maybe you let it kind of go to One side or the other I don't want that big a moon Just a little bit of light to start with though So I'm just going to take this one inch brush And just get in here and put just a I'm going to bounce around with this No certain pattern or anything That we're really working on here And you can swirl it up in there I just want it kind of radiating out From one central light source And I'll look at it and say Is that dark enough or is that light enough I'm sorry No, it's not, I need more So what I can do is Take a paper towel And wipe off some of that color That you picked up You don't need to clean the brush Thinner will cause you problems And it's better to not use it Unless you have to Go into my white again I'll just find a little bit brighter spot Right there in the middle And I'm just using little bitty X-strokes usually or little swirlies I call them Just kind of letting that color just fade out Fade out, fade out So it's going to be brightest right there Where the moon is going to be, right All right, and again You can make that as bright as you want I mean, I could go back in there If I wanted to Just for demonstration purposes Maybe I will I do like that little glow Being kind of round The rest of the shapes out here I don't care And then maybe I'll just kind of Knock that down Or just kind of go across it With no pressure I'd probably suggest You use a clean brush There we go Okay, so we've got a little bit Of moonlight in there Now we need a moon, right Maybe one of the funnest things You can do in this Or that Bob ever did on the show Was paint moons He always gets a tickle At seeing painting moons With his finger So let's do one I've got a little bit of titanium white On my finger In my brightest spot The moon wouldn't be up here Because right there is our moon glow So we want to put our moon Somewhere right in here And try as best you can To keep it, you know, circular If you've got a full moon We could do it a little bigger Since we're going to have Mostly clouds on this canvas So I'll grab a little bit more And we'll just We'll beef up our moon A little bit here Again, trying our best To keep it fairly round I mean, it's going to be Diffused somewhat So it doesn't have to be perfect If you don't have a lot of paint on there You could probably take The two-inch brush Grab one here And just go lightly across it What Bob liked to do Because he put it on Thicker than I do, I think He would take that knife Lay it down and go like that And it kind of scoops off A little bit of roll of paint On the knife So it picks up some of that excess You don't really need That's probably a good idea to do that So I'm going to take that Two-inch brush now And just lightly In every direction Kind of just knock it down And with no pressure Just let the brush kind of graze Maybe three or four hairs, you know And then say that's enough Quit tinkering with your moon Tinkering with your moon Will lead to problems, I guarantee it So we've got some moon glow in there Right? We've got a little bit of moon glow It's a greenish blue Can't really describe the color very well And I'm going to pick up a fan brush Okay? And you could use the one-inch, two-inch To paint clouds I like the fan To put them in And then I'll use the two To kind of blend them out All right So let's get a big sky going on here Picked up on both sides Loaded my fan brush on both sides And we've got to figure out Where the heck are these clouds? Where do they live? Well, let's say We'll start with an easy one We'll probably have one right here And I'm just going to do Little tiny circles Just really pushing that paint Into the canvas and keeping it moving And I can swirl it in and whatever Okay? But look, I'm just moving that brush Really freely around the canvas Okay? And keep you a handy paper towel And wipe that off after each application And I could always go right here And make it a little brighter If I wanted to Yeah, I'm going to let these clouds Kind of wrap around up in here Kind of let the shapes be different Don't have all the same shapes of clouds It's not fun I don't think You can do what you want to It's your canvas I'm going to take a two-inch It's kind of clean And I'm going to get back here Hold my canvas Because you know I like to talk to this On this easel And I'm going to walk that color Back with little tiny circles here Little tiny circles And just kind of walk it up When I get up to the top of the canvas I'm going to go pull it back down this way So just think about Where the brightest spot of your cloud would be As you rotate around this cloud You wouldn't keep going right here And then get out here and do the front of it You would do the back of it always So you're going to have to be going up You're going to be kind of coming down here Blending backwards Blending up Hope that makes sense And then just a little bit of color here I'll just kind of knock that down a little bit And all of a sudden We've got a fairly decent looking cloud in there Around our little moon shape Still a lot of dark The best thing I can tell you On these black canvases is Use that dark Don't cover it all up If you cover it all up There's no point using the black canvas But we could We could have something else going on back here That could be further away than That cloud And again just Whatever shape Just kind of keep them random And what I'd encourage you to do Is make sure you look at your cloud And don't have the same flow Meaning don't have a cloud go like this And then the one behind it Go exactly the same pattern Change it up And let it be a little different I'm going to put that back in there There we go We'll just knock this back again Leaving a lot of the dark Don't cover up all the dark Leaving some separation in there too Would be really nice We'll get these Kind of forms in here Then we can go back and maybe Make them a little brighter If we want to Got two clouds in Let's do Most of the light's going to be Concentrated right there So it's going to get darker As we move out We know that But we also know We could probably have Some clouds over here And another thing that I see A lot of times in classes that I teach Is that people Have a tendency to Stick to the same shape Or have a problem Figuring out the shape of a cloud Bob had 27 minutes To do a painting Bob had to move fast You don't have to move fast And here's another little tip About clouds That you don't have to move fast If you want to You can think about a cloud You can get a reference picture Of a cloud And maybe you just Lightly kind of Figure out where your bumps And raised spots are And figure out where Your kind of cloud goes Okay And then you can go back Grab some more white And you can start working on it And you know that it goes up here And it's a big bellowing cloud here And then it comes back down And then it goes back up And then it comes down And then it kind of fades Under this one a little bit That helps you kind of Lay out your path And that way your cloud Doesn't look like a box Or like a square Or odd shapes That clouds don't Typically look like And then I'm going to get up here And just these little tiny circles I'm going to Knock this back a little bit And this is meant to just be An easy, easy, easy painting That anyone can do I think black canvases Are one of the easiest things You can paint on If you don't overwork And don't put too much white Let it be kind of dark Okay Alright And then what I would do over here We'll come back here in a minute And we'll highlight that Okay And we'll highlight around the moon area Put a really bright highlight on there But what I would do over here Is without much paint on the brush Actually I'll wipe some of that off On my paper towel But it's still got some paint in there Because this should be really dark Over here But we can have something Just some movement maybe Mysterious movement There really doesn't have to be Any rhyme or reason to this one Just as long as you keep that brush Just kind of moving And twirling And you can twirl it If you really want to Just kind of twirling Your finger there And that'll give you Something over there To kind of set that down in It needs something It doesn't need a lot And then always You can find a little area Maybe a little light Would peek over And kind of blend it back Where you don't see much of it again We can do whatever with that Let's put it down And we'll blend again Just a little bit here And blend this color back That we have here And we'll get that one right there That we highlighted A little bit rough And move that color around Don't be scared of the brush here And then just kind of Just lightly Two hairs and some air Maybe just go over all of it Pick it up like Bob would And just kind of set that down Again, we'll kind of Highlight a few of these areas Make them a little bit brighter In just a second So I'll wipe my fan brush off again And, and, and, and What if we wanted Oh I think there'd be another cloud here though And we can really make this one bright Since it's close to this I was getting ready to say sun Not a sun, is it? I hope not Night sun, I guess I don't want much in this painting Besides clouds I'll just kind of let that one be There And we can build those layers To where it looks like You're almost looking in a tunnel A cloud tunnel or something And I think that's a nice effect Yeah, we'll just We'll knock on a normal Kind of classic shape here And then we can change it If we want to That one goes all the way up there And it kind of And we can put a bigger highlight on it If we want to Go ahead And then maybe it wraps down through there Right And again, lay out your sky However you want to Just making sure That you've got some nice pockets Of dark in here Especially further away You go that way It would be lighter On the right side of my canvas Where my brush is now Than it would be On the left side of the canvas Because Our moon is over where I'm at right now We're moving away from the moon It's going to get a little bit Darker A little bit darker I don't really care for that shape So I'll blend that out Just a little bit there There we go And just kind of set that down Just Nothing to it There's nothing to it really I'll show you another little neat brush That we can use here Just in a second Probably one more And then we'll highlight a little bit And then we'll paint a couple little trees And we'll say this is a painting You give away And you can do it Really If you move really quick You can probably do it in 10-15 minutes If you don't know yet I like to take my time Sip a little tea In between painting And Just kind of think about things So the speed doesn't matter Unless it matters to you I want a little bit of something right here But I really don't want much So I actually I'm going to wipe the paint off my brush I've got too much on there When I get away from that There's still enough paint in there Even if I wipe most of the paint out So I'll let that go off there And we'll just kind of let this one Kind of come in front of this one And I'm really just using Little tiny circles Down here I'm almost Just kind of making marks More than anything And then if we wanted to We could do the same thing over here With a little bit of paint Maybe I want to leave some dark And just throw some Something in there OK Looks crazy right now, right? It probably is crazy On these back cameras When I make these videos I can't see it real well And sometimes that's a blessing Because I'd probably throw a fit on myself With the light shining on it Kind of really makes it hard to see And I'm really blending this out Down here quite a bit I don't want distinct clouds All the way down here But I do want some light I'll just move that paint around I don't want to lose all my dark either So be careful I want that nice dark We're going to have some trees down there Kind of hide some of that anyway All right So wipe off your brush if you wanted to You can get a clean one even If you wanted to Hey, it's up to you It's your world Load it up a good bit Some white And let's just Kind of go back in here And tickle a few of these edges You can take the silver You can take the one inch and do this I'm just going to bring A little bit of a More distinct highlight there Grab my two edge again And just kind of blend that out Just a tiny bit I'm not going to touch those highlights I'm not going to fluff them out I'm going to leave them kind of chunky I like chunky highlights I don't know why There we go There's some bright on that I'm going to grab some more over here And that one is right next to the moon It needs to be brighter doesn't it So I'm going to deposit A good bit of paint right there You can even just kind of Push up on the brush If you wanted to That may be too much There's finger paint There we go Showed you how to finger paint Don't be worried There's nothing you can Really What's the worst that you can do On this canvas The worst thing you can do Is you know You don't like it You just throw it away That's the That's the absolute worst thing This canvas will not come to life And hunt you down Because you painted A bad painting There are There is no such thing As a bad painting There's just Ones that we don't like Someone will love it But don't worry about it too much A little brighter right there too Maybe even let it Kind of come in there A little bit like that Add a little bit more Up into it there And then this would be Highlighted a little more So I don't want to do the top So I want to do the bottom Just throw a little bit of light down here Really light Lightening up around the moon And a filbert would be good here Just to smash in a little bit of color Keeping your shape Pretty much the same And then we'll just kind of get up here Blend that back just a tiny bit Tiny bit here Blend that out All the way around it OK So there's a really bright area Around our moon Let's get in Grabbing that moonlight And then we can find other spots If we really wanted to Deposit a lot more right there maybe Work that down in the dark A little bit Blend it a little bit And then leave it all Let's see Where else Where else would we want some Maybe this guy He's got enough He's peeking over enough That he might get a little bit of Extra little bit right And maybe just carry A little bit extra up in there Who knows Doesn't have to sit with our form That we've already got Just blend as much as you think You need to I was going to use the little I've got it laying here I'll show you This is another great item To use for blending It's the Bob Ross Blender brush This is actually the blender brush The two inches are called Background brushes I think they're called Background blenders But this one does great at blending It also does great at making Little proud impressions Moving around the canvas If you've got one of these These are great I don't use it too often Let's see what else Where else Maybe one more spot And then we'll make some trees And we'll call this video Finished Right here Did I do that one already I did, I didn't do it enough I'm going to add a good Little bit of white there on top And what you want to be careful With adding white Is you can You can get to the point To where it's going to get muddy Make sure you're using A good dry paint here If you're not You're just Make sure you don't have Too much liquid clear And make sure your paint Is good and dry If you start using a paint That's really runny You may run into problems We can Take some of that Let those clouds Just kind of move around here For that too Wherever They're kind of swooping down I think that's probably good I mean you could You could sit here for hours I wouldn't You know most of that Probably sits a few minutes And really just highlight These as much as you want to With a little bit extra on them In some areas But again It's your painting Whatever you do these Whoever you're watching Just make it yours And then Have fun with it That's all I ever ask folks To do with my paintings Anything I share Just have fun with it And if you do paint Something similar Let me see it I may learn something from you Actually I probably will Learn something from you So Let me blend that out A little bit right there And I can Add a little area That I didn't care for there Maybe blend that out A little soft blender There we go OK I think I'm OK with that So Alright I'm going to grab a filbert And that base color That I made up I'm going to add some black to it Make it a little darker And I'm going to take my filbert Just because I've enjoyed it The last couple of times Using it to make little pine trees And that's a little making It's not that easy I always chisel my filbert And one reason we do that is To make sure Before I go along I tell you what I want I want one more cloud here I'm sorry Just a small smidge of a cloud I want these trees To kind of be going up Into the clouds Maybe over here And this is This is just for demonstration So you guys can see These trees a little nicer There's a little more light down there And I'll take this Little blender brush And really Just kind of blend these out almost Add some of that color Back down here And it just makes the canvas A little bit brighter It's still dark So I hope you can see That it's still quite dark And there's still a good bit of dark That I didn't touch Especially on that side But that will help me Be able to highlight these trees Or make the trees stand out All right Let's put some little evergreens And we'll just start with one What I'm thinking There's land down here somewhere And the trees are just growing up There's no land in this painting There's just trees and clouds That's why I said It's such an easy painting We'll just draw us a little line And push a little harder As you go down If you want a really thick trunk And then we will just start Using the filbert The same way as you would the fan Just kind of touch Skipping every Skip a spot every now and then That Hold that canvas down So we don't hear that We'll just Put some dark areas in the middle Work some little hands and feet out there These are the The trees' hands and feet The footsies that we're working on here And here we go Just kind of wherever we think There would be one And remember the filbert Kind of smashing down It's going to give you Almost the frowny face Push up It'll give you a smiley face What you don't want to do Is really Have those frownies or smileys You kind of just want it to be You know Just kind of Dots on the canvas So don't push super hard You'll get a really If you push really hard You'll get a really big And defined Smiley face or frowny face What I'm going to do I'm going to change my mind again guys These are the little things I have to do When I make up these little videos That I don't really have a Reference or anything I need a little bit more light Down in here I'm just going to put a little bit Another cloud And put enough over there I want those trees to Show up I'll really grind that out Really Probably several hairs And some air Take that all the way down There we go And really just kind of Knock it down a little bit There we go Let's have this Our silhouette trees show up Well Where else we want one We don't have to have them All the way across I'm just going to do a few And then maybe I'll Finish them off camera here Just kind of draw me A little line with that Velvet Making sure To have different sizes Don't have the same size Tree all the way across It won't look pretty It'll be odd It may look pretty But it may look odd too I always say that I honestly don't know That it would look bad I'm leaving some Little trunks in there When I get down here At the bottom I'm really going to Push in some dark color Don't mind it being Kind of skinny at the top But For what we're doing here I'm wanting to kind of Fill up the bottom And just see kind of The tops of the trees We may leave them silhouetted We may actually Put a highlight on Let's put a big one Over here in the corner Bring him all the way Up here in the clouds No pressure on that brush Until I start pulling down Like that There's another big one That'll be the Daddy tree there for sure And just Kind of touch the top And then Start working out And you can see Why Bob never used The filbert to do trees It takes a little bit Longer than Especially A lot longer than Like a two inch brush Bob had to move On that canvas Where he'd get yelled at By the mean old Director lady Which surprisingly She was not very mean When I met her She was very sweet I think Bob was Pulling her leg I think he was Pulling her leg Can you see The little marks I'm making On the canvas there Just I added I added a little Tube of mountain mix I added a little Mountain mix in my dark It's almost not dark enough I want this one To be kind of full Because it's over on the edge It'll cover up A lot of this Blank space And we'll probably Leave it mostly silhouetted But again Just varying The pressure You're going to get Different effects on this brush It may not always be The effects you want This would be A perfect one guys To Paint with friends Or family As a first time Just be careful About the clouds Don't use too much white Watch your blending Blend every cloud Individually Don't wait till the end To blend Bring another one up Into a cloud here Right off the canvas Right And we'll just kind of Leave this one kind of sparse Like the tops Fixed Bounce to the right Bounce to the left Bounce all around And I will probably End the video Well I'll just I'm going to go paint trees I might as well just leave it on Have fun with this one If it's helpful Let me know Drop something in the comments Down below If it's real helpful Share it So hopefully people That are painting Maybe you're scared Of painting Will watch it And be like If that fool can do it I bet I can too And that's really what I want I'll just kind of Again we're just going to Kind of fill in down here These trees are just kind of Silhouetted Damn I'm kind of liking that I don't know if I want it or not Starting to like it All right Time to grab some paint I think it's looking okay though I do recommend Keeping it really dark in here Maybe going out Going back and pulling out Some little bitty arms When you're using this brush It has a tendency To clump them together So you can go back And add some really nice things And effects Just by going back Just taking a couple seconds here And going back over them All right So We'll just We'll finish this up And then we'll call it done right So I've got kind of I don't know I'll tell you what I want to do I want that one This next one to be A little bit bigger than that one I don't want it to kind of go like that I want a little bit of variation Myself I do You can do whatever Chisel that brush up So I don't mess up my clouds too much Here we go Make a decision And if this brush is scary to use Use a fan brush It's the same thing I've just been liking The effects that I get out of this Use the Oh shoot The oval that I showed The little video on That was my favorite brush This one It would have painted Just so much faster If I shouldn't have used it You get in brush moods I think And It's a good thing I think That way you don't get stuck On using one for everything You'll find one works Good for something And you'll be like I want to try it for this And it works well for that Again just It works This works well The oval works well The two inch The one inch The fan brush Whatever you're comfortable Painting trees with use That's really the The key to anything Your comfort level Find what it is Use that brush I want a lot of separation in there I want to be able to see Through my trees Through the clouds And I think this brush Is a little smaller Gives me a little bit better Control over that It's just my opinion Feel free to Make it yours Or feel free to call me crazy Either And then down here Just smack in some dark We're getting pretty Pretty close to having them done We can put a We can put a tiny one in here Little baby tree We could even We could change it You know you have Up and down trees in nature You can do down trees Just push up To get a little up effect The branches kind of push up There's that Little baby tree there I like that guy It's not dark enough Again There's something You can do at the end Go back and darken up A few areas Because you really want To be good and dark I think my intention Is just to not Highlight them I think they would look Nice either way I think for me I'm going to leave them Kind of sparse Or silhouetted I guess Not sparse Big old guy Is beefing him up a little bit One right here How tall do we want it More than that one Maybe Maybe we want it bigger We'll make it Smaller than that one Bigger than these two So this one is going Easy easy easy There's some gaps in this I've not been Paying attention And I'm almost filling up The whole tree One of the advantages Of this brush Is you can leave Some really nice gaps Working down the tree here So let's Keep up that advantage That we have With this brush It's just Easier right There we go Now we'll fill in the bottom Just combine those guys Together There we go Now we could say That that's just Off in the distance Okay let's do that I think that would look nice This is a drop off point Alright We could even Accentuate that if we wanted to Take this brush A fan brush Will do this better But put a little Something down there And again I don't know how I like that or not There is a super Super Easy painting Trees and clouds It's also a good exercise To work on clouds To work on trees and clouds Together Use it for a combo Lesson So Again If this is helpful Let me know Like the video Share the video Subscribe Share it with your friends Ask them to like and subscribe And I'll keep making these And if they're not helpful I'll probably still keep making them I'm having fun So alright guys Take care Everybody stay well And I'll see you in a few days