由 CRI Bram 编写的鲍勃·罗斯风格北极光教程 - 初学者油画风景画

好的,你好,你好,你好,我現在在伊斯蘭這裡,我認為這叫做伊斯蘭, 對吧,我有一些液體清潔液體清潔油漆Bob Ross的東西,我使用的一切 在流通中是Bob Ross的品牌,刷子,漆,你知道,一切,因為我是一名 認證羅斯教授,我們必須使用Bob的東西,它是好東西,所以我有一支小小的一吋刷子 12 12吋的橡皮筋,我用黑色的橡皮筋畫了一張黑色的橡皮筋,讓它乾燥,現在很乾燥,所以我會放 一點點這個液體清潔油漆在這裡,我們會做一個微笑臉,他有一個小狗狗在這裡, 然後我們想要做的就是將它分散到非常非常非常非常非常非常薄的一層液體清潔油漆 ,然後液體清潔油漆會讓我們可以更自由地移動那些油漆, 讓我們可以更自由地移動那些油漆,讓我們可以更自由地移動那些油漆, 以免我們必須致命的工作,所以我正在工作的油漆不是Bob Ross, 我猜不是所有東西,我有Bob Ross的油漆在我身後,這個油漆會支撐到 一個八呎的橡皮筋,我的妻子為我製作的,所以有時候會有一點噪音, 因為我們還在和它合作,我們還在和它合作,我們還在和它合作,但它真的很好, 而我使用的是小小的橡皮筋,就像您可以看到,我並不是在做 這件事,我幾乎看著那些橡皮筋扭曲,然後真的將那些油漆 那些液體清潔到橡皮筋的坑洞中,您也可以像Bob一樣 使用這些小小的八呎或橡皮筋,我猜我稱之為橡皮筋,因為它像這樣, 但是我一直在橡皮筋上保持那支刷子,我一直在旋轉它 ,並且在橡皮筋上散發它,我認為我已經有足夠的水分在第一次使用 沾上橡皮筋,但我可能只需要再沾一點在底部,您不想要 太多這些東西,您不想要太多,您想要的大概是太少,因為 什麼可以發生,就是你的油漆突然決定要去南一點,然後它 可以直接滑下橡皮筋,然後滑到地面上,我總是開玩笑在課堂上,人們 會說,如果我在商店工作,我會說,商店可能會賣給你 那張桌子,但我只是不知道多少,所以要小心使用液體清潔劑, 您可以做什麼,當我們在這裡使用它時,您可以在紙巾上 擦掉它,我會稍微小心一點在那裡,您不要使用紙巾 擦得太乾淨,所以像是購物紙巾,甚至我使用我的妻子擦掉 購物紙巾很常擦掉,因為它會沾到油漆,它看起來不再是好東西, 所以我會保留它們,使用它們作為繪畫橡皮筋,因為那是當我擦掉 我的刷子,當我使用繪畫刷和其他東西時,我會嘗試使用那麼多 該死的紙巾,你知道嗎?Bob不想我無緣無故把樹切下來, 所以如果我可以省下幾棵樹,當我繪畫時,我覺得這是一個很好的事情, 我不是,我喜歡樹,好的,所以我這裡有一個好的平滑的褶皁, 液體會變得光滑,所以會很難, 嗯,看一分鐘,可能會很難看一看,我們還不知道, 但是這是一個小的畫面,我已經畫了,這是我頻道上的 時間縮時畫面,有幾個人要我做一個小教學,所以我選擇了這個小小的12 英寸的橡皮筋,然後決定我們會嘗試在它上畫一個北部的光線,我已經有 所有的顏色在這個色彩上,我這裡有碳紅白,我這裡有碳綠綠,我這裡有 一些紫色,我攪拌起來,我有一些,我的天,我覺得這是山攪拌, 這是Bob Ross的顏色,Bob總是說山攪拌,我還有一些 中午黑色在這裡,以防萬一我需要暗示任何東西,我主要會使用 這兩個顏色,紫色和綠色,當然還有白色,橡皮筋白色, 好的,讓我們開始,我們有這個,我有這個刷子,它有液體清潔劑, 所以我想做的是拿這個刷子,我會上到我的 色彩,我會拿,我會開始用碳綠綠,我的碳綠綠真的很乾, 但是我會按住我的刷子在那裡,好的,就像這樣, 你只是按住它在那裡,讓你得到一個均勻的 分佈,以免你得到任何, 像是大塊的油漆在一個區域,這尤其重要,我不知道 為什麼,因為你可以看到線條,我給你一點這個油漆,我 有一點油在那裡,我把它軟化,好的,所以我們想在這裡加一點顏色, 這裡有這些小橡皮筋, 然後這裡是黑色橡皮筋的困難部分, 這是這些是透明的顏色,我們使用這個黑色 橡皮筋的繪畫,有些槍,你無法,你幾乎看不到它們, 但是如果你看看,你可以看到它們在哪裡,對,抱歉,那些聲音 聽起來像一把橡皮筋,我們會在最後期間得到那些漏洞,我會 告訴你,我會在這裡做什麼,我會把它放在山後,但是 也在山上,因為這個山在這裡,同樣的場景,只是 一點小一點,因為我比較懶惰,像Bob,我認為太大 的場景讓我再次畫,好的,所以我把它放在那裡,你能做 的就是把你的手指放在那裡,如果你得到一點 像這樣的油漆,你會變成金色,好的,你知道你有足夠的 油漆,你可以,你可以說,好的,我繼續,我會把它放在我的靴子上,我鼓勵穿 繪畫靴子,或者那些紙巾紙巾,我們在一分鐘前談到的那些紙巾紙巾, 也會有幫助,我會放一點多的,只是為了確保我有足夠的 現在,這幅繪畫沒有湖面,全都是樹木在這裡,所以我真的不擔心, 但是我會讓它在那裡稍微搖晃一下, 所以我有一個小形狀的綠色,有一個角落的觸感在那裡, 我會做的是,我會去我的紫色,那是黑色和 鯉魚和金色,鯉魚和金色,你會得到一個很好的紫色,讓我給你 展示,在這支筆上,它很黑,所以你可能看不到它,你會看到當我們放 白色在繪畫上,當然,我會放在我沒有綠色的地方, 這就是為什麼變得困難,但猜猜,別擔心,如果它們混在一起, 混在一起,我會在一分鐘內做什麼,不完全,我不想 完全失去顏色,我不想讓它變成一個,你知道,只是一個醜陋的顏色, 我想讓它們一起開心,我想讓它們一起玩,我想讓它們一起工作, 我猜我應該說,好,然後我會再次用紫色,我需要一點 更多紫色在那裡,你可以看到,你還可以看到你的指紋的框架, 然後你會有一個不錯的形狀,但是我有一些位置有一點缺乏 色彩,我可以看到,這就在這裡,我可以讓一些 那些混在一起,視乎你想要,你可以使用任何在這些黑層上,你 可以使用任何的透明顏色來得到這個效果,這些北方的效果 ,我喜歡使用紅色,藍色和綠色,我喜歡藍色和綠色, 有時候它們只是自己,當我拿到它們,我認為我已經有足夠的,我甚至會 輕輕地用那支刷,兩根頭髮和一些空氣,然後就這樣走過去, 這樣那些顏色就會混在一起,我還有那些純綠色, 但是我想讓那些顏色一起玩,你想要和它們做朋友, 這還不錯,我現在要去這裡拿,我有一支刷子,我有一張桌子在我旁邊, 我會去這裡拿一支小刷子,我會給你展示,抱歉, 燈光閃爍,我們會將這支刷子塗上一些鐵白色, 好的,不是沃爾特白色,鐵白色,好的,有很好的塗裝, 北方的燈光和娃娃的風格是我最喜歡的一件事,我應該 塗了這幅繪畫的版本大約10次,所以想到燈光的窗戶, 它正在降落,我會在這張小畫板上塗三層,你可以塗 多少你想要,但是另一件事要想到的是你正在工作在北方的燈光團隊中, 看北方的照片,你會看到有時候這個人的頭髮有顏色, 所以他們不需要有一定的形狀,但是對於這個人,我們會做, 然後我會做的事情是有一點點不一樣的,這是同樣的技巧, 但是我實際上想到我要從哪裡開始,我會從這 角落開始,然後我只是用很少的壓力塗一層膜, 然後我只是開始在我的線上工作,然後我會把它停止在那裡,我會重新塗一層膜, 也許這裡還有另一層,也許我會在那一層塗上一些漂亮的邊緣, 在那裡,然後在某個地方,這個人又會回到那裡, 再塗一些,然後我們會做一層膜,我們會讓它變得比較大, 然後突然間它會轉動,然後它會回到那裡,如果你做了 這件事,你可以把它們拉起來,但是它不會有足夠的膜,這只是給我一個指導, 指導我到哪裡,所以我沒有瘋狂地塗膜,現在我可以重新塗 一層膜,塗一點白色,然後我可以實際上想到我想要一點 更亮的地方,我只是在那裡塗一些白色,現在 我想要一點更多在這裡,我會在一秒鐘內給你展示,這將 看起來很糟糕,當我做的時候,它可能會看起來很糟糕,當我做的時候,我想要一點 顏色,我可以,哦,看看那個,你可以看到那個綠色,是的,有些這些會被 擋住,當然,但是,我只是在那裡丟一些東西, 今天晚上真的很乾燥,我們會把它做到 好的,我們會擦一個更大的,我們在這裡看一看,看一看,所以我們 好的,現在我們有一個混亂在畫面上,好的,我們有一個很大的混亂在畫面上, 我們不知道它看起來像什麼,現在我們要抓,我們其實要去 擦一個乾淨的兩公分的刷子,然後我要抓我的信任,乾淨但髒,你可以看到 桌上,好的,所以我將會其實拿這個兩公分的刷子,然後就 把這些撥出來,看著我把我的手丟掉,我會偶爾擦掉它, 你可以輕輕地把它擦掉,我們開始把它撥出來,撥出來 撥出那些顏色,如果我們做得對,它會開始,我們可以 總是把這些撥出來,我肯定會,我們只是撥出來,哦,男人,走 通過它們,看看發生了什麼,你得到美麗的顏色從這裡出來, 這一點技巧真是驚人,您知道,再一次,北方的燈可以是任何東西,我會 稍微混合它們,這會是我們的山,在這裡,無論如何, 哇,看著它,我會幫助你, 這裡有一點閃耀,我們可以看著它,哦,男人,這很棒,我希望我不會騙自己, 但我們可以做任何事情在這個畫面上,Bob說得對, 你只要一次就能做到,我喜歡我的燈光真的顯著 ,我猜,在這裡,我想要一點更多,我想要有一點更多的 尋找,在這裡,這是我尋找的,我失去了一點點在那裡, 這就是你可以做的,你不必,你知道,你可以說,像在這裡,我可能會 丟一些小形狀在這裡,這是很奇怪的, 對吧,但注意,使用刷子,就這樣彎曲它們,你可以把它們拉起來, 像我說的,大部分都是隱藏在山上,但是我需要 一些東西在那裡,尤其是從這個角度,我們會被看到 當我們把這個小山放在這裡,看著它,這真的很酷,我喜歡這個效果,我每次做它都會感到顫抖, 因此,如果你想做一個簡單的繪畫,這些都是簡單的繪畫, 真的,你只要做這個,把一些樹放在這裡,會很漂亮, 所以我會進入我的薄片,我會給你驚訝一些東西在這裡, 一個非常小的份量的薄片,然後把它塗上顏色,讓白色的塗層變得鬆散, 幾乎像塗層不均勻,也許甚至比那個更鬆散, 這是一個步驟,我會鼓勵你拿一張舊的繪圖來練習, 因為它可以變得鬆散,它可以讓你感到痛苦, 但是它也可以讓它變得漂亮,或許有趣, 我把白色的塗層塗上去,我會拿我的棉筆,我會在那裡塗一層顏色, 等一會,塗一點顏色在這裡, 我實際上不能在播放和錄製中顯示, 因為這不會顯示我塗了多少顏色在這裡, 但是它是一個非常有趣的加工, 現在,我總是鼓勵你拿你的粉底霜, 你使用的白色粉底霜在那裡, 拿它遠離你使用的粉底霜在山上, 這是我正在尋找的,我會用塑膠筆, 注意到我沒有在兩者之間移動, 我保持這把刀在我的手中, 並且讓那支棉筆輕輕地擺動, 如果你做得對,我會放更多的東西, 我會放更多的東西, 希望它們會在視頻中顯示出來, 一般來說,我會保持它們 大致集中在一些黑暗的地方, 但是如果你看到北方燈的圖片, 你永遠不會只是看到燈光, 你看到那些星星在那裡, 你可能沒有看到我擁有的那麼多, 這真的很瘋狂, 所以你們可以在這個視頻中看到它們在那裡, 但是我認為它加上了一些東西 在背景上 它將所有東西推向燈光 向前和天空向後, 如果這意味著任何一切, 然後你可能不會 在視頻中看到那些很棒的東西, 但是我會有這張圖片 在視頻中,好,我會拿一張筆, 所以你們可以看到我在做什麼, 你也可以看到 我需要把這個 我只要把淺色放進去, 我們現在放在這裡, 好的,所以我會去 拿一點黑色 這裡我有一點點這個紫色 一點點這個綠色 然後我只是要做 一點混合物在這裡 這是足夠的 把這把刀切開 看看 拿出那小坨塗料 Bob一直很擔心 Bob的刀不光亮 像我的 他很聰明 讓它不光亮 視頻 好的,所以我需要 這個小山坡 這個人 不想把我們的燈燒掉 所以讓我們 把這個大坡坡 來到這裡 我會有另一個小坡坡 我正在按壓 非常堅定 在這把刀上 讓它 來到這裡 別擔心 這把刀 最好的事情 你可以做的是 如果你正在塗 在這個方法 就是拿這把刀 然後就 你會和它聊天 走在外面 瞭解它 和它玩樂 因為它會賠償 很高的利潤 如果你使用它 在任何 你知道 你可以做更多 就塗山坡 用這把刀 你可以塗一整幅畫 用這把刀 我們就要做 一些山坡 然後就拉 那一個到那裡 非常簡單 非常簡單的小山坡 只要一點塗料 我們不想要太多 一旦我拿到它 我會拿這把刀 你聽過這個聲音 如果 這裡有個 在課堂中 總是發生的擔憂 有人就像 嘗試保持 這個漂亮的頂端 你想要一個乾淨的頂端 不在乎 這裡發生了什麼 但是人們會 噢 我走到外面 好的 那你猜猜 你只是 回去 然後把它擦乾 然後就擦乾 頂端 擦乾 現在我幾乎 有一個山坡在那裡 很簡單 但是你真的想 把時間 擦乾 我們會用一個兩毫米的刷子 好的 我們會走到 那邊 但是不在那邊 然後就開始 拉下來 往右邊 我會在這 然後我會拉到這 然後我會 把它們擦乾 然後這裡有個小山坡 小簡單的 Bob Ross山坡 這個可能會 一直走到前面 我們不知道 我應該會鼓勵 任何人 在小型的沙發上工作 像我們這樣 使用一毫米的 除非你習慣了 這個大兩毫米的刷子 就這樣 進來這裡 然後就 找出你的 你的陰影 和你的 亮點 然後我們也會 在一秒鐘內 這個步驟很重要 但是它不是 最終的 修復這個山坡 看起來好 然後你可以繼續 工作 好的 我們現在有 我們的 山坡在那裡 讓我們拿一點 鋼彈白色 然後把它打碎 然後我想做的是 這裡有很多綠色 我的天 這可能太多了 拿一點 然後放一點綠色 在這個雪上 你知道你總是 要保持溫暖 避開黃色 現在我不知道 他們說什麼 我綠色 不能是什麼好東西 毒品復仇者 或者什麼 這裡 好的 拿這個 一樣 切開它 拿一點 塗層 走到這裡 你可能可以 做到 如果你走得 平坦 但是你更好 如果你 把那把刀 提高一點 然後就讓 塗層 坐在 山坡的頂端 然後就 就開始 走到那座山 她會走到 山上 不 她會 走到 這座山 騎到 這裡 一秒鐘 壞笑話 免費 這是一個 這麼小的山 我可以拿到 五號 刀 它有點小 好的 讓我給你 一個小技巧 如果你只是 開始在山上 這很有幫助 我會混合 一個 顏色 我會給你 顏色 在 這 在這把刀 我會混合 一個 陰影顏色 和一些 一些 紫色 和一些白色 現在我需要 這個顏色 能夠 有足夠的不同 在背景 使它能夠 站出來 這裡它就在 這裡 讓我們給它 一個小陰影 我們可以開始 陰影 在我們走得太遠之前 如果我們做到 是的 我認為 這個顏色會有效 比我想要的 我會拿一點點 白色 當我走到那裡 我會加一點點白色 我會改變顏色 別擔心 那 然後 我會注意到 這裡 我不想再回到 你知道 嘿 我們創造的這個小陰影 這裡 就 給你 解決 這 需要一點 更多的雪 現在我們回到這裡 讓這把刀 這種 刀不在 觸碰 畫面 這是 顏色 刀在觸碰 畫面 你 你不 在正確的路徑 這裡 你可能會 讓你擦掉 顏色 在那裡 是的 噢 男孩 我們開始 我喜歡那個綠色 你可能會看到 你看到另一幅繪畫 讓我想起 呃 迷你 這裡 我只是在走著 我不是 我幾乎 拿著這把刀 順便 你可以放 一點 一點在那裡 嗯 碰到這個 有點 好 我會 在那裡 好了 現在我們在烹飪 我認為 好的 所以我再次有一點 塗色 一個陰影色 然後我會放 一點 在這裡 稍微稍微推進綠色的顏色 然後轉過來 就像這樣 重啓 來到這裏 推進綠色的顏色 沒有壓力 就像這樣 現在這個比較後面 實際上 能給你更深的深度 我把暗影放在這 再給你們看一個小技巧 把刀轉過來 用一點點的顏色 有時會比較好 用一點點的空間 哦,我忘了放暗影 放在這 放一點點 你還可以 創造一些 可能會出現的地方 在這裏 我來給你們看 跳進注意力 跳進標準 這兒這兒 我喜歡 我希望你能夠 在這些小區域 哦,我塞了一點黑色在這裏 我塞了一點黑色在這裏 所以這些東西看起來不像是 隨便塞在那裏 這些東西看起來不像是 所以他們非常有趣 讓這幅畫非常有趣 拿這個刷子 然後拍一下 然後用山的角度 這樣 然後就稍微搖一下 然後在這裏 我會用方向鍵 :) 我會用方向鍵 But color over the whole thing. I didn't because I knew I was putting trees down here didn't need it If you could put color All the way down here and then you could actually put a little bit of glow behind down here in the valley of the mountain I didn't do that, but it's another option for you If you paint this one and if you do paint this one send it to me share it somehow with me So that I can see it and brag on you. There's probably better than mine I guarantee it And if you like these little videos give us a like and subscribe there Let's not make more of them. Who knows? There's some great painters on YouTube. I don't know if I fit into that category or not though All right, I'm making up a very bright. Oh super bright Unrealistic but happy tree color. All right, I think that's the color I want I don't like holding the palette to paint especially when I'm working on this huge easel here So I lay it down on the table next to me. All right, here we go Let's see if this color is going to work. Here we go. Let's get scary Somewhere there's some little trees happening Here they are I am just taking that brush and just kind of scrunching down. I call them strike down trees I don't know if Bob ever gave them a name Or anybody else has given them a name You're welcome to call them whatever. Just make sure that you kind of keep a nice top on A nice pointy top I guess And then you work You keep them scrunched down at the bottom So really kind of hit down and then scrunch Pull down almost and scrunch I don't know if scrunch is the best term to use but It's the one that comes to mind. Very glowing trees here And I'm thinking so I'm thinking these are kind of in a bowl shape So I can start over here even if I get tired of working on those And you can do them as fast as you want. Sometimes they're better They look better if you don't worry about them Because these are not meant to be detailed trees These are meant to be little things that look like trees maybe to our eyes that are super far away Miles and miles away We're just working the color across the canvas here We'll probably have some purple ones like this next Again if you've seen the little time lapse of this painting You know where we're going so you're ahead of the game I like some of that dark of the mountain down there because I think it I don't know I like it You want some really because these are so bright I think the dark of the mountain back there really helps The base of the mountain Like that We've got you some little Tree shapes or at least what Bob would say tree shapes right If they're good for Bob they're good for me So I should talk about being a CRI maybe a little bit I am a CRI that means a Certified Ross Instructor There's a couple three thousand notes maybe a little more than that now Kind of spread the joy of painting in Bob's name And all across the country so if you're watching All across the world actually but especially in the United States if you're watching And you enjoy this style of painting and you'd like to take a class Look up on bobross.com and find you an instructor And take you a class If you're near East Tennessee You can find me and I'll teach you a class I'll give you the YouTube discount All right, I'm taking this big brush And you can take a one inch and do the same thing And I'm crunching down right on the bottom This is where Bob would talk about You can take your frustrations out on the canvas And just diffusing them is actually kind of nice There Now what I like to do at the end for these is just kind of Pick up Lightly and it's like two maybe two and three quarters of a hair And it just kind of smooth them out Get those tops looking nice You know, and this It looks pretty decent All right, I'm going to grab this stuff for time's sake I've got big uncleaned brushes in the paint That's the only thing that I probably am not wild Might bother about is just beating the devil out of it I do that But usually not when I'm painting I've got other paint sitting I'm sorry, I've got other brushes sitting out somewhere That I can use And I can move along a little bit quicker And then at the end I have to clean 18 brushes So I guess you've got to figure out what you want to do And make it a purple color Look at that Again, using that purple that we made with That you can make with Alizarin Crimson and Phthalo Blue Very, very, very easy mixture You can keep it to the red side Or you can get it really purple here But just play around with it The best thing you can do is take a tube Several tubes of paint and mix them together That will teach you color theory in no time And what to mix when you need a color I also encourage buying a color wheel I've got one somewhere here So you kind of know What colors complement each other Alright, same thing Pretty much the same direction of these But now we've got some little Almost a magenta color, I guess A hot purple We'll call it a hot purple And it's the same thing We've got those little crunch down trees We'll go all the way across And again, just I'm not worried about leaving any room here I'll cover that back up here in a second With some dark We just kind of have fun here And do that You want them to be light enough to Kind of stand out Because those other ones are really nice For big canvases I'd probably be a little more careful And probably leave some of that area Kind of dark I'm not worried about it on this little one I love big canvases I cannot lie, guys If I could paint on like I've got a 4 foot by 4 foot Sitting next to me over here It's hard to stream Or hard to do a video on something like that Could take a little longer Those are the ones I like I just really Yeah, these are still too far off For us to see any real detail here I just want to see the tops of something The tops of something Let's go here and put a couple Let me raise that one up a little bit There we go These were always the most frustrating thing When I first started learning to paint Because you want the tendencies You want them to be perfect And that's not what they are Really, all you really need to worry about Is making sure They don't look like fence posts If they don't look like fence posts Then they're perfect Absolutely 100 percent You can always go back and straighten up the top You can even throw a top here or there Once you get that color down You can really Just do whatever All right, we'll go back to our big brush And we still, even though We don't have a lot of dark down here We want to diffuse these a little bit So we're smacking down With not the whole brush You can see probably the brush Maybe Maybe a fifth of the brush hairs are here Maybe not even that much Yeah, I got a brush hair right here This is a newer two-inch brush I picked up I did that I'm going to pick these up Just like I did the green ones Just like the green ones Now if you ever wanted to You could throw some little tops on here Maybe a few of them Getting a little detail I'm not going to worry with that I'm going to go pick up a little dark And just kind of throw under them That looks nice, let me do that These are kind of close to us Now we're getting ready to knock all these back Right? We're getting ready to knock them all back One thing I see here is Sometimes you want to make sure And sneak into areas like Right between these two green ones And have something kind of sticking up there So it doesn't look like they're all splashed Just like that There Maybe I'll find one more area Let me load a brush here Maybe right here I'm just crushing a big one there And that knocks it back a little bit for us too There we go Pick up, pick up And put the brush down And now We're going to go to Pretty much a dark color So I'm going to grab all the purple I've got left And I'm going to grab some mountain mix Mountain mix, if you put a little white with it It kind of looks a little lavender And I'll just kind of mix these loosely together Just something dark I could throw a little black in there too There we go That way we're not just adding one dull color And I'll probably just stick with my dirty Fan brush here It's got the purple As long as it doesn't Yeah, that color As long as that color stays dark That's all I'll worry about There we go You can wipe that white out Put that in there But that's plenty dark enough Now comes the fun part We're going to have some bigger trees here And bigger trees are always nice, right? Here we go Just touch you a trunk And I'm going to do down trees Down trees are easy Touch, touch, touch, touch, touch Touch, touch, touch to the right Touch, touch, touch to the left Touch, touch, touch to the right Keeping your center nice and full And all those trees that we spent all that time painting You could probably leave some of them out You can also cheat here on the corners You can just really paint all that corner dark And there we go Now we've got a big tree sitting there We'll do maybe three Three to five If I need to darken them I'll just go back over them That's a big one so He can have some big arms That's Arnold Schwarzenegger Or Bob Ross trees All right, we need another one I want to leave some gaps in these So I don't fill up all my little green trees back here Some of these trees can be skinny too They don't have to be humongous trees There we go I'll go into that one And I'm just tapping And one reason these are called down trees Is because you push kind of down All there is to it Two, what else do we want We know we need at least three We know we need another big one over here Maybe I'll make this one even a little bit taller So it's not Touch, touch, touch I'm going to start seeing there You can touch that all the way down if you need to I don't typically And then just kind of tip the brush over here to the side Go in with the corner, corner, corner And then start working out Working over, right Or let's go Let's do it right here Left Then right Now here's an interesting problem You may run into If you paint a lot of mountains And the easiest fix here And to keep you safe here Would be to take the knife And I'm going to use the little edge Oh my goodness, you're killing me now And I'm going to scrape that paint off Okay That way that paint is not going to interfere With my darker paint that I'm trying to put there And I want this tree to stay nice and dark Dark tree is a happy tree Okay, for this painting at least I'm just kind of working And as I need to I can flip that brush over There's more paint on the other side But it's still It's mainly painting With just the corner of the brush Okay Got my tree a little fat It's okay, Bob, we don't care I'm not going to care either There we go, I'm throwing all the leaves away All right, now we've got Three big trees there Three big old, big old evergreens And then you can go back If you need to And just beef them up here and there Wherever Quick little evergreen tree And probably what I would do here Is just take the brush And just throw some more paint down here Little striped down trees But less of them And just tap it in I just want some dark down here They're just Those are far away They're kind of down Maybe down the valley, I don't know But they are darker And they really make those purple ones Behind them pop And you really don't need to worry That they look great But making them dark Is more about the shape of them I'll keep that brush good and chiseled There we go And we take our two-inch brush And for these We just kind of Pop up, we don't need to smack the bottom of them Okay But we do, we do Kind of come in front of those There we go All right What we can do now Is, so we've got green, purple, dark So I'm going to go back to green And A couple little things here I'm going to take just a tiny roll of paint Just a tiny roll of paint And here and there Touch a little bit of The trunk on these guys You can do that But sometimes when I'm not painting I don't even put the trunk I'm going to take a little bit of liquid clear Just to draw up on the corner And I'm going to go into some Some of the paint that's The green color The minty green color And kind of Thin that down just a tiny bit Just a tiny bit If you need to, you can use liquid white That'll brighten the cover up too So be careful So I'm not talking towards the Phones, you probably can't hear me as well All right So I'll thin that paint down To where it should Remember the golden rule But I've always talked about it A thin paint Will stick to a Thick paint And I'm just putting a little bit of A highlight on these trees Real quick here And finish this guy up here Just down in there somewhere And one way you can look at your color And see if it's thin enough Is to Split your brush afterwards If you're picking up A lot of the base color Add a little bit more of the liquid white Or liquid clear Whatever you want to use And the liquid white Will make your color Not as It'll make it brighter, sorry And then be careful there If that's not what you want Use the liquid clear I would not encourage using thinner Because Thinner and liquid clear Don't like each other Like what? Bob has stuff That doesn't like each other If you intend it It's a great effect Bob has a couple episodes You can find Where he uses that effect Or the reaction I should say Between the two To create a really cool effect If that's not what you're wanting It ruins your painting So just tap on a few Little highlights there And We can call this one done Alright guys Thank you for watching I hope this was helpful Again if you paint The painting Send it to me Let me see it Show off please Take care Everybody stay well And be kind to each other See you down the road