Legend of Atlantis (Full Episode) | Drain the Oceans

Ancient Legends Around the World
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Lost civilizations, mysterious sunken cities,
and legendary Atlantis itself vanished beneath the waves.
There is a huge amount of unrecorded human history
beneath the ocean surface that we don't know very much about
at all.
Imagine if we could empty the oceans,
letting the water drain away to reveal
the secrets of the sea fluid.
Now we can, using the latest underwater technology,
piercing the deep oceans and turning accurate data
into 3D images.
Is this a huge underwater temple carved
by a mysterious lost civilization?
Why are these perfectly circular stones
lying at the bottom of a bay in the Aegean Sea?
There are shapes on the seabed that just don't make sense.
Are these just rocks or the remains of an ancient city?
Parts of this are just beginning to be
revealed for the first time.
Wow.
And is the real site of Atlantis finally about to be revealed?
People want to believe in places like Atlantis.
They want to believe in other worlds.
Stories of sunken cities have fascinated for millennia.
The most tantalizing of all, Atlantis.
First described by ancient philosopher Plato,
a dazzling civilization destroyed by the gods
as punishment for human pride.
People connect to that story.
And it's because of this idea of an ancient civilization,
a utopia, that we've evolved from.
2,000 years later, the idea of Atlantis
continues to fascinate A-list archaeologists and the producers
of B-list movies.
Atlantis is the story of those who, like today,
would use the marvels of science to conquer and enslave.
Atlantis, a world that worshiped strange gods of science,
a science gone berserk.
Plato would have loved this, OK?
He would have had a great time.
He would have said, at last, you know,
people are listening to me.
People are taking my story seriously.
And he would have enjoyed this immensely.
Using science, not science fiction,
draining the oceans exposes new evidence about Atlantis
and other stories of great sunken cities around the world.
As the waters recede from around the remote Japanese island
of Yanaguni, a mysterious formation begins to appear.
Could it be the creation of an advanced ancient people?
Yanaguni lies in the East China Sea.
The waters here are perilous.
Schools of hammerhead sharks patrol amid powerful currents.
Typhoons frequently batter the island.
For divers, it's the ultimate challenge.
Kiyochiro Arataki is one of the pioneers of diving here.
KIYOCHIRO ARATAKI, JAPANESE INTERPRETER
The water was crystal clear.
I felt as if I were looking down into the seabed from the sky.
Searching for a new dive site, he makes a startling discovery.
I saw a steps-like formation, like terraced fields.
I thought for a moment it was similar to the Machu Picchu ruins.
So I named the spot the Submarine Ruins.
It's an extraordinary spectacle.
The size of five football fields.
Smooth-sided walls rise up to the summit.
The height of an eight-story building.
Flights of stone steps climb up from the base.
And on every side, the shapes and forms are strikingly regular.
It can't be formed naturally without human involvement.
It couldn't be like that.
So what could it be?
It's impossible to investigate the structure fully by diving.
The only way is to conduct a survey using the latest scanning technology.
Although the shallow waters around Yonaguni Island are close to human habitation,
we don't know much about them.
It's an unknown frontier.
Using sonar scans,
Hironobu Kan records a complete digital map of the seafloor.
Using this data, it's possible, for the very first time,
to drain away the waters
and reveal what lies beneath in exact detail.
The summit of the mysterious structure begins to appear.
Water pours off its smooth terraced layers,
exposing them once again to the sky.
And with the monument left high and dry,
its true scale becomes clear.
Vast, imposing, and spectacular.
The incredible discovery attracts worldwide attention.
Divers, journalists, and TV crews flock to Yonaguni,
all asking, what could this mysterious structure be?
And scientists come here, too.
Among them is Professor Masaki Kimura,
one of Japan's top marine geologists.
When I dived underwater to explore it,
I felt right away that it must be a man-made structure.
He finds several features that he believes
indicate human activity.
Here, you see something that looks
like the front gate of a castle.
It's like a tunnel, and you go through it.
On the far side of the tunnel, a road
loops around to a flight of steps,
watched over by two mysterious stone objects.
They are mound-like bulges, here and here.
And if you look at them, you will
find turtles with their necks extended on both sides.
According to ancient Japanese folklore,
the dragon god, Ryujin, lives in an underwater palace,
watched over by turtles.
To Professor Kimura, this indicates
that the monument is so important, it needs guarding.
And that's not all.
If you go up this path, you get to this place.
This portion is triangular.
That's why it's called the Triangle Pool.
Since it's fairly big and shallow as well,
you can relax in it.
Also, the sea surface is very close to it,
and it's warm due to the sunlight.
You feel chilly after you come out of the deeper area
down there, and you can warm up here.
But the monument's most striking feature
is its wide, flat terraces, large enough
to support thousands of people.
Professor Kimura believes the gateway, stairs, turtles,
and terraces all point towards one purpose.
Judging from its shape, I think they used it as a castle.
But to prove his theory, Professor Kimura
needs more, the artifacts of those who once lived here.
He scours the structure, looking for clues,
and discovers what looks like primitive tools.
Then, hidden behind one of the great walls,
the most remarkable find of all.
Look at this.
A symbol is inscribed here, and here's a hole.
Probably, they hung this article like this.
And here's something looking like a letter.
Maybe it could be a kind of talisman
to protect people from evil.
For Professor Kimura, the case is closed.
The artifacts and the monument's regular shapes
prove that humans lived here 8,000 years ago.
After that, rising sea levels claim
the territory of this lost race of master builders.
But is that the real story of Yanaguni?
Professor Kimura believes that this extraordinary structure
off the coast of Japan is a gigantic castle built
long before the pyramids of Egypt
by a mysterious lost civilization.
But is it?
With the water drained away, it's
possible to scrutinize the monument in forensic detail.
The edges appear regular and straight,
as if made from blocks carved by human hand.
But closer examination reveals something else.
The surfaces are smooth and unbroken.
The monument is not assembled from handmade blocks,
but is, in fact, one solid mass of rock.
The pyramid area and the headland behind it
are connected with each other.
The surface of the terrain has a lot of grooves,
so you may think they're separate.
But since they consist of the identical stone,
they are originally connected.
The basic form of the monument is clearly natural.
But what about the gateway, steps, turtles, and pool?
Could it be that an ancient people carved
into this huge rock, transforming it
into a great castle or temple?
Studying the headland on shore provides the answer.
The shapes here are strikingly similar to those
found on the monument.
And that's because they were formed in exactly the same way.
Both are made of sandstone, which,
when subjected to stress, such as during an earthquake,
can fracture along vertical faults,
forming angular shapes and what look like steps.
Put something like that underwater,
have the water wash over the top of it
and clear away all the debris, and you've
got very, very fine step-like structures.
But they're no more human-made than any other structure
down there.
The lack of tool marks is further confirmation.
The forces which shaped this remarkable place
are geological.
But what of the artifacts?
Perhaps the monument, if not built by ancient people,
was inhabited by them, walking these steps,
crowding these natural terraces.
But so far, no other objects have been found,
suggesting that the talisman and tools were dropped
from a boat passing overhead, landing on the monument simply
by chance.
The clear thing for Yonaguni, for me,
is there's no pottery.
There's no evidence of actual human occupation.
There's not a single wall from the site.
There's nothing on it that indicates human activity.
The Yonaguni Monument is an extraordinary natural formation
created by epic geological forces.
But its shapes appear so regular that many still
believe it holds a secret ancient purpose.
You can take that leap if you have an imagination and say,
yes, this could be an ancient city beneath the sea.
But in the case of Yonaguni, I'm in those ranks that feel
that it's not.
It's geology.
We want to believe that science doesn't have all the answers.
We want to believe innately that there is something out there
that we can connect with spiritually
and that hasn't really been polluted by being
the subject of scientific discovery.
And still among the believers is Professor Kimura.
He remains convinced that the monument was inhabited
by his ancestors and continues to search for evidence
to prove the doubters wrong.
Beneath the oceans of the world lie
many more tantalizing traces of possible lost civilizations.
As the water continues to drain away
in the eastern Mediterranean, astonishing structures
emerge in a quiet island harbor.
Is this jumble of shaped stones the architectural debris
of a once great city?
Alikanas Bay, a tourist hotspot on the island of Zakynthos,
Greece.
A diver Pavlos Voutos sets out to take some underwater photos.
I went in the water to make photographs,
general photographs of fish, of weed,
of things in the bottom, rocks, formations, things.
Pavlos swims farther out into the bay
in search of clearer water.
Then, out of the gloom, he sees something.
Something that will change his life.
It was really strange.
They don't look like the rocks at the harbor
or the rocks at the beach.
Something really unique because it looks like man-made.
The debris stretches out for hundreds
of yards in all directions.
The area is so large that Pavlos is convinced
he's found the remains of an entire town.
There are too many different shaped stones.
They look like pavement or like walls that have fallen down
and breaking pieces.
But definitely, they don't look natural.
I was dreaming of palaces and temples and unseen life.
It was an amazing find.
The discovery sends a bolt of electricity
through the world of archaeology.
Professor Michael Stamatakis immediately travels
to Zakynthos to investigate.
When they sent me initially some photographs,
I had to say that I was confused.
And I thought that they probably are some man-made products.
Stamatakis recalls seeing similar shapes
on land at the site of an ancient settlement
built over 2,000 years ago.
You see the carving here?
Looks like.
And also the other.
So we have some findings in Alikanas in this size,
small one, but long and narrow.
If the same shapes lie on the seabed,
they could indicate an ancient settlement just offshore,
concealed under the bay.
And forgotten about for centuries.
If you show in any scientist this photograph
and also a photograph from Alikanas,
say it's the same, they say, OK.
Comparing the images is not enough.
The only way to reveal a complete picture
of the structures is a detailed underwater survey.
Simon Brown is an expert in 3D modeling.
But the task facing him is immense.
Right now, we're not quite sure how big the area is.
I've estimated it's about 16 acres, which
will be more than double the largest subject I've ever
covered to date.
It's a weird place.
There's definitely features here that I've never
seen anywhere else before.
They look out of place.
But then I started to see more regular shapes that
look like cut stone.
So my mind then starts to think, is it man-made?
Can draining the waters of the Mediterranean
provide the answer?
Simon Brown is mapping mysterious underwater
structures discovered in a Greek bay.
Could they be the remains of an ancient town?
He takes nearly 4,000 high resolution photographs
of the seafloor.
Tracking each with pinpoint accuracy through GPS.
Using these images, it's now possible to do something which
has never been done before.
Drain the waters of Alicanas Bay and reveal for the first time
ever a 3D plan of the entire seafloor.
As the Mediterranean begins to recede,
a world is exposed that's been invisible for thousands
of years.
First, the rocky shoreline is left high and dry.
Then, from the dark depths, regular shapes
begin to appear, hidden among the rocks.
Could they be the bases of stone columns, which together once
formed a grand colonnade?
The use of colonnades is a turning point
in ancient Greek architecture.
Builders can now switch from wood to stone,
a far stronger material, to create ever larger temples
to the gods.
A colonnade in Alicanas Bay would
prove that an important ancient settlement once stood here.
But some experts remain skeptical.
There are structures all over the world
that mimic something that humans may have created.
Doesn't mean that humans created them.
With the water drained away, it's now possible to search
the seabed for evidence of human occupation.
Fragments of the pots people cooked with,
charcoal from their fires, tools for farming,
and weapons for defending their homes.
Any objects made of metal, clay, or stone should have survived.
But there's nothing, which means these extraordinary
remains, whatever they are, are not the relics of a lost town.
So what are they?
The first approach was to see the material,
not only from pictures, but to touch it.
It's very soft.
It's not easy to assume you can make a building
with this very soft material.
The so-called bases of the columns
are composed of this soft material.
So this material is just a little hardened mud.
It's nothing more.
It's like the material we have in the cliff.
Further analysis reveals the formations
are what geologists call concretions, solid blocks
of sedimentary rock formed by powerful volcanic activity.
Underwater vents release methane from deep within the Earth,
combining with microbes and sediment.
The methane causes regular circular shapes to form.
Far from being a relic of ancient Greece,
the structures here predate human activities
by 5 million years.
Despite all the evidence against his theory,
Pavlos Voutos remains convinced that the fantastical landscape
he discovered was shaped by his ancestors.
I don't know if there was a palace, castle, some temples,
storages, or just houses.
This is for the scientists to find.
What I see is signs of civilization.
Classical civilizations dominate the Mediterranean
for over 1,000 years.
Today, all around its coast, people
tell stories of sunken cities.
As the waters around Greece drain away further,
an extraordinary underwater vista is exposed.
Could these patterns on the seafloor
be remnants of an ancient city?
The village of Elefonisos sits on a small island
just off the Greek coast.
At first glance, an ordinary fishing port.
But in 1967, less than 100 yards out to sea,
something attracts the attention of a visiting maritime
archaeologist.
Snorkeling in 13 feet of water, Nicholas Fleming
catches a glimpse of regular shapes on the seafloor.
Then, exploring deeper, he sees what he thinks
is evidence of human activity.
I looked at these rows of stones,
and I just had no idea what it was.
But I realized immediately that it was man-made,
that we were looking at a large part of a town.
And I mean, I just went crazy.
Fleming is convinced he has found something special.
But could these simply be natural formations mimicking
human structures, like the concretions of nearby Alicanus
Bay?
The following year, Fleming returns
with a team of surveyors to discover the truth.
Using tape measures, they document what they find.
And the results are astonishing.
The site is strewn with signs of human activity.
Pots, storage vessels, and tools lie
across a huge area of the seabed.
There can be no doubt Fleming has discovered the remains
of an ancient town.
It's named Pavlopetri, after a nearby island.
But who built it?
These questions inspire a generation of archaeologists.
Well, I've always been interested
in submerged settlements, submerged towns.
And I'd read about Pavlopetri as a boy.
And this idea of an intact prehistoric town underwater
just seemed incredibly romantic, incredibly exciting.
Henderson can now fulfill a childhood dream
and explore this haunted underwater world for himself.
And here we have a coernt stone.
You can see it's got a very concave, concave surface there.
And that's for grinding, ground whatever it was that you
were turning into, you know, flour.
That's quite a clear after fact, very nice.
There is a huge amphora, one amphora.
Two amphora.
Three, four, five.
This gives you a real example of what's coming out of the sand,
what's eroding out of the sand.
Look, that's the base of an amphora.
That's the amphora shape there.
It's on its side.
There's another one next to it and another one there.
And further into the bay, more evidence
of human life and death.
So here's a cist grave.
Edge set slabs.
A very small one, possibly for a baby.
There are about 40 of these on the site.
Diving gives intriguing glimpses of objects
lying upon the seabed.
But it's impossible to gain a complete picture.
To do this, it must be mapped with the latest
in underwater scanning technology.
Using this data, it's now possible to drain away
the waters above Pavlopetri and bring sunlight back
to a forgotten world and a true sunken city.
With the entire bay drained away, everything becomes clear.
The lines are the foundations of buildings laid out
in clear streets.
At the heart of the town is a large open area, perhaps
an ancient marketplace, and nearby the remnants
of a huge structure, perhaps an important civic building.
The remains cover 20 acres, and the town
could have housed 4,000 people.
A thriving ancient settlement once existed here.
The next challenge is to discover who built it and when.
We know how old the occupation of the site
is because we've got pottery.
And pottery, particularly in this part of the world,
is very well dated.
What was really exciting is we actually
found evidence for pottery from the end of the Stone Age.
So we've actually got occupation here
from about 5,500 years ago.
And then we've got every single bit of pottery
you would expect up to about 1,100 BC.
There's no gaps in that.
So the place seems to have been continuously occupied
throughout the Bronze Age.
Pavlopetri was occupied for 2,400 years
during a revolutionary period of human development.
At its peak in the Bronze Age, around 1,700 BC,
it looked like this, a perfect example of the time
when Europeans start to live in stone-built towns
with regular laid-out streets.
But one question remains.
Why did the builders of this town
choose this particular location in a remote part
of ancient Greece?
Exploring the drained landscape around the ancient city
reveals an all-important clue.
At its edge, a huge sandbank stretches out into the ocean.
During the Bronze Age, people don't build ports out of stone.
They bring ships up to the shore and then beach them.
And Pavlopetri's location means it can exploit the trade routes
that boom during the Bronze Age across the Mediterranean.
Evidence of early commercial activity is everywhere.
The interesting thing is we've clearly
got a lot of material coming in.
We found thousands and thousands of shales of very large,
storage vessels, which have been used for storing olive oil,
wine, that kind of thing, and generally anything.
They were like the containers of the day.
And that's not all.
Pavlopetri is also a hub for manufacturing.
We've got a lot of evidence for loom weights,
thousands of loom weights, way more than you would
need for domestic production.
So it seems that maybe textiles were something
that were being produced on the site and perhaps exported.
Pavlopetri is an extraordinary, bustling, vibrant port city
and an important center of trade.
So how did such an advanced metropolis meet its end?
An ancient, submerged city off the coast of Greece.
How it came to lie on the seafloor is a mystery.
One of the interesting things about Pavlopetri
and its submergence is there's actually
no historical references to it at all.
It sunk under the waves, and then it
was out of sight, out of mind.
And there's certainly no classical sources
that refer to its sinking.
And there's nothing until its discovery, really,
in the 20th century.
Scanning the drained bay could reveal
what happened to Pavlopetri.
At the edge of the town, it's possible to make out
three mysterious lines.
These are strips of beach rock formed by the action
of sunlight on saltwater.
They form only near the shoreline.
It can mean only one thing.
Earthquakes caused this land to subside into the sea.
So there was a big earthquake.
Perhaps part of the remains went under the water,
and part of them are still surviving.
Then there was another earthquake.
It was pushed under.
Then there was a third, and it was gone.
Pavlopetri is one of the most important Bronze Age
sites in the world and the oldest submerged town ever
discovered.
But it's not alone.
A lot of the major finds in the next couple of decades
are going to come from the sea.
I think we have the potential to rewrite what
we know about human history.
Pavlopetri is an extraordinary find,
but it is not the legendary Atlantis.
Various locations for Plato's dazzling city
have been proposed around the world.
But most academic investigations point
to one place, the Mediterranean.
As its waters continue to drain away at its western end,
new and tantalizing evidence is revealed.
Could archaeologists finally have
found the site of Plato's famous lost city?
Mark Gutscher is a geophysicist, long
fascinated by Plato's story.
I do think that becoming interested in Atlantis
can be almost like a bug or an infection or like gambling.
I think one can become obsessed.
Plato wrote about Atlantis in 360 BC,
describing an advanced metropolis 9,000 years
before his own time, lost beneath the waves
in a cataclysmic event.
Mark Gutscher has analyzed Plato's texts,
searching for clues to its location.
This power came forth out of the Atlantic Ocean
from an island situated in front of the straits which are by you
called the Pillars of Herakles.
The Pillars of Herakles is the name given by Plato
to the maritime boundary of the ancient Greek world.
Many locations have been suggested,
but Mark believes he has the answer, the Straits
of Gibraltar.
So here at Capes Bartel, we're at the northern edge
of the Moroccan Atlantic coast and just at the entrance
to the Straits of Gibraltar.
About 10 to 15 kilometers off to the northwest,
there's a submerged bank.
Some people have suggested that it might have been inhabited
and it might have formed the origin of the Atlantis legend.
Today, this area sits under the second busiest shipping
route in the world.
A difficult place for subsea investigation.
During a project to study rising sea levels here,
Mark gets his chance.
Using a remotely operated vehicle, or ROV,
he sets out to map the seafloor.
It's challenging work.
It was very difficult.
Both the towing of the camera was difficult,
keeping the ship in place was difficult,
and especially trying to keep the ROV in place
was really, really difficult.
Finally, Mark gets the sonar scanning data that he needs.
Now, combining this information with the latest computer
graphics, it's possible to drain away the seawater
from between the ancient pillars of Herakles
and attempt to solve one of the greatest
archaeological mysteries of all time.
Soon, rocks begin to emerge.
And the unmistakable outline of an island gradually appears.
Is this the site of Atlantis, exposed for the first time
in 11,000 years?
Once again, important clues lie in Plato's own writing.
Plato says that the city and all of its warlike men
were destroyed in one day and night of terrible misfortune
caused by strong earthquakes and floods.
The island, revealed by draining the ocean,
sits on a subduction zone, a boundary
between the huge tectonic plates that make up the Earth's
surface, the exact point where the biggest earthquakes
strike.
A series of powerful earthquakes and tsunamis
could have obliterated Atlantis and sent the island on which
it rests down into the ocean depths.
You could imagine that during great earthquakes,
there might have been some subsidence.
So if we were to take into account
maybe 20 or 30 meters of subsidence
due to those earthquakes, there might have been
a somewhat larger island there.
The geology supports Plato's account
of the destruction of Atlantis.
But one other vital piece of evidence is still needed.
Draining the ocean has revealed a mysterious island exactly
where Plato said Atlantis would be.
But one other piece of evidence must be present for it actually
to be Atlantis, the remains of substantial man-made
structures.
Using the drained landscape, it's
possible to study the island's surface
in extraordinary three-dimensional detail,
searching carefully for the remains of walls, temples,
bridges, and anything constructed by human hands.
But there are none.
Nowhere on this mysterious island
are there any lines or geometric shapes
which would indicate the presence
of a great ancient city.
Atlantis did not exist in the tiny island of Spartel.
If it did exist, traces of it have not yet been found.
However, the story of this submerged island
is not over yet.
There may be no trace of a city built out of stone.
But evidence found on land nearby
suggests that during the Stone Age,
when sea levels were much lower, people did live here
and in many other places just like it.
And during this period, our human ancestors
make some of the most important breakthroughs of all time.
They learn how to farm, keep domesticated animals,
use sophisticated tools, build wooden houses,
and begin to trade.
Then the last ice age comes to an end.
Over the course of 15,000 years, sea levels rise by 400 feet.
And the territory of these early people vanishes.
Their tools, homes, and weapons are washed away.
That elemental human story may help explain
the timeless appeal of the Atlantis legend.
There are many, many stories out there in the world
that recall times when land that was once inhabited
was submerged.
Did that information inform Plato's fiction
about Atlantis?
I think there's no doubt that almost every culture
in the world has a flood myth, a deluge story,
because we developed as a species within this period
of rising sea level.
So that, for me, is so fundamental
to understanding ourselves as a species
that we should be looking into this.
Plato's story of Atlantis is about human folly
and the destructive power of nature.
Today, the rising level of the oceans
threatens all coastal communities.
Great port cities like Bangkok, Ho Chi Minh City, and Dhaka
are all at risk.
And in North America, there's one of particular concern,
New Orleans.
Sitting on the banks of the Great Mississippi River,
the city's average height is 6 feet below sea level.
This makes it highly vulnerable to flooding.
In 2005, disaster strikes.
Hurricane Katrina causes a massive storm surge,
and the levees designed to protect the city are breached.
The resulting floods are catastrophic.
Nearly 2,000 people die, and many more
are left homeless.
And the situation in New Orleans is getting worse,
because the city itself is sinking.
Due in part to the removal of groundwater,
some districts of New Orleans are subsiding
by 2 inches a year.
Given ongoing sea level rise, which is a scientific fact,
the time will come when some of our settlements in our time
are underwater.
Cities like New Orleans, they all
have suffered incursions of water.
And the time will come when we will no longer be
able to battle that incursion.
By the turn of the next century,
New Orleans could be uninhabitable.
A mysterious underwater city studied
by maritime archaeologists.
A modern day Atlantis.
