如何畫水－衝浪波繪畫教程

Guys, I just love the sea, it moves, makes noises, yeah, it's just wonderful. That's what we're gonna paint today. I know that most of you fast forward to the part where we paint the sea. Therefore, yeah, we start basically with the underpainting, first layer of the sea. And a little trick here, where you... How you get a very nice soft transition between the colour of the sky and the colour of the sea, more or less. Just use a big brush and, yeah, blend the whole thing a little bit. Then I start to basically put in the mid-tone values. Yeah, kind of a first layer, but very thick, very nice coverage. Already getting some details here and there. Yeah, very easy process, more or less. If you want more information about how to paint this painting here, then check out my Patreon, link is somewhere down below here. Where we have a version of this video here, over 5 hours of pure painting, including the whole colour mixing process. Much more information, check it out. Yeah, it's basically just kind of a mid-tone value application. I'm roughly getting the shapes, more or less, that we have when we left the whole thing dry a couple of days. Really make sure it's completely bone dry. Don't try to get over the whole thing when it's halfway sticky. It needs to be completely dry, because we, yeah, rub in the colours pretty hard in some areas. Yeah, and then I remix some of those colours we applied before, and also mix some new colours. Here on the right side, as you can see here. And start to, yeah, with the background, to build up those little wave details. Using a very soft, round brush here, to kind of dry brush on, stipple on those wave details. They really need to be very random. Really make sure that you don't repeat yourself, shape-wise. And also make sure that you blend a little bit in there. Especially on those parts that are a bit far away, more far away from the viewer. You want to be a bit more blurry, kind of. Yeah, and then I, see here now, I'm blurring down those colours. Then I'm, yeah, mixing darker set of colours for those, yeah, valleys of the waves, more or less, as you can see here now. Then I go back and add some, yeah, foam, some white water parts on top. Again, yeah, be random, shape-wise, size-wise, colour-wise. See that I'm remixing colours here and there. Getting darker, lighter, getting all kinds of shapes. But still I'm trying to, yeah, blend in some areas. Further down the road, we build up some more details in the front. And those require a bit more of a greenish colour to the whole setting here. Because we, in those areas, we start to see the colour, the true colour of the water. And the thinner the water gets, and some areas, those, yeah, waves really become very thin, kind of. The more greenish, yeah, colour you want to have in. And we have here this breaker kind of thing, this splashing wave that, yeah, broke on those rocks here. And yeah, it's, again, very straightforward, just putting in those colours side by side. Blending, readjusting. But again, I'm using here a whole bunch of different colours. See, some greyish tones, some more bluish, greyish, darker tones. I'm reworking those areas. They are still wet when I go back. We adjust the splashes, adding also some yellowish to it, some bit more brownish tones. I'm kind of enhancing those windows in those foam parts, more or less. Again, yeah, blending them down to really get this soft transition that we need and want to have it looking realistic. And then I'm mixing the colour for the window, so to say, the part where the true colour of the water comes out. And this colour is applied in a drybrush technique. I'm using the first layer of colour and quite a bit of this area here as kind of a first layer. And with the second layer that I apply now, I achieve a very deep effect of richness of the colour. And then what we need to do is basically we need to add those foam parts, those details here. Again, I'm going wrong with the lightness of the colour here. I'm getting light again. But just a hint, you know. I'm again reusing the colour that I applied before, this bit darker, whitish colour here. And then I'm just adding those bit lighter colours on top, like you see here. I'm just adding some more details that break up this very blurry water part that we have here now. Again, we have this greenish, brownish colours, a bit more greyish ones. And when you step away from the painting, it just looks realistic, kind of. But you need to be able to see those very fine colour nuances that you need to put in to make it look realistic. Water is not blue. Water has all kinds of shapes, all kinds of colour to it. And the same goes for these rocks that I put in here now. You see, I have this purplish, bluish colour glazed on in a very thin manner. Then I have this very darkish, blackish colour in the centre part. And I'm kind of glazing this colour on. Again, I'm reusing the colour that I applied before, the first layer of colour that is dry now. And with this second layer of colour, kind of a glaze application, you achieve a very rich effect, a very deep effect of colour. And the colours that I applied here are very thin in the second layer. Therefore, I can go back and put on those foam, water flowing parts here over the rocks in some areas. You need those details so that you kind of hint the water that basically flows down from those rocks. And again, this is kind of a dry brush technique. I'm using in some areas just a hint of colour on the brush. And the same goes for the rocks in the right part, you see here. Again, some bluish, purplish colour. I'm reworking the shapes of those rocks that you see here. That's what I do here now. Again, just a hint of colour on the brush. I'd rather go back five or ten times than apply the colour too thick in the first go. This is very important, I think. Here now, I'm kind of flashing out. I'm modelling the water part here in the front. Again, this is not the same greenish, bluish colour. It's a bit different. A bit more brownish to it. Again, this dry brush technique. A very thin hint of colour on it. And then I kind of put over it those white water foam parts. By kind of stippling it, rubbing it in. Being very random, shape-wise again, size-wise, colour-wise. And then I felt the need to go back and add some more yellowish, brownish tones here. To again show more of the colour of the water itself. And then I go back and readjust the foam parts. And the same thing you need to do with the water and the foam on the rocks. And this part of the rock, again, is completely bone-dry. Therefore I can go in and add those very fine little water details. Kind of foamy, watery things that float over this whole thing. And then we start to build up the detailed parts of the rocks here. Again, we have different colours here. See, it's a bluish colour. And again, I'm getting very thin on the top parts. Where we have the colour a bit lighter. So it's difficult. The important part is to really stay in control of the amount of colour that you use. And be rather too thin in the first try than too thick. And again, you see we have this greenish, brownish colour on this mid-rock. Then we have kind of a lighter, bluish-grayish one. Those glazes of the blue colour are going back with a dark colour. With a nearly black colour here again. And on top, some more details applied with a very small, fine brush here. Again, staying in this colour range but with some differences, with some nuances. Some variations of those colours. And this is what makes this thing look realistic. Adding some more edges here and there. Some more rock details basically. Then again, the final step. Kind of building up those fine water reflections. Water foam parts that we have floating around. Still on the rock. With this layering technique, it's very easy to get a really nice looking, realistic looking rock. In a very quick time. That's the finished painting. That's about it for today. Make sure you hit that subscribe button, that like button. See you next time. Bye.