Michelangelo, Moses, and the Tomb of Pope Julius II

We are in the camp of San Pietro in Vincoli, St. Peter in Chains, Rome. We are looking at the building of Pope Julius II. One of the icons of Michelangelo I called this building the Responsibility Building. And that's because that building has continued, continued, continued. Julius II has protected Michelangelo. to create an incredible building. He wants to have so many buildings. And a very cool building. It's very normal for buildings. To plan the building responsibly before they die. So, Julius II did not do anything normally. But Julius has built an extraordinary building. He's called the building of responsibility. And really led the battles to protect the building extremely was protected by Church. He's also a rebel. And there's the location The building is extremely. It's not a crime to be here. A very big building. Treat the family of Julius. So, Michelangelo treated everyone with his incredible building. He was called to Rome by Julius II. And here's the first plan. He's for him. This is a very special building. And it's much smaller. What I expected. In addition, There's only one building. by Michelangelo. And that building is incredible, The building of Moses. There is a very different building have completed the building extremely, But they're in the building. The man in the house and the violent. And they'll be building incredible buildings. There's a man in the house. And in the building very much In Florence, There are some very interesting buildings. not complete I'm going to go. I guessed it. There's a little bit of a problem. Exactly about What Michelangelo Think about the people who are violent. One of his introductions. I made a guess. That there is a building extremely Treat the arts. These arts, For example, - What? culture, and culture. But Julius II There's a man who's violent. and will be violent for the death of Julius II. A kind of sad, It's kind of sad. It can damage the building enormously. There are things Moses with Paul about Culture and and life Traditionally. So, The building is very There's a building of violence. But most importantly The name of the artist is Michelangelo. of Julius II, It's a very cool building. And very funny. I'm not building anything. change and with I'm going to... A building of violence. The most important image is probably a picture of the person in the building. But simply for Michelangelo, He likes to have problems with his body. It's more of a problem with finding out someone's status. And here, in the statue of Moses, We see Michelangelo's problem with the strength of the human body, But also his problem about the situation inside. Strength is a very good word here. This is a sitting statue. The statue is not a very active statue, But Michelangelo filled the energy of this statue with energy, and status, and energy. Look at the way his left hand pushes back, That's how he'll develop himself. Now put some energy in your hands and hands. I don't think I've ever seen a picture of a There's a lot of energy there. When he pushes back his left hand, His hand changes naturally in that direction, But his hand changes naturally in that direction, This activity, The energy consumption, And his head changes naturally in that direction, But his hand changes naturally in the direction of his head. So, every part of your body Change to the other side. The other side changed very clearly, Because his mind is on the left. He's looking at you. And remember, this could be it. About 15 minutes from the ground. And we can look at him Very different from the way we look at him today. But that's the look. Like with his name being David, We have a feeling of the presence of something. Moses is also looking in. So what is that? Partly changed Moses is looking in. The Israelis We'll change naturally in his direction. Anh ta đã appeared từ I received 10 letters from God. Moses is the despair of monotheism. But the Israelis have changed. to become the monotheism of the people of the people of Âm Thộc. So maybe that's the target. I'm very disappointed. Although there is a feeling That Israeli name seems to be falling From between his legs and his hands. So, there's a question about This is in the plan. This matter is being dealt with At this moment, or prisoners or prisoners Treat him right, It wasn't easy for Michelangelo. He can't handle it. A special moment. You can create a document, a document that can be organized The continuation of that story. Someone else has been talking about how Michelangelo in the Moses and in the documents and in other documents I'm taking part in your idea. Start with the material from inside the rock. This is a theme in Michelangelo's documentary. And a documentary ♪ But long up legs ♪ I'm going to make you feel better. Treat, leave something To find something down there, That's the process of starting a document. It's also important to remember that on the head of Moses Can only be seen If we treat the document without handling the documentation. We'll get the documents. by their materials And the soul is a document of Moses And this is going to be in the media. From the Hebrew language for the lighting, and communication Moses is only a medium. With these souls. Michelangelo is very pleased. And very pleased. Treatment with about 50 documents. Michelangelo lived a very long time. In the year 1505, I'm really dealing with the material. So, he's very pleased In this plan. But to Sire Julius II. Take him out of the plan. Cho tù And ask him treatment of the material The Sistine House, What did Michelangelo do? First of all. But Michelangelo the documentation, That will be very important. When he comes back The problem with of his Majesty Julius II. In the end, Moses became the centerpiece. In your place Julius. But it's important to remember that But we see now Just there in the sun The first plan of Julius II.