Haydn Hob.I:7 Symphony No.7 midi 海頓 第7號 交響曲 ハイドン 交響曲第7番 昼 Score Sheet 譜 樂譜 乐谱 Partitura 楽譜付き 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Haydn Hob.I:7 Symphony No.7 in C major Le midi
海頓 第7號 交響曲 C大調 作品I-7
海顿 第7号 交响曲 C大调 作品I-7
Haydn Sinfonía n.º 7 El mediodía
ハイドン 交響曲第7番 ハ長調 昼
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Haydn #Symphony #Kero
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00:00 I Adagio
01:13 Allegro
07:58 II Recitativo
10:37 Adagio
16:53 III Menuet
18:29 Trio
21:29 IV Finale Allegro
The Symphony No. 7 in C major, Hoboken I/7, is a symphony by Joseph Haydn, sometimes called "Le midi", meaning "The Noon."
The symphony was composed in May or June 1761, paired together with the other two of the Day Trilogy, Nos. 6 and 8, and under the patronage of Prince Paul II Anton Esterházy.
It is scored for 2 flutes, 2 oboes, bassoon, 2 horns, strings and continuo, and exhibits many concertante features; indeed, the principal players of each of the string sections have solos, while the winds are given fairly difficult parts. The work is in four movements.
Unlike the sunrise of Le matin, the slow introduction to the opening movement here is a ceremonial march.
The first movement begins with a fanfare style, ten bar passage in C major, followed by the allegro part of the movement in D major. The second andante movement begins with an extended "recitative" in C minor featuring a solo violin, which ends in B minor to give way for the main Adagio section. The Adagio follows in G major with solo violin and solo cello with prominent obbligato flute parts coloring the accompanying orchestration. The movement ends with an extended cadenza for the solo violin and cello.
As is the case with symphonies 6 and 8, the double bass has an extensive solo in the trio of the menuet. Like the previous symphony, the finale contains passages for almost all the instruments, but here it is intensified even more with solos and tuttis often exchanging every other bar. The recapitulation is notably accentuated with horn fanfares.