Mendelssohn: Songs Without Words - No.46 in C Minor, Op.102 門德爾松:無言歌 - 第46號 C小調,作品102

Mendelssohn: Songs Without Words - No.46 in C Minor, Op.102 門德爾松:無言歌 - 第46號 C小調,作品102

121 Video Views·Feb 6, 2024  #classicalmusic #Music #古典音樂

【Classical music and nature 古典音樂小站】Felix Mendelssohn: Songs Without Words - No.46 in C Minor, Op.102. This beautiful piece was preserved by European Archive. It has Creative Commons license (PDM 1.0 DEED, Public Domain Mark 1.0 Universal) and is provided through www.musopen.org.

As one German musicologist put it, Mendelssohn's Songs without Words quickly became ''a household possession, as widespread as the fairy tales of the Brothers Grimm, the pictures of Ludwig Richter or the poetry of Uhland, and no less popular in England''. Part of their appeal, of course, in the pre-radio and pre-gramophone days, was the very modest demands they made of the player, both technically and emotionally: music-loving amateurs, no less than celebrities such as Clara Schumann (to whom Mendelssohn dedicated the fifth book), could tackle them.

This view of a "traveling" rainbow in Switzerland was captured by Simone Schlegel and edited by Wenjing Ma.

【古典音樂小站】門德爾松:無言歌 - 第46號 C小調,作品102。這件美麗的作品由歐洲檔案館保存。它擁有創用CC授權(PDM 1.0 DEED,公眾領域標記1.0通用)並通過www.musopen.org提供。

正如一位德國音樂學家所說,門德爾松的《無言歌》很快就成為“家喻戶曉的財產,像格林兄弟的童話、路德維希·里希特的畫作或烏蘭德的詩歌一樣普及,而且在英國同樣受歡迎”。當然,它們的吸引力部分在於,在收音機和留聲機出現之前,對演奏者的技術和情感要求非常適中:愛好音樂的業餘愛好者,就像克拉拉·舒曼(門德爾松獻給她第五冊)等名人一樣,也可以嘗試演奏它們。

這幅在瑞士“旅行中”的彩虹景觀,由西蒙娜·謝格爾捕捉並由馬文璟編輯。





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