FAQ mise à jour spéciale 2023 💫 Je réponds à un maximum de vos questions !

Hello everyone, welcome to this new Q&A video 2023, a new video because there was already a Q&A video that was done last year and here we are going to do a version a little more... we are going to take questions in all directions a little bit like they came in my box of questions that I sent you on Instagram or the questions that you also sent me here on YouTube I tried to collect as many as possible I couldn't take everything because there were a lot of questions so I said to myself that this year I was going to do a format where I was going to try to answer more questions so it may have gone a little fast sometimes sometimes I take the time to answer a little more vast questions but I also selected questions sometimes a little more technical where I can give answers a little faster but like that it will allow me to answer as many questions as possible we will try to do it like that anyway we will see what it gives, it's a new attempt we are also here to experiment on YouTube so I put all your little questions in my little mug so there are a lot of them there are some that were also sent on YouTube so I printed them I'm going to take them like that, as they come there are some that were in double that I already sorted a little bit but otherwise I put everything back like that obviously if there are questions that you are not interested in you skip them there will be the possibility in this video at the time of editing I will make sure that you have the possibility to access each question individually first question how is the creation of wedding parties going for 2024? so that's an activity that I completely stopped it is indeed something that I was doing at the very beginning of my activity when I was in 2018, 2019, 2020 I think that from 2020, 2021 I did my last wedding parties and then I stopped so I no longer do wedding parties nor birth by measure if you want to have my creations in return on your wedding party you can go to the CottonBurn website because I have a collaboration with them for a year and a half, two years now there are a lot of fairs there are a lot of fairs with my illustrations which are available on the CottonBurn website so do not hesitate to go for a little tour on the site so hello did you plan to do workshops on Bordeaux? so I noted next to all the cities that have been asked this is a very recurring question will you come to Toulouse? will you come to Gironde? will you come to Nancy? to Nantes? to Djerba? if you ask me so it would be with great pleasure obviously this year I will have to slow down the rhythm of the workshops because I am on other creative projects which will take me a lot of time and I love doing workshops so there will be some and I can already give you the next cities Vannes of course because you know it's a little bit my fief this is where I love to give workshops in the Mecq boutique at Haute so we meet there very regularly so I'm sorry for people who are not in northern Brittany it's maybe a little less easy to access but I'm going to Landerneau too very soon so Landerneau you will tell me it's the same it's still in Brittany I have a friend who is very dear to me my best friend who is called Clementine Manuel who makes jewelry called Vitamin C who just opened her boutique in Landerneau and it's going to be a boutique too where there will be workshops and of course I come to do watercolor workshops in her boutique so very soon there will be a date also in Landerneau so all the people around Brest plus northern Brittany I will be there so the dates I will give them not right now not today but it will come very soon so don't hesitate to follow my social networks my newsletter too often I give you information a little bit more in advance in my newsletter and otherwise for the other cities there will be Paris Paris is not bad for me because it's already easy enough for me to access by train and for the other cities I will try to do it as I did last time to come to Annecy in one or two other cities but what is there is that I also have a family life next door I also have two little girls I could not do all the cities of France I could not do a tour of France it's not possible for me because I can't actually leave my children like that for so long every weekend so there will be Paris for sure in the spring same dates to come very soon and certainly why not Bordeaux why not Toulouse I haven't decided yet maybe it won't be at all I don't know I don't like to move forward like that at all on specific dates finally here say I will come for sure because if it happens it will not be done so I would like to as the song says I will try to do to please as many people as possible and I think that already coming to Paris it will be try to find some people on this more central point of France what would be your advice for a person who would like to create his or her own creative business so a tip is to dig in that's a term we use that I like to use you have to dig in you have to start if you made the decision if in your head it's clear you go there you don't ask yourself questions you go there 100% after well it may be a little more reasonable to keep a job aside it's sure at the beginning especially for business a little more creative but you have to go it's really it's like for everything it's the work that pays and if you have the passion behind if you have that in addition that animates you you won't feel the hours of work passed and that's very very very important so you have to go up the sleeves here you have to go so how do you proceed for your research sessions so I guess it's my creative research sessions to find for example new themes things like that so I how to say I'm like right now I'm in a research session because I'm on a new theme I start to share it a little bit on social networks because I also like to have your feedback I move forward little by little I collect images I go on a little bit on Pinterest I go for a walk I listen to music I do a lot of things actually I go to exhibitions I read books it's really you have to feed your mind if you want there are things that come out if you want there are ideas that come out of your head you really have to feed your brain you have to give it things because otherwise it's not going to come out on its own if you just wait in front of your white page for it to come so before starting on a new theme and then on watercolors I really have a very very big part of research before that takes me whole days whole weeks and then it's fluid and then it happens I do my paintings sometimes it goes sometimes it doesn't I rework it's really a part the research part to find inspiration you really have to not leave it aside because it's super important and you have to open your mind you don't just have to go on Pinterest or on social networks you're not going to do that you really have to be curious about everything can you advise us on the application of the mask fluid with a feather brush more precision so the last sentence I didn't complete advise on the application of the mask fluid yes there is no problem I will answer that very quickly already you need a brush to which you do not hold too much I use illivoo by the way illivoo I don't have it with me but I used it yesterday in any case I have this little brush it has to be a little brush if you want to be more precise there are some who use a little brush with a plastic tip it's not a brush but a little tip in soft plastic that allows you to apply with this tip which has no hair so there is no hair that stays stuck because the problem of the mask fluid is that it sticks the hair so what I do is that with my little brush I will show you one which is about this size not exactly this one because this one I had a lot of problems with the mask fluid I soak it in water with soap or rather soap with water I don't know if you see it's really my soap and then I spray water on my soap and then I put a lot of water on my soap so that it is very moist and then I spray my brush on the soap so that it has a waterproof aftertaste and then I dip it in my mask fluid and then I spread it and I start the operation again like that several times and then I clean my brush well the brush is still a little damaged but all the hairs do not stay stuck because I ask you there is this little waterproof aftertaste that's it for the technique so according to you how to improve your drawing in order to make watercolor illustrations it's going to be simple it's going to be practice you have to do it every day even if you have to you can't just take a little notebook like this one that I just started and fill it without asking questions you don't ask yourself any questions you say to yourself what am I going to paint a puddle a little puddle with perspective with roundness with shadows with a wooden pencil or a pencil to give you a little more risk I don't know to throw you a little more in something where you can go back less and go right away to the essential and really it's going to be hell hell hell to work your eye to look at your subject because it's important because sometimes I see students they have their nose stuck or they have their nose stuck really on the sheet and you have to look at your subject if you don't look at your subject if you don't observe it we have more trouble to find it on paper you really have to make your visual memory work and then really do a lot when I was in art school we applied we were made to do hundreds of sketches during all the holidays it was our duty I'm not telling you to do 100 sketches I won't give you homework but do little challenges like that you will see you will progress very quickly so a tip to fix the price of these watercolors when we just start and that we paint for the pleasure above all if it's just I should have put my stuff I should have put a silent reminder so if it's just for the pleasure it's you who will define your price it's sure that if you don't do that professionally you don't have to tell yourself I'm going to do a schedule and then I'm going to calculate the number of hours I spend on it and then I'm going to sell it if people want to do that who want to professionalize as an artist it's the answer I often have it's calculating the work we do how much it costs per hour his work schedule and then how many hours we spend on it then add of course the charges that go with it and all that after but here for a watercolor just for passion pleasure I couldn't give a price it's really it's going to be the same how much time you spent on it how much time you spent on it so really it's you who will define your price because it will be your watercolor you will know how much time you spend on it if you have a relative or a friend maybe you can make a price a little bit nicer a little bit softer I don't know what was your decision to leave your old job and to start with your current job so the decision it was clearly the transition of the thirties I had to go back because now it's been 5 years the calculation like that it's good it was clearly the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I think it's the transition of the thirties I had a lot of projects like that in the evening after work and I was very tired because I had a little a little bit of cabbage a full-time job that stressed me out a lot plus this little this little escape which was the watercolour which made me crazy so there was that there was a a little depression of the thirties there was the fact that the watercolour animated me a lot reanimated me really gave me a lot of pleasure the birth of my daughter we were also looking to buy a new house in Nantes because we lived in Nantes it was a little bit complicated we already had an apartment that we had bought but we wanted a bigger one because we wanted to have a second child and the question was well now that my watercolour my little business aside it was not yet a business but what I do with watercolour it becomes a little business couldn't I live from it and in this case work from home it leaves me more time for my family I have my planning which is much more complicated I have my planning which is much more flexible that's what I thought at the time that's what I had in mind and two it leaves us the possibility to come back to live in our region which is Brittany so close to our family close to my parents close to my husband's parents because he is from the area too and he he got easily mutated in his work and that's it after I was all wrong about the fact that my planning will be more flexible that I will save time for me for my children because finally I work much more than before it has nothing to do no it's that I really there are periods where I work all the time I don't stop especially now my daughters are a little older but at this time yes I was frustrated because I had I couldn't face everything and it was quite complicated I stop because otherwise I won't have time to answer other questions but basically the decline it was the rediscovery of watercolor that do it for my daughter do it for other people for friends there was this creative waterfall too that comforted me because I already had a creative job I told myself I know how to create I know how to do things I already have small contracts under the elbow waiting for me so I can go and then I followed my intuition I listen to myself a lot I wanted to do that come on Hugo let's go come on let's go I won't do this job all my life I don't say that it will happen like this for everyone but to tell my story here it is there is still a lot of paper tell us your story since your years post bac well is that it's still a lot of blabla I said it a little bit I started watercolor when I was a little younger around 11 years old I had my first watercolor palette I did internships where I was very bitten by all the creative hobbies especially everything about painting everything about drawing I was doing pastel classes I was doing art classes I was doing fusion classes sketch classes and then very quickly I turned to applied baccalaureate because it was quite obvious that I was bitten by that and so applied baccalaureate if you want it shapes you to all the design jobs so object designer space designer interior architect architect stylist pattern creator furniture creator there are graphic designers there is a need of creative a little bit everywhere so it really shapes a job and then I did a BTS textile designer and so the job the BTS which shapes the job of stylist then a license here still in the textile industry and well on the side of Nantes in fact there is a creative pool in the textile which is quite dynamic still and a lot in children's clothing after I found myself here in this brand for children which kept me for a little while next question how much time do you let dry your godets once filled with tubes? well it varies a little bit a full night here it goes faster put your color in your godet I saw that some people used a little pick or a toothpick to spread inside the godet to spread the paint in the godet and you let it for a full night after there are some which are more viscous which will keep this viscosity but otherwise I think how did you get famous? can you make a living from your work? this question came up a lot can you make a living from your work? we will start with the first one how did you get famous by social media by instagram a lot by instagram as I said my account is from 2017 so it dates a little bit now because we are in 2023 and it grew as time went by now it's not the same algorithms it's not the same ways of sharing now I think sharing your work to have an internet site to make a newsletter to try to have a community that follows your work it's really good I think for all creative jobs whether it's photographer whether it's even the cooks they share a lot I think a little bit all the jobs like that where there is creation social networks are great for that because we really have a beautiful showcase and finally exhibitions for example I do very little it's really social networks that made it work and I love it digital tools I always loved it so it was quite obvious to get started in there to share my work we continue can you manage to live and get a job at least in creative entrepreneurship so that's good I think that's why I put them one after the other it's can you manage to live from your work can you get at least a job so the answer is yes I manage to get a salary even more than a job now I'm pretty happy about that because it wasn't the case right away I tell you it's been five years now that I started the blue water at the beginning no at the beginning not at all at the beginning it wasn't the case so no at the beginning it wasn't that it's really two years three years of work that made that now I manage to get my salary so it works you have to say like I said you have to dig in you really have to dig in you have to want if we wait for people to work instead of us or if we let ourselves go we give up too fast so at the beginning yes it's true it's not easy but you have to have confidence you have to keep confidence and then at some point work force it works I answered the question so next question do you manage to get out Winsor & Newton colors to want to explore other palettes to do other things to have other colors than Winsor & Newton the answer is no you will find me a little bit stuck a little bit not very flex you will maybe say that I'm not very flex on the subject so it's not because I work with them because in all transparency you know I work with Winsor & Newton it's that I love Winsor & Newton pigments it's what I tell them too when we started to work together for me it's very easy actually to work with them and I don't force myself at all to put their pigments and their colors in front and really their material because it's good material there are colors that I can't find in other brands quite simply and then I have that soft side that is when I like a brush or colors I have a hard time to go to I have a hard time to choose other colors so I try there are other there are brands however that have colors that I can't find in Winsor & Newton for example some colors in VF colors there are colors that I can't find elsewhere and there I love to have the possibility to pick a little bit elsewhere to complete my palette with pigments a little bit more creamy a little bit more pastel that there are less in Winsor & Newton brands but otherwise I have a hard time to find the overseas blue I like it in extra fine at the exit of the tube Winsor & Newton I can't paint with something else maybe also by force of painting by force of doing we have these little habits I already have little habits of the watercolorist who doesn't get out of his palette no I'm sorry but I have a hard time to go see elsewhere yeah it's that's how it is what material do I need to start so a lot of questions for the material there I will send back and I will put it in link to the video watercolor material that I made not so long ago or precisely I propose a selection of materials for people who are beginners for people who are intermediate for people a little more confirmed so it hasn't changed much no it hasn't changed since it's always the same it's always what I recommend there are all the links that are provided with so don't hesitate to refer to this video there is everything you need next question so out of curiosity no watercolor your cat's eyes are always perfect permanent makeup? no I asked if you want pro questions personal there is no problem and it changes a little so no the makeup it's a eyeliner line every morning certainly I work at home certainly I am H24 in my workshop I go out I reassure you I have friends I have family very close but I still do a lot of video content I have appointments too and to not change my daily life it's something that I put in place right away when I started on my own I act like I go to work every morning I get up at the same time as when I was an employee I prepare myself in the same way I dress up in the same way I put on makeup in my office in my workshop always around 9am 9.30am when I'm really late I don't know I'm going to start a machine or what because it's the advantage of working at home but really I don't change anything I like to be still a little bit after work but no it's not permanent it's eyeliner eyeliner I will put the reference I would like to find you on an online course is it planned? that of artisan is really too top so it's in the pipes so I would like to find you on an online course is it planned? that of artisan is really too top so it's in the pipes that's it I will not say more but yes there are already two courses on artisan and certainly a third very soon so another book or another course online of scheduled online course I replied and another book certainly I'm sorry for that I cannot give more answers more precise because I don't have authorization for the online course I don't have a set date yet but it's being discussed there it is I hope I'm sorry I'm sorry for these crappy answers, but I'm sure there will be more precision very soon. Is your husband a painter, artist or other art side? So not at all, my husband is not an artist at all. Often when I ask him, do you like what I did, he says yes, whatever it is. No, no, I don't have a husband, artist, painter, not at all. My husband works, he has a passion for his job too, but in his field, he loves his job. He is more in the management, but absolutely not a painter. But he supports me a lot on a daily basis, you can see it a little bit in the last vlog, he is a lot behind me. He's on that side, a little bit of a coach on a daily basis. And then he helps me to do little things too, to do inventory, to do little assessments. Finally, he still gives me a lot of help. So I was wondering, in DM, how did you manage the double job when you were employed with L'eau Bleue? So I answered him earlier, I worked in the evening, a lot in the evening and the weekend. My passions, we don't count the hours, I really had fun putting myself to work. Hello, is it difficult to find your style? If not, how to find it? Finding your style takes time. You have to practice, practice, you have to get inspired, especially avoid copying. But you have to get inspired, you have to not hesitate, you have to not forbid yourself to redo watercolors, illustrations or subjects or photos of artists that we admire, because it will feed us. As I said earlier, you don't just have to sell them, you don't have to copy them to sell them afterwards, it's not good to do that. But feed yourself with others, feed yourself with what surrounds you, fill out notebooks, go ahead, fill out, fill out. Find the colors you like, find the palette. Make yourself a little palette like that, just with the colors that speak to you, that you like. Make yourself little mixes that you like and build it like that little by little. But it's the same if you wait in front of your blank sheet, it won't come. Don't hesitate to appropriate things, to transform them, to combine them with something else. It's like a little kitchen, I like to compare my job to chefs. Chefs, I don't know. There is an apple pie recipe, there is a lemon meringue pie recipe, it is there, there is a base. But you have to create your own, you have to do something about it, you have to change it. Sometimes it's just little things that change, that make you recognize it's you, it's because it's your style. So it's a little bit the same with artistic jobs, you appropriate something. But it comes with time, it's time. It won't come in a snap of a finger, that's for sure. If you had to choose only one color, don't cheat. It's easy, I think you know it. I think it would be the deep blue. No surprise. Well, maybe there are some who don't know, but I love deep blue. I put it everywhere. What scanner and printer to digitize and make fair-play cards? So I have an Epson V550 scanner. It is very, very good. And printer, I have a Canon Pixma Pro XS. But I don't always recommend it. Because it is extremely capricious. It's a very capricious machine. The cartridges are not given. And I also go through a printer. I also have a printer that makes fine art prints for me. Which is not far from my house. My printer there, it inflates me. It pisses me off. It makes me shivers sometimes. The day before a collection is released, it doesn't work anymore, for example. Things like that. So, can you tell us the exact name of the deep blue you use? Thank you. So, this is the French deep blue. This is not the dark deep blue. Because there are two or three versions of deep blue. I think there are two. At Winsor & Newton, this is the French deep blue. It has a slightly warmer side. This one. It's good, it empties a little bit. Will we have time to do everything? I hope so. Does it bother you that we reproduce your paintings to give them away as a gift? Not at all. If it's to give them away, there's no problem. If it's to sell them. If it's to do a business with them. I may not be delighted. But like a lot of artists. Have you ever tried to make watercolor hydrangeas? So, that made me laugh. Because this question. So, you may have followed the boxes in question. I started sending them to you since November. Late November, early December, I think. So, I put them like that, just to collect as many of your questions. Over a fairly long period of time, of course. And there was this question from the same person who came back every time. Have you ever tried to make hydrangeas? So, I think I'll have to do a hydrangea tutorial. I'll do it. Because I also take a lot of notes of what you tell me. And of your desires. So, we're going to do the hydrangea tutorial. Because yes, I've already done it. But it's not the simplest watercolor. But we're going to do it. So, maybe we won't do it right away. We may wait for it to be a little more the season. Rather June. So, sorry. It won't be right away. But we're going to do it in 2023. We're going to do a little hydrangea tutorial. Okay. Hop. Where can you get your inspiration for a new collection? A little everywhere. I already answered a little earlier. I feed myself with a lot of things. Not just images. Sometimes it's music. Sometimes it's movies. Sometimes it's a photo. Sometimes it's a walk. Sometimes there are clicks that don't come with much. How do you expand your professional network after your watercolor studies? These are questions, I remember. Things that you advised us, precisely. By leaving the applied baccalaureate. Already from the terminal, you told us. Keep all your contacts. There, already in school. It's good that you all stay in touch a little bit. That you do like that. Be careful to stay connected. Because, indeed, for later, it can be useful. So, even teachers. When you're going to do your first work experiences in companies. It's important to stay connected with these people. After, when we have, for example, a parent who works for a luxury brand. Or for a house, I don't know. Or a company that we like. It's sure that it helps. Personally, I had zero pipes. Because I'm a little bit the only one to be in the artistic environment in my family. The watercolor side, it goes back to my great-grandfather. Who was a sailor. On a boat. So, if you want, at the level of artistic pipes. No, it was not possible. I think that keeping a maximum of these contacts. Already from the exit of school. It works. And then, maybe, try to do. Maybe parents, parents. Or friends of friends. Do not hesitate to launch. Do not hesitate to go to people too. Even if we hardly know anyone. Go dig like that. Look for the information. The contact. It works well. After, there are networks. There is Linkedin that works. I think very well. I'm not too much on Linkedin. Maybe I should put a little bit. But in my opinion, it also works pretty well on that side. The digital side. What are your five favorite granular watercolors? Five, it's going to be a lot. So, there are some at Winsor & Newton. I would say all the cobalt at Winsor & Newton. The blue of cobalt. The green of cobalt. I love the rose of pottery. And there is one that I really loved. That I used a lot this summer. I painted it. I redecorated it a lot this summer. I do not have it here. It's the violet of cobalt. Here is another cobalt. Very, very pretty color. Which granules. What else? It's already not bad. So, it's only four. So, there you go. Violet of cobalt. Blue of cobalt. Green of dark cobalt. And rose of pottery. I would not have a fifth. Because it's ... I'm only the one in the palette that I use. Really. So. Classes on Patreon. Well, yes. No, sorry. Well, no. But yes. I was approached by Patreon at the beginning. Who asked me if I wanted to start on the Patreon system. So, for those who do not know. It's a content sharing system. But paying. So, to support these artists. You can pay monthly as a small subscription. Then you receive cards. You receive stickers. Exclusive videos. Things like that. And I said to myself, why not? I was not far from launching it. The truth is that it still has a lot of content to create for me. And I'm afraid I won't get there. Because I already have a lot of activity levers in my company. With workshops. With the online shop. With online courses. Pro projects with brands. With companies. Plus all the content here that I produce on social networks. It's a lot. So why not? I kept that in a corner of my head. Because I know there are artists, illustrators who love Patreon. So why not? Maybe. So, your movie, your series, your favorite book? I didn't think about that. I will rather say series that I watched recently. That I loved. Books, at the moment I don't read books. I admit that I am a person who reads rather when I am on vacation. And since I don't have many holidays. I don't read a lot. I read a lot this summer. Because I had time. I love watching movies, series. I like to play too. I play games a little bit. At the moment, I can say that. I play Disney Dreamlight with my girls. On Playstation. I love it. We love to play that. We don't spend our time doing that. But we like to play that. My favorite series. So last year I loved. But really loved. And it was also a source of inspiration for my spring theme. For my Pastel Spring. I loved Bridgerton's Chronicles. I really loved it. All the ambiance. Floral. The costumes. But the photography. But everything was splendid. Well the story too. It's beautiful. But really this series. Of all the ambiance. It was really a source of inspiration. For my Pastel Spring theme. Last year. Otherwise. A series that I watched recently. But it will absolutely not be a source of inspiration. Because otherwise we will start to depress a little bit. It's Paris 1905. On Canal. Which came out. The second season came out not so long ago. And we watched it with my husband. Because Bridgerton didn't interest him. I loved the ambiance. I love the Polars. I really like the Polars. In books and in series. I'm a fan. I really liked that. Films. I often fall asleep watching films. Series are good. Because I have time. They are shorter sequences. Ah yes. A film that I watched recently. It's Elvis. Because we take advantage of Canal. To have very very good films. Elvis. The biopic on Elvis. Which is great. Top. How much time per day. On average. Do you devote to your activity? What organization do you have? 100%. I would say. Of my day. Except. From 5.30 p.m. I change my cap. I put on my mom's cap. 5.30 p.m. 6 p.m. That's it. My organization. Is a bit. I'm reviewing that. Because. I tend. When I don't have very clear goals. I tend to spread out a little bit. And there. Right now. I find that I spread out. Because I have a lot of projects in progress. And I have to frame that. With notions. For example. It helps me a lot to organize myself. To do me. Retro planning. Things like that. And. I'm not too. Too fan. Of everything that is. Planning. Organization. But. I force myself to do it. Because otherwise. It goes in all directions. And otherwise. I procrastinate. And otherwise. It does not advance. So. I have to. That I do that. There. It's. Things that are going to be put in place. Very soon. Hello. How do I take to print my watercolors. In good quality. So. You have to be a very good scanner. Like the one I gave the reference. It's the V550. At Epson. You have to be. In contact with a good printer. Also. So. It can be a local printer. It can be a specialized printer. In the photo. And in art prints. Or. A printer. That's it. Like. A printer. That's it. The reference I gave. The. Canon Pixma Pro XS. For. For me. But there are very good ones too. At Epson. And you buy the paper that goes with it. Because they are specific papers. With. A specific glue. With a specific after. On it. Which are archive papers. Of quality. Fine art. It's called. That you buy. There are several brands. There is Canon. Canson. Anne Muleux. They all have their range of specialized papers. In quality. Archive. And fine art. So. To do the part. Everything that is. Digitization. And everything that is. How to digitize. There. You have to be able to do that too. With Photoshop. Photoshop. You need Photoshop. To. Scan. Your watercolor. And then be able to print it afterwards. But everything that is inside. Photoshop. How. Here. Blur. His watercolor. How. Remove the background. How to bring out the colors. All that. You have to. I can't. I'm not going to give it to you. In fact. Today. In this video. Because we're going to spend. About. The full time. In fact. From there. Already. That we took on this video. It takes a lot of time. It's something. For example. We can train. To do that. And very very good training. To. Digitize his art. And then be able to print it. But it's. Not that complicated. I think that if you. If you do a little training. It's going to be. Quickly. Settled. In fact. How did you learn to paint? I started early. I was. Eleven years old. And I did. Art studies. Here. I'm not at all. So here. I was trained. With. Professional painters. With. Teachers. Plastic art. I went through the school. Classical. Academic. What advice to launch a YouTube channel? Art. Investment. Subject. So investment. I don't understand. Subject. Finally. It's up to you to find your. It's up to you to find your subject.