☘ 5 Lưu ý khi xây dựng kênh Podcast - Khóa học xây dựng kênh Podcast - Nhà báo Bạch Hải | ThanhHaiTV

Each song of you guys is full of passion and love. And I really admire those who are involved in the construction of Postcard Channel. I have shared the reason with Ms. Thanh Hai. But I accompany you guys with the feelings of the class, the feelings of the audience. So all the songs of Ms. Hai Ha, Mr. Tho, Mr. Ngoc Trinh, Mr. Tuan, I have just listened to them, I can see that each of them has their own characteristics. My first advice is to keep your own characteristics. Actually, Ms. Anh Tho's words cannot be replaced. Mr. Tuan cannot do like Ms. Anh Tho. And with the voice of Ms. Anh Tho, it is both small, cute, and peaceful. I find the peace in each word of Ms. Tho. And that's what I really want Ms. Tho to keep. Really keep it. I have met Ms. Tho in many classes, and whenever I come to Ms. Tho, I feel that something is extremely peaceful. From the way Ms. Tho appears in the picture, in the words, in the song, everything is very OK. Please keep that. Hai Ha and Ngoc Trinh are also people who have a better reading voice than speaking voice. And that's a great thing. When you guys enter the song, you guys are focused, then write, then put your heart into it. So it has a better reading voice than speaking voice. With the three of you, Mr. Tho, Hai Ha, and Ngoc Trinh, I have a piece of advice. You should find your most characteristic feature to choose the right type for you. The right type for you. So when you go on the channel, for example, Ms. Tho's voice is cute, the way she talks, the way she talks is very wonderful. But if it comes to reading poetry or argument, I think it may not be suitable. So the most important thing is to choose a right type for you. And right in this class, I just show through the exercise, then everyone will comment. Even ask directly to talk to the whole class here, you will definitely find the right type. That is, when I build a channel, I choose a strong type so I can focus on it and know all the other types. That's the strategy, I have to say, it's great. So whoever read the song of journalist Thanh Hai, I think that journalist Thanh Hai read it to where I like it because she wrote it for herself and she understands the type very well. I haven't talked about the technique yet, that's her, it's at the top of the list that I share the knowledge. But here I want to say from a different angle, that is, Ms. Hai is very strong for the types that Ms. Hai is extremely strong. For example, when the type that I have become my weakness, my weakness, the songs I can easily listen to, it's just a reference for me. Mr. Tuan is also falling into my strong type, so when I share, I read, I say, I help my heart, that is, my feelings, I share. That is, I talk about that postcard, I talk about that trend, about that trend, but I also share my own strategy. So the inner force is extremely strong, and if I am passionate about technology, then whoever says that Mr. Tuan is 18 minutes, Ms. Hai says that Mr. Tuan is 18 minutes, is still healthy, while others are 18 minutes short of breath. It's because I remember that in the art of reading, there is an inner force that comes from the volume, from the breath is the inner force. I wrote a word that breath is the inner force. In 18 minutes, I distributed the breath evenly, then I can go 18 minutes or 180 minutes, I can still go. Because just go, just exhale, but exhale from the beginning, then go to the end, it will be exhausted. So the breath is the inner force, so it needs to have a really good breath, and it really has some factors, such as the mind has to be comfortable, it has to be loose, it has to be gentle, it has to be as voluminous as it should be in breathing to get this inner force. The second idea is to pronounce correctly to create a beautiful line. People will tell you to pronounce correctly, but I want to say that pronounce correctly to create a beautiful line. So whoever is able to pronounce clearly, whoever is able to pronounce clearly, then it creates a beautiful line of your sentence. The third idea is volume and rhythm. For example, people will tell you to pay attention to the volume and rhythm, but I say that the volume and rhythm show the delicacy of the reader. So Mr. Tuan's pause is to show the delicacy. I want to put these ideas in the article to encourage you. For example, everyone likes to be beautiful, everyone likes to be beautiful, and we all like a beautiful voice. We want to hear, we don't intentionally listen to what Mr. Tuan says, but I like to hear Mr. Tuan's beautiful voice. So when people like to be beautiful like that, they have to know, they have to let people see their beauty. If the voice is too small, they don't see it, but if the voice is too big, they will object. So the volume and rhythm show the delicacy. In which tone, in which object, where do we use the volume? And the fourth thing I want to say, the fourth point is also a comment from the article. The rhythm creates the flavor of the voice. If someone tells you that you have to breathe, you have to have volume, you have to have rhythm, you have to have rhythm, I say that rhythm creates the flavor of the voice. The text or the poem, the easy-to-hear, it shows this rhythm. The rhythm, the rhythm, the volume, it brings empathy. Reading poetry is the same. Giang Nam's hometown poem, if I am in my master's degree, or in my master's degree, or in my master's club, I will read it differently. Every half-year-old will read it differently. Read it differently, but it is suitable for this setting, this object. It has to be suitable to feel the love of my hometown through each small book. Who said that a buffalo is a tiger? I just heard it on the top of the tree. That is, all that rhythm is inside. It's not the words out there. For example, we are students, we can read poems in the classroom, no one laughs, but I bring it to Hai's postcard class, there will definitely be someone laughing. For example, it is clear that the object, I define the target object to share the delicacy there. That is, I have to bring my poem to the object in which situation is the delicacy, is the fragrance. And the fifth point I want to say is that empathy is the soul of the speech. The feelings of the listener, because you have reached the so-called very good empathy, because you have poured everything into it. You don't have to think much, you don't have to think about whether the script is correct or not. Read it wrong or not, you don't have to, you just have to feel for your content. Then it brings the soul of the speech. And those are the five factors to comment on the poems in each poem of Ms. Anh Tho, Ms. Hai Ha, Ms. Ngoc Trinh, Mr. Tuan. I want to say that why do I write down all the other poems in my memory, in my brain? But I want to stop Mr. Tuan's poem right away because clearly, the factors I just mentioned, Mr. Tuan's breath is definitely good, just enough to go for 18 minutes without getting tired. And obviously, the volume, the rhythm of Mr. Tuan is there. I am very sorry, I don't want to talk about Mr. Tuan, I just want to talk about Mr. Tuan's poem. The poem I heard today. Ms. Anh Tho's poem is the same, it's very cute, it's very poetic. And I want you to keep that quality for your channel. But if Ms. Tho's part has such a voice, has such a cuteness in her personality, which is expressed through her speech, then you will find a way to share it and make the audience like it. In short, all the poems today, I'm sure they're all good. But pay attention to the 5 things I just said. And each of them has its own mission. And when we, first, we observe the technical issue, we will get good results. Second, be as focused as Mr. Tuan. Analyze it back. It also has to reach that point. On the technical side, it's enough.