写在大地上的诗 唐代园林

Tang Dynasty Tang Dynasty is too far away from us Only the cultural relics in museums let us feel a little bit of the atmosphere of Tang Dynasty Among these vast collections of cultural relics what is easily overlooked by visitors is this cultural relic This is a group of Tang Three-Colored Courtyards excavated in Zhongpu Village, Shaanxi Province The whole is divided into the front courtyard and the back courtyard Those who are familiar with this cultural relic know that there was another important cultural relic that was also excavated at the same time It was not usually exhibited together We found this national treasure in the warehouse of the Shaanxi History Museum The Tang Three-Colored Courtyards It represents the Tang Dynasty that we are going to look for This is the earliest model of the courtyards It confirms the classic pattern of the courtyards at that time The front courtyard and the back courtyard The Tang Dynasty Courtyards are no longer just earthen mountains but also triangular stone mountains There is a pool of water under the mountain There are birds and trees on the mountain This is a typical pattern of the courtyards that was first seen in the Tang Dynasty It is difficult for us to find the records of the Tang Dynasty Courtyards in the history books However, in the Tang Poems there are a lot of descriptions On this street in Xi'an, the ancient capital you can see a lot of Tang Poems on the lanterns In all the Tang Poems there are more than 500 poems depicting the same place In the Tang Dynasty people thought that the name Qujiang was very interesting So they changed the name to Qujiang Qujiang Pool Today's Qujiang Pool has become Xi'an's largest core city More than 1,000 years ago in the Tang Dynasty Chang'an was a city of peonies The flowers of wealth and wealth attracted countless talents like the butterflies in the mountains They expressed their feelings of gain or loss waiting for the turn of fate to become butterflies Wang Wei was one of the greatest poets of the Tang Dynasty He was 20 years old when he came to Qujiang Pool He was young and ambitious But soon after he was implicated and demoted However, what surprised him was that the setback in his life was not insignificant What really affected his life was the turning point in Chinese history The Dream of Anshi In 755 the Han army attacked Chang'an Wang Wei was forced to serve in the rebel army At the celebration An Lushan forced the palace disciples to play trumpets Lei Haiqing was so angry that he broke the pipa and was eventually executed Wang Wei wrote a letter to Lei Haiqing Wang Wei wrote to Lei Haiqing with sorrow All the people are sad When will the day come when all the people are in heaven? Every year on the 15th of January is the death anniversary of the late emperor In the whole area of Minnan a grand ceremony is held The god of opera is Lei Haiqing who played the pipa and became an artist Kaiyuan Temple is the oldest temple in Quanzhou It was built in the second year of Tang Dynasty There are 24 birds flying in the sky The musical instruments are very similar to those in Quanzhou Nanying is also called Nanguan This music can only be heard in the southeast coast It is the closest to Tang music The music that An Lushan wanted to hear but could not hear we are fortunate to be able to enjoy the music of An Lushan The people are sad When will the day come when all the people are in heaven? Every year on the 15th of January is the death anniversary of the late emperor In the whole area of Minnan a grand ceremony is held The musical instruments are very similar to those in Quanzhou The music that An Lushan wanted to hear but could not hear we are fortunate to be able to enjoy the music of An Lushan The artistic scene is a new scene It is also a poetic scene Wang Gengsheng has been a gardener in Quanzhou for decades His dream is to build a garden like this one When I was young my family lived in a very old house in Shuitou Town We often saw a tea table in our house The tea table was painted with stones and water The name of the tea table was Song It was also written Song Jin Zhao Qing Qin Shi Shang Liu When you walk along the streets of Quanzhou you will find the four characters Kai, Min, Chuan, Fang engraved on the door panels You will know that the four characters have a deep connection with the Tang Dynasty Their ancestors were Kai, Min, San, Wang who developed Fujian in the end of the Tang Dynasty This is Wang Gengsheng's hometown This garden is from Taiyuan to Shandong, Langya From Shandong, Langya to Henan, Fuzhou The three brothers led 64 generals to Fujian to develop Fujian They never returned to Henan again These 64 generals became the founders of Fujian Fu Sunyi was 83 years old He was an expert in Quanzhou He had a deep understanding of Quanzhou's language, songs, and origin Most of the Quanzhou people immigrated from Henan The Quanzhou people came from the Yellow River between the Yellow River We call it the Yellow River It's a part of the Yellow River culture So when the Jin people came to this place this river was named Jinjiang Jinjiang is where Quanzhou was Because the Jin people were difficult to move so they settled in Jinjiang It was only in the Tang Dynasty that Quanzhou was officially named There's even a saying that goes Look at Xi'an from the ground and look at Quanzhou from the ground We can still feel the long history of Quanzhou through the traditions of the Tang Dynasty Today, the people living here are still enjoying the legacy of the Tang people and looking back on their lives Many old people in Quanzhou often gather together to sing the Tang poem to express their gratitude for the hard work of the Quanzhou people The chaos has calmed and the new emperor is in power Although Wang Wei was demoted due to his involvement in the rebellion the people are still grateful This is the oldest version of the Wangchuan stone carving that we can find The Wangchuan Stone Carving is the compilation of Wang Wei's Wangchuan Stone Carving It records the legendary Wangchuan Stone Carving Under the guidance of the poet the stone carving shows an unprecedented height Today, we can see that Wang Wei had a clear intention for the selection of the garden Located at a distance of 40-50 km from Chang'an and more than 60 km from the famous Yin Mountain Zhongnan Mountain This delicate location is a place for people to enjoy the joy of the mountains and the water as well as the wisdom of the Tang people It still retains the style of the Yin Dynasty It is also a choice that the people have to make Special presentation by Meike Meijia exclusively sponsored Special presentation by Meike Meijia exclusively sponsored Wang Wei's choice to carve the garden Wang Wei's choice to carve the garden has become a popular desire Zhang Jianfeng lives in Xi'an and he created a book called Wen Dao and interviewed more than 5000 people living in the Yin city Most of the people and its influence on the thinking of the people. This is the famous painter Qiu Ying of the Ming Dynasty. I think that the people of the Ming Dynasty are very profound. We have worked many times to make the paintings of the Ming Dynasty and the paintings in real life into a book and a bookmark. Zhang Jianfeng rented a piece of land on the edge of Zhongnan Mountain and built a few houses called Zhongnan Cao Tang. Every week, he would spend half of his time with a few friends to live here and feel the relaxation and peace that nature brings to people. In the morning, when the birds sing, we get up. Because the birds can feel the breath of nature. When the air is fresh, it's time to move. When the birds move, it's time for people to move. Because people's movements are in harmony with nature's movements. The End Wang Wei built a relationship between people and nature and the city and the forest during his time in Wangchuan. The three elements of the relationship are integrated. The silver and the stone no longer become contradictions, but become an organic whole. The understanding of thoughts changes the state of mind. After the scandal of the Renwei Pass, Wang Wei, who could no longer follow the right path, became more and more involved in politics. In the end, he became a scholar. It was as if he was reborn. When Wang Wei let go of worldly pursuits, a garden in Wangchuan turned him into a butterfly. The sound of the flute In the poem, he describes the four levels of perception through time, vision, hearing, and feeling. The reader is brought into the poetic experience layer by layer. The garden becomes the support for the poetic experience. In addition to drawing and painting, he is also good at capturing the wonderful sounds of nature, creating life-like poems with a sense of beauty. This is the first time Wang Wei has applied the method of poetry, calligraphy, and painting to the creation of the garden, and has elevated the garden to the level of art. Since then, the beauty of the garden has become one of the most sought-after ideas in Chinese classical garden design. It can be said that Wang Wei led the creation of the garden. He created the Wangchuan in his dream. This choice made the Chinese garden go out of the mountains, and made preparations for the future movement of the garden to the city. He built a garden to soothe his heart. This garden has not only become a model for the future generation of gardeners, but also changed the style of Chinese royal gardens. Wang Wei's poem For thousands of years, Wang Wei's poetic and artistic Wangchuan has attracted numerous scholars from Tianan and Haibei, monks, and dignitaries. They traveled thousands of miles to visit Wang Wei's homeland, hoping to revisit Wang Chuan's old dream. In the 1960s, Wang Chuan built many factories. The landscape was severely damaged. The traces of Wang Chuan's departure are now difficult to identify. Wang Wei's tomb is also buried under a factory. This silver tree is said to have been planted by Wang Wei himself. This tree is 1.9 meters in diameter and 25.6 meters high. He is guarding this place to witness the historical transformation. Wang Chuan's Tomb Wang Wei's poem, Wang Chuan's Departure, is no longer with us. However, in his poem, Wang Chuan, he describes the landscape of a garden. Wang Gengsheng was inspired to realize his dream. I don't understand the hidden meaning of this poem. However, the beautiful landscape described in the poem is enough to make me drunk and yearn for it. It is impossible to create a garden as described by Wang Wei on his land. In the end, he decided to make a narrow landscape. In the remaining poems of the Tang Dynasty, the descriptions of gardens and natural environments are countless. Because at that time, landscapes and oil paintings had become popular. The garden of the Tang Dynasty had become large-scale since Wang Wei's time. Even between Chang'an City and Zhongnan Mountain, there was a cultural zone where many literati lived. By the time of the Tang Dynasty, the garden of literati was flourishing. Li Gefei, the father of Li Qingzhao, the great poet of the Song Dynasty, wrote a book called The Story of Mingyuan in Luoyang. In the book, it was written in detail that there were more than 1,000 private gardens in Luoyang when the Song Dynasty began. In the book, it was also recorded that there was a garden called the Four Great Gardens. By the time of the Song Dynasty, it had already been destroyed. This garden was called the Lu Daofang Garden in the Tang Dynasty. The garden was famous because its owner was the famous poet of the Tang Dynasty, Bai Juyi. Thousands of rivers and mountains come and go Drums and pipa come and go Music No wonder later people called her a poet. Even an ordinary wanderer could write more than 600 words for her. We met in the same world Why did we meet One is the demoted Jiangzhou Sima One is a pipa girl who wanders the world Bai Juyi heard the same fate as herself That day was a turning point in her life. From then on, her early political vigor gradually declined and her avoidance of emotions increased day by day. Music Bai Juyi, who spent most of her life struggling, eventually found her own home in the late Guanyin period. Since she could not change the world, why not put her mind in the garden? The attitude of not caring about worldly affairs was really brilliant. After that, Bai Juyi gradually became more and more powerful. From a middle-class scholar to a He Nan Yin, she was a third-class official. Shortly after she took office, she bought the house mentioned earlier from the Tianxing family in Luoyang, the Lv Daofang Mansion. Wang Wei built the garden near the city. But Bai Juyi wanted to do it more thoroughly. She went deep into the mountains because she was not satisfied with the nature of her life. She was more willing to go out to the court and go home to the mountains. She proposed the theory of Zhongyin. If you can't get in, you can't get out. If you can't get out, you can't get in. It's better to be happy and have no worries. This concept of not going to extremes and being loyal is from the Hua period. Since the Spring and Autumn Period, for more than 1,000 years, scholars in China have been unable to solve the contradiction between the world and the shadow. Bai Juyi came up with a perfect solution. It can even be said that it is a symbol for the theoretical system of man and nature. Since then, no one has been able to surpass it. It is also because of her that the garden has a practical attribute, the nature in the city. Bai Juyi compared the poem to a tree and proposed the idea of the root, the bud, the flower, and the leaves. She used the shape of the plant to reflect the artistic concept of the poem. Bai Juyi The way in which the Tang people think about life also inspired other artistic genres. The garden is a natural reflection, but the Tang people can make it smaller. A business club destroyed a hundred-year-old ancient garden. A high-rise building destroyed a hundred-year-old ancient temple. An image project destroyed a thousand-year-old ancient city. These things did not happen in a certain year. Almost every year, not in a specific place, but in many places. Every year, thousands of ancient cultural relics are destroyed. Protecting ancient relics and preserving traditional culture. Zhang Chao In 1971, the Qianling Zhanghuai Taizimu was excavated in Shaanxi. On the east wall of the Yongdao tomb, there is a portrait of a maid holding a basin well. It is actually a small simplified version of the garden. It is a natural product that people look forward to. Zhang Chao, a modernist, said, in a city, a painting is like a mountain stream, and a basin is like a garden. It was only the gods who could shrink the earth into inches. But in the world, it is not impossible to beautify the sky. Today's weather is not so hot. Chen Hanlong came to the suburbs again to look for good basin materials. He is a person who is obsessed with the basin. The basin is almost everything in his life. Walking into Chen Hanlong's house, you can see the basin he created everywhere. The reason is to enlarge the basin. That is the reason. The reason is to shrink it, to make it a basin. No matter what material you see, then you construct it. But you can also construct it normally. Once you find the material, you will be very happy. Chen Hanlong learned from the poems of the Tang Dynasty about the garden scene. Although it is impossible to realize it in real life, it is concentrated in his basin scene. Once you get in touch with it, you will have a sense of mystery. You definitely will. Everyone knows, right? Especially Li Ren. Let me tell you, that comrade Li, Li Pingyao, is really good at dressing. In fact, if you pay attention to how he dresses normally, then you will dress like this. It really is like this. In fact, Chen Hanlong did not even graduate from elementary school. But this does not prevent him from liking to ponder and study the basin scene. Nature has always been by our side. Although it is a shrunk version, although the shape of the basin scene is small, it represents our yearning for nature, our pursuit of beauty. And it has become the only way for most urban people to have nature. In fact, the concept of size is only outside, not inside. It is like accepting a virtual fan. And virtual fans are also a world. Wang Gengsheng, who also wanted to realize the basin scene in the Tang Dynasty, had already started to build a shrunk version of the real basin scene in a small place in his own home. Although the Tang people shrunk nature, they did not shrink the quality of life together, but enjoyed life more fully. In the late middle of the Tang Dynasty, Ningchen was on the road, politics was falling, and society was in turmoil. In order to alleviate the troubles of life, Bai Juyi was keen to indulge himself in poetry, music, and wine. In the era of Bai Juyi, family discipline was very popular. He also followed the trend of keeping discipline and nourishing the spirit. A good singer is called Fan Su, a good dancer is called Xiaoman. What we are talking about now, cherry, Fan Sukou, Yang Liu, Xiaoman, refers to the two of them. Bai Juyi, who led the needle, was a hospitable master. Without a beautiful scenery, or snowy moon, Bai Juyi was very hospitable. On one side, he drank, and on the other, he recited poems and played the zither. At the back, there was Jia Tong playing the music of Mi Shangyu. In the middle, there was Xiao Ji singing Yang Liuzhi. You are true, I am false. Joy is in it. Bai Juyi loved wine. He himself said, do not underestimate a day's drunkenness. This is to eliminate the fatigue of nine days. If it is not the fatigue of nine days, how can you serve the people well? If there is no one day's drunkenness, how can you entertain your own body and mind? This picture of the old drunkard was painted by Tang Wuzong in the fifth year of Huichang. On the 24th of March, the old drunkard was in Bai Juyi's residence, drinking wine, and reciting poems and painting. In the period of the Southern Song Dynasty, this theme of the life of a gardener was very popular in the garden. This theme of the life of a gardener was very popular in the garden, and a large number of such paintings emerged. In the period of the Ming Dynasty, when the palace painter was in the Southern Song Dynasty, he completely inherited such historical themes. The heart of the literati is the same. In fact, until the modern era, there are still many literati who repeat the same theme and look forward to the scene at that time. The amnesia on the picture triggered the revival of the garden. This seems to be a tragedy for Chinese literati. Most literati are wandering between politics and nature. But Bai Juyi found a gap and escaped. Among the 50,000 Tang poems that exist today, nearly 4,000 are written by Bai Juyi. He was a very prolific poet. He lived and created as much as he could. In his poems, there are poems of wine, wine, wine, poetry, magic, day, day, and night. Later, Bai Juyi was called the Poetry Demon and Wang Wei's Poetry Buddha and they became one. Bai's poems were passed down to Japan when Bai Juyi was 67 years old. Since then, Bai Juyi's garden thought has gradually become the soul of the Japanese garden. The farewell night gave Wang Wei a second life. The house allowed Bai Juyi to devote his whole life to the garden. When he was 70, he seemed to know that his life was coming to an end. He asked Fan Su and Xiaoman to go home and told them to sell their horses so they wouldn't suffer with him. However, his beloved horse died. Fan Su and Xiaoman couldn't bear to leave. At the end of his life, he chose to die alone. Perhaps this was the happiness he sought like an autumn butterfly circling around his own garden. The wind is cold The flowers are withering The wind is cold The flowers are withering The wind is cold The flowers are withering The wind is cold The flowers are withering The wind is cold In the autumn, the garden was finally completed. I'm still in a dilemma whether I should quit and become a police officer What can I prove? What can I say? Can I eat if I become a police officer? Can I change my car? Sometimes, I think I don't care about tomorrow. Tomorrow, I'll go somewhere to relax. But tomorrow morning, when I woke up, I wanted to take another look before I left. Oh no, I can't. I can't walk anymore. Looking at the garden with all its flowers, he smiled like a child. He finally fulfilled one of his dreams. Two thousand years ago, in the middle of the Warring States period, someone had a dream. In the dream, he became a butterfly in the middle of nature. When he woke up, he thought, who am I? Am I a butterfly or a human being? This person was Zhuang Zhou who influenced countless literati in the later world. Through the exchange of humans and butterflies, freedom and art crossed all time and space in an instant and touched our hearts. The garden is also a dream. It follows people. When people leave the garden, the garden of the Tang Dynasty no longer exists. What is left for us are only cultural relics and poems. However, the context of Chinese culture is not only food and literature, but also the blood that flows in our bodies and the resonance that lives in our hearts. Perhaps the garden of Wang Gengsheng only reflects the fur of the garden of the Tang Dynasty, but the dream in his heart is truly important. Wang Wei and Bai Juyi completed the two crossings in the history of the garden so that the garden would eventually shine with the light of life in the city. If the garden is a poem written by the Tang people on the ground, then it is also a branch that butterflies can wrap around today. It can relieve all kinds of pressure brought by the city and satisfy the feelings of people who want to go out but are afraid to go in. And the cultural life generated in this space also promotes the development of art and expands the communication between people and even allows life to feel a moment of freedom. Just like we will eventually become the past, the Tang Dynasty that used to make us dream, those great poets who used to be glorious. In the night, maybe they will become a character in a scene. In some warm mud, maybe they will sprout again, bloom, and bear fruit. Thank you for watching! Please subscribe!