Faure Op.36 Nocturne Nocturne No. 4 E flat major佛瑞 夜曲 第4號 作品36 フォーレ 夜想曲 第4番 Score Sheet 譜 乐谱 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Faure Op.36 Nocturne Nocturne No. 4 in E flat major
佛瑞 夜曲 第4號 作品36 降E大調
佛瑞 夜曲 第4号 作品36 降E大调
Fauré Nocturno n.º 4 Op.36 en mi bemol mayor
フォーレ 夜想曲 第4番 変ホ長調
piano 鋼琴 钢琴 ピアノ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#kero #Faure #Nocturne #Fauré

The nocturnes, along with the barcarolles, are generally regarded as the composer's greatest piano works. Fauré greatly admired the music of Chopin, and was happy to compose in forms and patterns established by the earlier composer. Morrison notes that Fauré's nocturnes follow Chopin's model, contrasting serene outer sections with livelier or more turbulent central episodes. The composer's son Philippe commented that the nocturnes "are not necessarily based on rêveries or on emotions inspired by the night. They are lyrical, generally impassioned pieces, sometimes anguished or wholly elegiac."

Nocturne No. 4 in E♭ major, Op. 36 (c.1884)
The fourth nocturne, dedicated to the Comtesse de Mercy-Argenteau, contrasts a lyrical opening section and an episode in E♭ minor with a sombre theme recalling the tolling of a bell. The first theme returns and is followed by a short coda. The pianist Alfred Cortot, generally a great admirer of Fauré, found the piece "rather too satisfied with its languor."

Faure 13 Nocturnes
- Nocturne No. 1 in E♭ minor, Op. 33/1 (c.1875)
- Nocturne No. 2 in B major, Op. 33/2 (c.1880)
- Nocturne No. 3 in A♭ major, Op. 33/3 (c.1882)
- Nocturne No. 4 in E♭ major, Op. 36 (c.1884)
- Nocturne No. 5 in B♭ major, Op. 37 (c.1884)
- Nocturne No. 6 in D♭ major, Op. 63 (1894)
- Nocturne No. 7 in C♯ minor, Op. 74 (1898)
- Nocturne No. 8 in D♭ major, Op. 84/8 (1902)
- Nocturne No. 9 in B minor, Op. 97 (1908)
- Nocturne No. 10 in E minor, Op. 99 (1908)
- Nocturne No. 11 in F♯ minor, Op. 104/1 (1913)
- Nocturne No. 12 in E minor, Op. 107 (1915)
- Nocturne No. 13 in B minor, Op. 119 (1921)