Schubert D.157 Piano Sonata No.1 E major 舒伯特 作品157 鋼琴奏鳴曲 第1號 バッハ ピアノソナタ第1番 Score Sheet 譜 樂譜 谱 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き 
Schubert D.157 Piano Sonata No.1 in E major
舒伯特 作品157 鋼琴奏鳴曲 第1號 E大調
舒伯特 作品157 钢琴奏鸣曲 第1号 E大调
Schubert Sonata para piano en mi mayor
シューベルト ピアノソナタ第1番 ホ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
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00:00 I Allegro ma non troppo
08:21 II Andante
15:20 III Menuetto. Allegro vivace
17:02 Trio

The **Piano Sonata in E major, D 157** is a piano sonata with three movements composed by Franz Schubert in February 1815. The Allegro D 154 is an early version of its first movement.

The piano sonata D 157 has three known movements. Some commentators describe the first movement of the sonata as by far the most interesting, as it shows Schubert breaking away from the restrictions on harmonic progressions his teacher Antonio Salieri had imposed for vocal music, and as one of his happiest inspirations, prefiguring his later trade marks, while the remaining two movements are described as somewhat run of the mill. Others see in the first movement rather unconvincing unorthodoxies lacking invention, while the other two movements are more musically satisfying, with reminiscences of Beethoven and some of Schubert's later compositions.

I. Allegro ma non troppo (E major)

The first movement serves as a bright, apt opener to the sonata, introducing both the nature and key of the piece in an imaginative and exciting way. It was composed from 18–21 February 1815.

The theme of the first movement is not especially melodic. Rather, it sets out to explore the key of E major using two types of contrast: chords vs. arpeggios and scales, and legato vs. staccato. After the opening E major chord, there is an ascending, legato arpeggio, which is met by a fast, downward scale, marked staccato. This pattern is repeated in the dominant, submediant, and finally the subdominant chords. All this together makes up the main tune.

The secondary themes all have basically the same elements: the left hand playing legato arpeggiations of chords, while the right hand plays staccato chordal melodies, interspersed with multiple grace notes.

The movement includes the conventional repeat of its exposition section, comprising three out of the total of 8 pages in the movement. There are also a few very long rests in the movement, a couple of which last up to two full measures. Such rests would reappear in his later work, like his last sonatas.

II. Andante (E minor)

The movement is in rondo form, with two episodes. The theme is essentially harmonic. The second occurrence of the theme is, somewhat unusually, simplified instead of embellished, and in this form is quite similar to the opening of Schubert's unfinished seventh symphony in E major. The movement is in siciliana **6**
**8** rhythm.

III. Menuetto, Allegro vivace - Trio

A scherzo in B major, with trio in G major. The trio has some similarities to that of Schubert's later D major piano sonata, D 850: both trios move in almost constant crotchets and have the same key, sometimes even sharing harmonic progressions.