Kailashnath Temple & Ratha's of Mahabalipuram

What is the most important thing for the building? A strong foundation, bricks and cement to build them, right? But if I tell you that there are buildings which are formed from above to below, Which don't have to be broken to make And they're from the Century, so what do you say? Welcome to the world of India's standing monolithic structures. The building, which is made of a single rock Let's go to the beach of Tamil Nadu Where is the unique rock cut structures of Mahabalipuram Here is Shor Temple, which is located on the Bay of Bengal In the west of it is Arjuna's Benones. And located towards the south is the Shandar Monolithic Rath Who brought us here It is believed that there was once When the temples here were so neatly torn down That Devaraj Indra started burning with them And they destroyed this city in a storm One of the seven pagodas of Maha Balipuram Only Shord Temple is there. Who escaped from the wrath of Bhagwan Indra For the Indian architect of Maha Blipuram So is the world of Mars It's a four-formed rock hair. The architecture of the cottage was very different. I'm going to go to the bathroom. The third Strokettle Lang Deaster The day-to-day deck As far as I know, not in India, not anywhere in the entire world, these four architectures will not be found together in a kilometer radius. The caves that were already present in earlier temples were carved. But in Mahabalipuram, the construction of these temples started from just one rock, which was cut and not only caves were made, but also the Allabarit temple was made. The monolythic shreyaja was first introduced in India by the Pallava kings. Mahend Varman built mandaps i.e. caves. His successor Narasimhan built this monolithic temple, which is also known as Ratan. This rock is located on a slope, which slopes from south to north. Therefore, the Dharma Raj Rat which is located in the direction of the south is the highest and the Drapudi Rat which is in the direction of the north is the smallest. Because there were five Rats here, their names were named after the chief Kirdar Pandavas of the Mahabharata. The excavations which were carried out in Mahabalipuram were to be in the 2nd and 8th centuries. At that time the Mahabharata was very famous in Tamil and that is why the names of its heroes were added here. It was the period, from around the second, third century of the Christian era till the mid-twentieth century, when wood architecture was becoming like stone architecture. In fact, these structures cannot be called temples. The architects would have wanted to build a temple, but the temple could never be built here. The idol is not alive till the stone is dead, but when there is no honor in it, then only its worship is worship. So I think that this was never made into a Kalpala temple But which later became a temple in South India. She had taken inspiration from her home. Aam Azmi's house used to be a simple little place. Precision and skill are so necessary in a wallet move and all in the soil This is a prime example of such precision and skill. Bas-reliefs are such flat structures The three-dimensional shapes are drawn on top of each other. The world's largest and most famous bass relief is This is Arjuna's Benones from Mahabalipuram. Bas relief is usually considered a big hard job. Because the idol is a different form of a carving There are a lot of figures in the bas-relief that you have to keep together. We have to balance space with form and proportion. And a slight mistake can prove to be heavy for you A rock with a crack in it. And if someone were here, he would think that it is a fault of this rock. But the artist who worked on it has used this crack so many times That descends from heaven as a Ganga when it rains So this thin stream of water flows down If you look carefully at Arjuna Pennans So there is a temple and three rows of gurvons appear One is built on top, the other in the middle, and the third is built on the bottom. A sadhu appears standing there These sadhus may be Arjuna doing तपस्या or they may be Bhagirat. Along with a cat here also seen doing penance Surrounded by rats Maybe it was the artist's mischief. The Pallava kings in Puram used every technique of architecture from rocks. Perhaps this initiative inspired the Indian architecture. It is from concept to execution success is the artists' stone work on the She gets to see here Or the most perfectly formed model of the caves can be seen in the form Here stone upon stone is made by placing a stone and making a temple. It is intact to this day. of the Bay of Bengal With strong winds this city has Two tsunamis also nigh I've been through it. It's been here till today. And maybe I'll be able to get a job. Even today, Devraj Indra is In the time of Mahabalipuram Tarasha has gone She is a charm Which can never be erased. But even bigger than this There is a miracle The Kailashnath Temple of Ilora Who is India's most It's a big monolithic structure. Where man has stones Second sculptor Lord Shiva And by oath of the blazing fire, What can be common in a rock? Let's try to find out. About 100 years ago. Inspired by Mahabali Puram Located here rocks A giant shaped of the Shiva temple Which is not only India's largest The structure is monolithic. But the world's biggest building I'm also the most worthwhile This is Maharashtra Kailashnat Temple located in Ellora The architects here tried The house of Mahadev to replicate Kailash It took hundreds of sculptors fifteen years And after digging more than two million tons of stone He completed the work with this nominkin And the result is A world of worlds The first thing that comes to mind She's a big kid. I think that such a thing man can make Because one is the question of scale I think you're surprised Believers are left That such a big thing to tarash What is this section made by God? That big baby parth In the ways of making In the Kailashnath Temple of Ellora The rock was removed before the separation. It didn't happen in Mahabalipuram. Because there was no big rock They can be compared for the same reason. Both of them made of rocks of fire. Experts have checked the plan of the temple and found out That the craftsmen first made two sides of the rock 300 feet deep and backwards 175 feet deep trench dug That's what they're doing. I got enough room. And then the rock carving started. When the upper part of the temple was completed Then they will be thrown into the trenches and the swamps. Work on the second level has been started. And after that they dug deeper. The rest of the temple was also completed. Before you land, you must remove every part of the rock above. Finely carved and polished So back to work. Bamboo scaffolding is not necessary. I think that Chowti was not just this That such a big rock had to be cut and a temple was to be planted This woman was not a little too. When they cut out the stones that are scattered, How to get that garbage out? That was just as hard work. Because the place you had to leave empty to do the work of the craftsman And be the place where you can raise the temple and bring it up. So I think many millions of tons of rock fragments were taken from here But why was this method of building a temple from above to below adopted? The locals believe that the king Krishin Pratam's queen She had put a condition before them that she would not go to the water till then. Until he sees the plane of this temple It is said that a queen said that her husband built a temple. I want to see the hunter first so to please him first the hunter has been made But as far as architectural art is concerned, according to a planned plan, Simultaneous will also be done in parallel. Because if you make a statue from outside, you can't establish it. Then some people will be building a wall, making the rock a wall. And the skilled workers will come and make therein pillars, and windows, and bars, and gates, There is a hole from above to below the main entrance to this temple. Which is like a double story gopura On the other side of this door is Lord Vishnu And on the other hand the image of Lord Shif is carved The Kailashnat Temple map can be divided into four main parts. Entrance, Nandi Mandp, the main gate of the temple And around the temple there are pillars. If you look at these four parts together So it's clear that this whole size is like a ratt Entrance is like the yoga of the Rat. And the part between Gopura and Nandi Mandal looks like an axle rot Nandip has kept the world of Saradhi And the wheels are held by 152 Gajrajo Meaning not a single chance to surprise the viewer was left Here's a local Asian guide who shows us How the stones were cut and cut, So this is the construction marks of that time For just a little tea in my hands these craftsmen have put their lives into the maps I only saw the map of these flake bearing pillars near Nandib. The most attractive thing about this temple is that here different kinds of art are seen together. Like this one on the third floor of the temple, the statue of Nandi is made with the works of animals, birds, gods, flowers, plants. And on the front wall these four scenes are showing As if they are the temple's keepers. But these maps don't just show pretty shapes. These works of art reflect many ancient legends. There are so many interesting architecture that Hare has its own story In one corner of the temple there is a shcre of Ravana Who is shaking Kailash Parvat that Shiva pay attention to her तपस्या And Shiva is playing duet in Kailash temple with Paramati And on one side is the तपस्या of Ravana and that Kailash which is that of Shiva is the house of Shiva So if you visit then many Kailash temples you will get to see But the most beautiful is Kailash which almost reminds me of the high hill of Himalayas This temple is as beautiful as the Bahar is as beautiful as the Ambar. As soon as the Pir Vaish enters the door, the first thing that comes to our ears is Nandi's bucks. A Nirmal Parimatya of Jahanandi is situated As we move on from the Nandib we reach the main Mandal On whose roof Nataraj is found in his famous Nuritya मुद्रा. Shuji's Tando is a Nuritya. It's a difficult job to make it up. I mean, the craftsman must have made it by laying it upside down on some scaffold. But upside down means from above when you are in the stone So dust, soil, stone will not go in the eye Moving a little further we find this huge Shivling built under the plane Without which this temple is not called Every small and big detail has been taken care of in the construction and layout of this temple. Even after so much technological progress today, such achievements will be difficult. It's even more exciting for these artists to think about it. You will be surprised that this temple is still as impressive today As much as its inhabitants are unknown and the caves of Elora Where her picturesque works fascinate the world, keep it astonished and famous. Both the monolythic structures of today, Mahabilipuram and Kelashna Temple are a witness to this. That our ancestors were ahead of us We can then make a picture of nature But he made a picture in nature They were two unparalleled innovations of ancient India's science and knowledge. The journey will continue with the search for new structure