Barber Op.2 3 Songs No.1 Daisies 巴伯 3首歌 作品2-1 雛菊 雏菊 バーバー 3つの歌 Score Sheet 譜 樂譜 谱 乐谱 楽譜付き  【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き 
Barber Op.2 3 Songs
No.1 Daisies, The
巴伯 3首歌 作品2-1 雛菊
巴伯 3首歌 作品2-1 雏菊
バーバー 3つの歌 雛菊
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Barber #巴伯 #Daisies


Barber Op.2 3 Songs
2-1 Daisies, The 雛菊
2-2 With Rue My Heart Is Laden 我が心は後悔に苦しむ
2-3 Bessie Bobtail  ベッシー・ボブテイル

Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism  in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).