Chopin Piano Sonata No.2 Op.35 蕭邦 鋼琴 奏嗚曲 第2號 作品35 Funeral March ショパン ピアノ ソナタ Score Sheet 譜 乐谱 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Chopin Piano Sonata No.2 Op.35 in B flat minor
蕭邦 鋼琴 奏嗚曲 第2號 作品35 降B小調
萧邦 钢琴 奏呜曲 第2号 作品35 降B小调
Chopin Sonata para piano n.º 2 en si bemol menor
ショパン ピアノ ソナタ 第2番 変ロ短調 作品35
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Chopin #Piano #Sonata
00:00 I Grave
00:13 Doppio movimento
07:22 II Scherzo
08:47 Piu Lento
12:17 Tempo I
14:06 III Marche funèbre: Lento
23:14 IV Finale: Presto
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, is a piano sonata in four movements. Chopin completed the work while living in George Sand's manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840. The first of the composer's three mature sonatas (the others being the Piano Sonata No. 3 in B minor, Op. 58 and the Sonata for Piano and Cello in G minor, Op. 65), the work is considered to be one of the greatest piano sonatas of the literature.
The third movement of the Piano Sonata No. 2 is Chopin's famous funeral march (French: Marche funèbre) which was composed at least two years before the remainder of the work and has remained, by itself, one of Chopin's most popular compositions. The Piano Sonata No. 2 carries allusions and reminiscences of music by J. S. Bach and by Ludwig van Beethoven; Beethoven's Piano Sonata No. 12 also has a funeral march as its third movement. A typical performance of Chopin's second sonata lasts between 21 and 25 minutes, depending on whether the repetition of the first movement's exposition is observed.
While the Piano Sonata No. 2 gained instant popularity with the public, critical reception was initially more doubtful. Robert Schumann, among other critics, argued that the work was structurally inferior and that Chopin "could not quite handle sonata form", a criticism that did not withstand time. The work has been recorded by numerous pianists and is regularly programmed in concerts and piano competitions. The Marche funèbre exists in countless arrangements and is performed at funerals all over the world (including Chopin's own funeral), having become an archetypal evocation of death.