Beethoven Piano Sonata No.9 Op.14 No.1 14-1 E major 貝多芬 第9號 鋼琴 奏鳴曲 ベートーヴェン ソナタ Score Sheet 譜 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Beethoven Piano Sonata No.9 Op.14 No.1 14-1 in E major
貝多芬 第9號 鋼琴 奏鳴曲 作品14-1 E大調
贝多芬 第9号 钢琴 奏鸣曲 作品14-1 E大调
Beethoven Sonata para piano n.º 9 en mi mayor Op. 14-1
ベートーヴェン ピアノソナタ第9番 作品14-1 ホ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Beethoven #Piano #Sonata

00:00 I Allegro
06:22 II Allegretto
7:49 Trio Maggiore
10:42 Coda
10:49 III Rondo – Allegro comodo

E大調第9號鋼琴奏鳴曲，作品14之1，是貝多芬的鋼琴奏鳴曲，於1798年間創作，1799年12月與《第10號奏鳴曲》一併於維也納出版，作品是題獻給他的一位贊助人約瑟花·布勞恩男爵夫人（Josefa von Braun），約瑟花的丈夫在維也納的宮廷劇院中擔任主管，夫婦兩人對貝多芬的工作給予場地上和金錢上的支持，亦因為此，貝多芬開始嘗試創作較大規模的管絃樂作品。後來他的《第1號交響曲》也是在男爵的劇院內作首演。
相比他的《悲愴奏鳴曲》，本曲與第10號相對地都是比較短小、精緻而帶開朗氣息的作品。其中，本曲具有十分強烈的旋律性。全曲演奏時間連重覆約為13-14分鐘。
1801年，貝多芬把此曲改編為絃樂四重奏的版本（作品編號Hess34），調性則改為F大調。

The Piano Sonata No. 9 in E major, Op. 14, No. 1, is an early-period work by Ludwig van Beethoven, dedicated to Baroness Josefa von Braun, one of his patrons at that time. It was composed in 1798 and arranged for string quartet by the composer in 1801 (Hess 34), the result containing more quartet-like passagework and in the more comfortable key of F major.

The sonata is in three movements.

1st Movement
The first movement opens with a series of ascending fourths in the right hand, followed by a quartet-like echoing of a phrase in different octaves. The second theme, in B major, is based on a descending run followed by an ascending chromatic run. The development is full of sixteenth-note arpeggios in the left hand, and sixteenth-note left-hand scales accompany the start of the recapitulation, but the movement ends quietly.

2nd Movement
The second movement is minuet-like; the main section ends on the tonic major chord. The first time, this leads without intermediate modulation to the trio, headed Maggiore, in C; after its return, the coda briefly quotes the C major tune before returning to E minor. Anton Schindler recalled that Beethoven would play the E-minor section furiously, before pausing at length on the E-major chord and giving a calmer account of the Maggiore.

3rd Movement
The third movement is in a lively sonata rondo form. On its final return, the main theme is syncopated against triplets.

Not withstanding its seeming simplicity, this sonata introduces the "Sturm und Drang" character that became so commonly identified with Beethoven. He adds drama both in the contrast between the lyrical passages that follow very active, textured thematic sections. Furthermore, the contrasting dynamics and variation between major and minor, between using the parallel minor and the subdominant of its relative major (E minor to C major). These were new techniques that offer a hint of the innovations that Beethoven brought to end the Classical era and begin the Romantic era.