Beethoven Piano Sonata No.19 G minor Op.49 No.1 貝多芬 鋼琴 奏鳴曲 第19號 49-1 ベートーヴェン ソナタ Score Sheet 譜【Kero】

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Beethoven Piano Sonata No. 19 in G minor Op. 49 No. 1
貝多芬 鋼琴 奏鳴曲 第19號 G小調 作品49-1
贝多芬 钢琴 奏鸣曲 第19号 G小调 作品49-1
Beethoven Sonata para piano n.º 19 en sol minor
ベートーヴェン ピアノ ソナタ 第19番 ト短調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Beethoven #Piano #Sonata

00:00 I Andante
04:03 II Rondo: Allegro

g小調第19號鋼琴奏嗚曲，作品編號49之1，是貝多芬的鋼琴奏鳴曲，於1805年1月與第20號共同出版，創作年份比第20號為晚，大慨是1797年期間，大約就是他同時創作第4號至第7號奏鳴曲之間。不過樂譜手稿現時已失傳，只存有草稿及首發版樂譜。
全曲演奏時間約為9至10分鐘。

The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797[1]). Both works are approximately eight minutes in length, and are split into two movements. These sonatas are referred to as the Leichte Sonaten to be given to his friends and students.
The Piano Sonata No. 20 was possibly written around the time Beethoven composed the Third and Fourth sonatas, but because it was published in Vienna in 1805, nearly a decade after it was actually written, it was assigned then-current opus and sonata numbers, which classified it alongside works from the composer's middle period. Very similar circumstances caused Beethoven's Piano Concerto No. 2 to appear as his second, even though it predated the first.
Beethoven often suppressed works in his early years, either revising them later for publication or determining that they were not fit. In fact, he withheld many early works from publication for life. In the case of these two sonatas, it was Kaspar van Beethoven, the composer's brother, who decided they were worthy of publication. Against the composer's will, he presented them to a publishing house, thus allowing posterity to hear works that might otherwise have been lost or destroyed.

Charles Rosen, while noting the sonata's lack of technical challenges, states that it is a "deeply affecting and distinguished work".


First movement
The first movement is written in standard sonata-allegro form. After the first and second theme, it moves into the recapitulation with very little development. After restating the theme in the bass with new counterpoint in the treble, the work closes with a brief coda, ending with a Picardy third.

Second movement
Beethoven skips the slow movement and dance movement and moves directly to the finale, which is a modified rondo in G major. It has multiple contrasting episodes in G minor, B-flat major, and G major. This sonata has been notably performed by Sviatoslav Richter and Daniel Barenboim.