Depicting the Dead： Faces from the Past

I work here at the University of Anatomy and Materials Science at the University of Anatomy and Materials Science Our first task will be to contact French suppliers Many of the techniques we use are also used within the archaeological world In the range of the emissions from the emissions from the emissions from the emissions I think with the individuals that they like being able to see who they are talking to from the video as well The organization was founded by Felly I was going to give you a little bit of background and tell you how we do some of the work we do and why we do it And now I will happen by showing you some cases first from Wales I'm going to update Richard III because I know everyone likes to see it maybe it's not a Welsh writer Let me say that Felly the period of what we do relates to how important our work is in relation to the name Felly when I look at someone when I look at their work without talking to them We have a lot of information about them Felly quickly we can say when looking at someone whether they are really there or just an illusion We can't do that all the time We cannot make a good impression in most cases of the unique world or the unique impossible world When looking at their work We can say something about their history or their ethnic group We can say something about their history or their ethnic group We cannot say anything about their history or their ethnic group Talking about how they modify their history and how they present it to the people We use our stories to be used on a daily basis We are very good at distinguishing individuals by looking at them Listen to their stories and acknowledge them We are recording the stories of individuals as a way of using people we don't know Felly a photograph through passport photos or public photos when they are released etc I am sure you will be using the cultures on your computers that are going If you want to show all the photos you have on your computer and tell you what they are Felly all the photographs are very important for personal computer The point for me is the interesting question of how much of this knowledge we can see by looking at the computer Felly we know that the computer gives us a specific event In reality much more specific than all the photographs and we can say that it was unique in a man or human by looking at their computer structure I am coming from the computer about how the person was in the main rather especially Within the context of their status we can come from the computer as impossible We will see comments on design and personalization assuming that the computer was modified in any way Felly this computer is someone's computer from Wales But now they have been made when this individual was a student It would be chosen by the computer as it would change the way the screens work This was done because it was considered interesting for any other way The effect on the individual was not due to their ability We will also see trauma and design that will give us comments This person would have been selected by the computer But in the law what is more interesting is for us to look at the individual The school and the individual who have been chosen and the way we can do it We could all see the men from the past This is the only way to help people now the interesting ones When it comes to laptops choose Our work involves computational anatomy We are looking at the design of the school and we are using that to make a choice The way of the face and the way of the eye We are using most of the work we are doing now is based on the computer This was done in a cultural way with a glass or plastic cover on a copy of the school Now everything has gone to the digital world We are using three-dimensional digital technology to provide the structures The face to us and to choose the face and the school You have seen this case before This is a recent prominent case from Edinburgh Human culture that is discovered and used during work efforts This is the general reason why we do it Efforts whether one knows it or not efforts or efforts This will help you In this often in cases where we do not know We don't know if the individual is guilty This can be used as a tool to communicate This is not a way to use it It is not used locally as a way of using someone This is a way to communicate it as the policy will have names But those names they can use the individual Felly in reality it's about presenting a face that is being conveyed I would know about the individual But of course we have also used this A few archaeologists as I said to create faces of people from the future Have any of you seen the show Cold Case History that was from Dundee You would have seen some of the most impressive examples of that with our digital technology and CGI Felly the process is underway You can see at the beginning the digital 3D system It starts easily the traditional way It concerns the individual process because they were either visible or not in the sense that the anatomical structures In the years in the years and then the digital programs you can see To communicate the time of communication after and after the anatomical structures This can enable us to build the foundations from the years of use The programs we use and the methods of viewing and still using them in reality Those programs these programs the programs you can watc In reality the death of the people and awareness after the programs that follow I would be glad to do it He was following a phone operation in one place clearly and mainly possibly some feel some feel some feel through the view e methods we currently use for skeletal visualization and In some ways the skeletal structure and the major workers as well This has enabled us to develop more efficient methods of developing essential features datblygu skeletal We are using a regression formula we are taking resources we are developing the Standard is being updated and some of them are already quite good Culturally the night was in an area that is very difficult for us to develop because it is To deal with a crisis There are not many ways The night was always difficult and considered a very difficult area of facial features Because we have been able to examine CT data from living individuals the nig It is a very difficult area in terms of features because we have very good standards We use them which have been given the number of times to develop a natural face from a face asol In the most common question asked of me how open is this We are doing it well or can we see how well we are producing fashion how well Does it look like a single one Now we can do that with the French collections so when the person is developed we ca Exchange views on the fashion but of course then we look at the general collection and Of course they look like them because we can come up with their names so we do Show us the results if we only look at the surface collections but again with the We have been able to observe living individuals and in the In this way people who share their stories with French-Senegalese have enabled us to do A picture of someone we know what they look like we have photos of We don't know when we will do it but then we can promote it with the This is how the event will be conducted and this will enable us to test the methods We are using them so here are some of these cases this case of individuals who have been separated ere are many individual data points so it is possible for me to selec data CT or chi make a gesture of that and then culturally adapt it with your face Where will you live and because more and more people are being scanned with CT We cannot choose any one for clinical environments In the CT scan for my dental but we have a lot of dental data that has been given to us This allows us to test these methods repeatedly over time so we know We will be conducting a physical examination We know that about 70% of the The remaining layer is less than 2 mm of an adhesive layer so we know We will be focusing on the physical aspects and we hope to get more and more physical with the Those results as well Therefore at the point of impact we are quite confident It is possible to adapt the fashion into an educational fashion and it is possible In the competitive world now showing realistic textures around the 3D face I'll make them look like individual beings So I can include fine textures and broad textures Efallai we can provide more suitable textures such as a network etwork incident etc in order for the phase to become more and more To make it more and more realistic The problem for us is It is possible that something from this incident may appear We have no information about the phase of the weight we have no information I am convinced of the network and convinced of the higher one even though they can come w We have DNA results but we don't have information about those textures These textures are very important for communication Felly I mean I can get the right way and feel confident about it The texture of the yarn makes all the difference in communication levels This is the professor his name is Michael Brombie from the University of Wales It doesn't look like these efforts in reality Leaders must communicate to give different signals A different type of fast food There are no prosthetics related to this at all The way to elevate it is only in the high place It looks like two different people because of those different textures We know that if we give those textures to the future We are doing them very well very well during this period He knew himself when he looked with the greens and the blues The different types of clouds were going out maybe he doesn't recognize it because it looks like That's enough to make that face look different We have these different textures And we also know that if we have no texture It is very difficult to fully communicate the face as well Does anyone know who this is This is someone that you both know I am Yes This is a laser scan of my every facet I was going to show this to my students when it was about 12 They did not recognize them as my every face It's very difficult to convey the expression without this important texture e eyes and the eyes and the hands etc It's very difficult for them but certainly the rest of this makes it very difficult for them Someone you know well is part of your family and you know them very well We know that people who have very difficult masks He removed the texture from his result So here are two that you will be more open I'm Gael or one of them Stephen Fry that's the one Yes Angelina Joe They have very good looks that are really hard to ignore like Angelina Jolie's big lips Stephen Fry's faith is very unusual and very unusual in many ways That makes it very difficult as well We are all very connected to the difficult times It really makes it very hard for us to recognize each other without any other texture We need to recognize something but if we do recognize it It's very good so both of these things would be very difficult The other thing we find difficult is the responsibility of roads Therefore we know People are changing their faith when they come to recognition and we can write that We know what is happening in terms of anatomical and physiological writing We can watch any of its ways and write about what happens through its ways There is no way to reconcile the conflict between anatomical writing and people who come from recognition And other things that happen when they come from recognition We can write that We know what is happening and what is happening The problem is that I don't know It's happening Therefore the people on the right side and the people on the right side I am between 10 years old with anyone on behalf of his ways but some have been educated But not the others This will involve a number of factors affecting your national credibility I have the most diverse lives of the most diverse lives you have If you are late if you are writing The above all have a big effec I have my ways It' s better for you to write on your own than to rely on it It is an example you have many more ways Felly we didn't know we wanted to producea 50s we didn't know They are 50-year-olds who look like 50-year- olds or 50-year-olds who look like 70-year-olds He's 50 but looks 30 And that makes it very hard for us because we want again at this time the trust in ways on their ways and we need to create ways because this can be important in communication as well Felly it's like saying communication from young people is more communicatio The communication with the roads is increasing because of the largest number of people We hope they are the best For those textures on their own The other thing We don't know about them is how to do someone is getting to it I was going to speak with the lady first about that With all the communication methods we have we are doing communication we are going to communication because It's the only thing I can do but of course someone might A little then we are working on the idea that you will know someone who is very good You will probably agree with them maybe with a little bit of work or a little bit of game of work This is different within the field of archaeology and then we have to work from the y [-] The excavations of the archaeologists and historians in relation to how we hope to work This is particularlyhow they will go out to the policy in this writing[-] [-] [-] [-] They will be black and white because we are not there to beconsidered at all [-] We also want toexpress an opinion on the factthat we are feeling a memory aboutthe areaswhere there are many memories We are feelingthe connectionto the light and the light within us [-] [-] [-] [-] [-] [-] [-] [-] We are not sure of theways in whichwe canclearly rememberpeople by writing[-] Theyare all people we want We need to do it because we want to do it and it seems like the only way to get information [-] [-] [-] [-] We want to get informationand involvementregarding archaeologywe want to produce the mos [-] [-] We need informationfrom someonerather than trying to get informationso we can have a little more[-] The event is an archaeological site and we can use clues from the surface and possibly if there is a presence [-] [-] [-] We can oftenuse this to say that we are present and wa [-] [-] [-] [-] [-] [-] acartifacts boblgallent gael neu dweud neu newid eu bodau ac felly rydyn ni' [-] [-] [-] [-] weithio But we are different from others We also look at that So we have Make some mistakes with people who know like Robert Burns This was showing We have made it from the collection of the school which is held in many museums This is the collection here this is the laser collection When this was done the students It is interesting for phrenology paths and roads on the cranium so they were no They got it after the night which is interesting We are using the school's profile pictures to give the par The school's programs and planning the school using the orthodontic school We also use portraits This is not because we are trying to show She's looking at them and using the most possible knowledge to make schools I believe I have done the summer of Wales with this and the second summer is very interesting That's very interesting to me Also some of the impossible calculations and the impossible programs This is the work of one of our students He was making impossible schools William Burke who is kept in the Museum of Antiquities in Edinburgh He was using a live mask a student mask and the school and the information and the information written over time writing it shows to its producers ree-dimensional calculations Felly sometimes we work when we don't have schools Tell me and one of these calculations is St Nicholas So The parts of St Nicholas are in the cathedral in Bari but you cannot learn about them It is not taught to them But they did conduct many studies in the 50s We have many good photos and drawings of the school Therefore this is what we do For St Nicholas we are creating his school in 3D on the computer available through the photographs In the school's calculations then they read a 3D school model and made it What is interesting about St Nicholas is that they have separate schools A little twice and I believe it's good for going out so that's it It has worked well The CGI society provided the evidence which may or may not be Yes and the BBC gave it a very big school but I don't want to show you that Mary Queen of Scots as we have also heard also made her declaration Now of course We do not attend Mary Queen of Scots school and the reason for this is because they did not Discussing portraits of Mary from the time when they were living in Wales Therefore All the portraits that deal with them from the time when they lived in Wales before they came to They lived in Wales at some point The museum made a statement about it when they lived in Wales Felly when we did this we used the portraits to illustrate a core model In this they have a great deal of attention that enables us to get this At present using what we know about his behavior in Wales which is very difficult grim We know he has had an environment for two decades and maybe his ad been campaigning and the social situation was unfolding with Elizabeth so We want to show them this on their own terms and write to them with respect He was Yes yes but his life was very hard You can see how the 3D model looks Appearing in the photographs as we would have been in the most connected relationship with each of the photos We know that some of these photos are being Make it a common good because of the artist's age Of course we do a lot of shows with people who are not fans who are Inexplicably without your name coming from archaeological research Some of them are produced in factories and some of them have been around for a long time For telephone inquiries The same as on this form from the Elgin Museum The social history of Wales that is being displayed at the Elgin Museum so we have made elephone exchanges We can use the networks to use Designing the trauma Therefore this museum here is a model of Stirling Castle A medical emergency that has had some attempts at resuscitation on the pool that is being used In the museum This one is from this period of the Battle of Towton and here is There is a museum on the small island this museum is 10 years old They were also used Then this one is a Welsh period of the Welsh Society of Wales We feel it's more about the effort someone would have rather than the rewards They have them because that would be impossible We are trying to show your living environment So if they had wounds that healed then obviously we'll include that We sometimes also work with ancient Egyptian mummies and what mummified bodies can reveal to us It provides a lot more information about the soft tissues than we would ordinarily get from just the skeleton so you often get a lot of information about ears which we don' I know very little about it from the skull This is Ramesses II a nice little movie showing before and after after and before I guess And then finally Richard III which I'll tell you briefly about I'm sure you all are well aware of this particular investigation that happened in Leicester And with the king being found in the car park The work we did was related to the CT scan so I've never actually been in the same room as the remains of Richard III Everything I received was digital so I had photographs and CT scans that we could work from We have an excellent haptic device system our computer system has haptic feedback which It means I can feel what I'm touching on the computer screen which is way too difficult to describe to you but fantastic And that means that even though I haven't been in the same room as Richard III's remains I felt his skull how cool is that So these are the photographs and CT scan of his skull When we got involved in this I obviously knew where this had come from so we knew That it was strongly suspected that this was Richard III but when we did the reconstruction the DNA analysis had not come back so we didn't know for definite that this was him I knew that I was going to have to justify all the decisions I made regarding the face so we repeated this process twice so that we followed all of the anatomical details Processes And I can tell you exactly why if you'really interested why all of the features are exactly the way they are But then when the DNA results came back that's when we used the portraits to produce the textures So the CT scan this one has a bit of soil on it which is why it looks a bit messy but we also used the one that had been cleaned up So you can see the process exactly the same method we use for any of the reconstructions and actually for him there was nothing really remarkable about his skull I mean it's remarkable that it's Richard III but that's it really he doesn 't have any trauma other than the trauma that killed him which we don't do There's nothing significant about him nothing particularly different and so the standards that we used are relatively straightforward It was very typically white European definitely male fit at the right age group in terms Being in your 30s You can see the relationship between the face and the skull at the bottom and the anatomical structure at the top This is the finished head in the computer so this is just a shape We can choose any color we like in the computer we chose this because it's a nice one One to visualize the shape but it could be sky blue pink with yellow dots on it we can do whatever we like After that it was 3D printed using stereolithography and plastic so this is like a plastic copy of the head and then I worked with a portrait artist named Janice Aitken at the College Of Art who then painted this up and we put prosthetic eyes in and a wig etc When this stage was done we used the portraits so we took the texture information even though Neither of these portraits was done while he was alive this is the only information we had so we used the texture information of his eyes and skin and hair from these and Put real hair on the eyebrows and eyelashes and then Janice's mom made this nice little An outfit for him to match her and the hat is actually the one Laurence Olivier wore in the BBC Shakespeare production which was given to us by the BBC and you can see For yourself I'm sure you've seen it before anyway there are a lot of similarities between the reconstruction and both of the portraits Interestingly one very brief last thing I also did this which is to superimpose the skull with the portraits This is something we sometimes do with antemortem images to identify people in forensic cases to match up the skull to the face and actually this I would positively identify him if tha It was a photograph of this because the photograph the portraits of the skull sorry the proportions of the skull match up so well with the proportions of the portrait that it's really quite remarkable Less so with this one but this one matches up amazingly well in terms of the position of facial features shape of the jawline shape of the cranium and considering neither of these has any significant differences Portraits were done while Richard III was alive although they may have been done from other sketches that were that's pretty remarkable for me and it also gives a bit more for me In terms of me believing that this is Richard III although I believe the DNA is pretty conclusive anyway Anyway thank you very much I'll leave you with the last thought that in the future it might be you and I'm happy to answer any questions Thank you