Shostakovich Op.107 Cello Concerto No.1 蕭士塔高維奇 大提琴 協奏曲 第1號 ショスタコーヴィチ チェロ 第1番 Score Sheet 譜 乐谱 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Shostakovich Op.107 Cello Concerto No.1 in E flat major
蕭士塔高維奇 大提琴 協奏曲 第1號 作品107 降E大調
萧士塔高维奇 大提琴 协奏曲 第1号 作品107 降E大调
Shostakovich Concierto para violonchelo nº. 1 en mi bemol mayor
ショスタコーヴィチ チェロ 協奏曲 第1番 変ホ長調 作品107
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Shostakovich #Cello #Concerto
00:00 I Allegretto
06:39 II Moderato
18:36 III Cadenza (attacca)
23:41 IV Allegro con moto

降E大調第1號大提琴協奏曲（作品號107）由德米特里·蕭士塔高維奇於1959年創作。蕭士塔高維奇為其友羅斯卓波維奇寫就此曲，後者以四日時間記之於心，並於1959年10月4日同葉夫根尼·穆拉文斯基指揮之列寧格勒愛樂樂團於列寧格勒音樂學院大廳作首演。此曲首個錄音於首演二日後於莫斯科完成，演出者為羅斯卓波維奇同亞歷山大·高克執棒之莫斯科愛樂樂團。
本協奏曲被普遍認為是近代大提琴協奏曲曲目中擁有艱深演奏技巧的一部作品，並常與同時期普羅高菲夫所創作的《交響協奏曲》相提並論。對此，蕭士塔高維奇也曾表示過，他也十分欣賞《交響協奏曲》，並把它作為創作這首協奏曲的「推動力」。

The Cello Concerto No. 1 in E-flat major, Op. 107, was composed in 1959 by Dmitri Shostakovich. Shostakovich wrote the work for his friend Mstislav Rostropovich, who committed it to memory in four days. He premiered it on October 4, 1959, at the Large Hall of the Leningrad Conservatory with the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. The first recording was made in two days following the premiere by Rostropovich and the Moscow Philharmonic Orchestra conducted by Aleksandr Gauk.

The concerto is scored for solo cello, two flutes (2nd doubling piccolo), two oboes, two clarinets (each doubling B♭ and A), two bassoons (2nd doubling contrabassoon), one horn, timpani, celesta, and strings.
The work has four movements in two sections, with movements two through four played without a pause.
A typical performance runs approximately 28 minutes in length.

The first concerto is widely considered to be one of the most difficult concert works for cello, along with the Sinfonia Concertante of Sergei Prokofiev, with which it shares certain features (such as the prominent role of isolated timpani strokes). Shostakovich said that "an impulse" for the piece was provided by his admiration for that earlier work.[2][not specific enough to verify]
The first movement begins with a four-note main motive some believe is derived from the composer's musical cryptogram D-S-C-H for his name DSCH. The concerto motive is only remotely related, specifically by both being four-note motives having a half-step between the third and fourth notes. The intervals, rhythm and shape of the motto are continually distorted and re-shaped throughout the movement. It is also related to a theme from the composer's score for the 1948 film The Young Guard, which illustrates a group of Soviet soldiers being marched to their deaths at the hands of the Nazis. The theme reappears in Shostakovich's String Quartet No. 8 (1960).
The theme is simplified even further in the woodwind, which reappears throughout the work.

The opening motive recurs throughout the concerto (except in the second movement), giving this concerto a cyclic structure.
The second, third and fourth movements are played continuously. The second movement is initially elegiac in tone. The string section begins with a quiet theme that is never played by the solo cello. The horn answers and the solo cello begins a new theme. The orchestra plays it after and the first theme is played again. The cello plays its second theme, which progressively becomes more agitated, building to a climax in bar 148. This is immediately followed by the first theme played loudly. The solo cello plays its first melody in artificial harmonics with answers by the celesta, which leads into the cadenza. The second movement is the only movement with no reference to the opening motive of the first movement.
The cadenza stands as a movement in itself. It begins by developing the material from the cello's second theme of the second movement, twice broken by a series of slow pizzicato chords. After the second time this is repeated, the cello's first theme of the second movement is played in an altered form. After the third time the chords are repeated, a continual accelerando passes through allegretto and allegro sections to a piu mosso section. These sections are frequented by the first movement motive. The piu mosso section features fast ascending and descending scales.

wiki
https://en.wikipedia.org/wiki/Cello_Concerto_No._1_(Shostakovich)

source
https://www.youtube.com/watch?v=tG0laIxC0Lo&ab_channel=darcyissues