How to paint Botticelli's Venus. Renaissance Painting Portraits Tutorial

Hello My name is Antonis and I am the character in this video Today I will carve a famous square from the face of Veronika By Sandro Pototselis I will show you how to edit this photo video step by step and I will try to explain the perso So that you can try it yourself And learn something from this wonderful square Sandro Pototseli Thank you all for being here and for subscribing to the channel If you are watching this video it helps Follow the link to register if you haven't already And more videos like this are almost ready to be registered To describe Sandro Potiçeli I will first make a portrait To make this office I will carve the head of Sandro And I will try to write it myself in a characteristic piece For this office I will make another video and explain it piece by piece If you're not easygoing about your traits you can really transfer the office Within your framework and write it from there It's better to do your office work yourself Why this will help you when you later write the photo essay You will be more well-known and it will be easier for you Of course I start this tutorial with preparing my office Also there will be another tutorial to write something I want So I move the office into my frame and then I start the office First I write with a small black line the previous ones of my office So that these previous ones will be sustainable later when I write let's say With a white office base and a black office base And after I write these black previous ones I will start by writing my frame As you can see here an office After I have written the framework according to my examples Like today with a white black line that resembles the sky against which Venus was born After that I will start writing my base for the frame and the hand For the hand I use a better black taste as a base And for the hand I use a white black taste Also I don't have any recipe I'm trying to understand how the father was written And I will try to write it myself For the hand I use black some black octs and some black For the hand I use black ochre smaller white and a little black And after these two bases I am starting to use the black flavors As they are called "grapsimata" in the traditional tradition I will use these dark flavors With the color I use in black black and some octo This database is extremely important See how when I use the face base I'm trying to make it as visible as possible So I can see the black tastes below This database should not be very prominent But it shouldn't be very important either It must allow the bitter tastes to follow Thus above these dark flavors I am starting to use the black flavors This database is very important I think it's the most important base Why here will you build the correct eve and the bitter tastes You need to be very brief and keep track of your approach Watch it carefully and see exactly how the design works It has created these bitter tastes Face these bitter tastes With the color of your base and use as needed To watch it personally and nicely Don't rush to the next step When you feel safe with the following of these dark flavors of your attendance Proceed and proceed Watch the first popular lig With the color of your base This is a very significant step Watch the first popular light Proceed with your time don't be brief And try to understand the taxes and the relationships that the monitoring entails It has used this popular light I will work of course with the brain light And the brain is very very thin and incredible mediation And it's very likely at the wine used by Boutouzelis It is used with brain lig To prepare this delicate color I have used a titanium ring red and orange Prepare slowly and gradually And try to use At the end of your delicacy as much as you can Try to make it systematic Your color is correct It shouldn't be so thin It shouldn't be so dead The color must have some power and must have the streng To close the red kingdom Here you see me speaking this first lig the kingdom I make a first draft to get an idea How my photo will be taken Try to make small plans And as much as you can at the end of your color This is very very important Usually before I say something I play all my photo with this first light and then I speak the kingdom I'm trying to follow the light in the scope ow Botitselis has photographed e fires and the light there and I'm trying to be As questionable as it may be You can see that I am taking a photo At the end of my color here and this made me angry To make the most of the opportunity Why this way of working It's almost unbelievable when I wor With acrylic Of course maybe it's not unbelievable but I don't think so at it is so distant as when you wor With the exception You have this silk and [-] It is so delicate and beautiful Here you see at I am trying to speak the light w The color of the base For this I use Various levels Various voices between voices and with these voices I try to speak the way I think it's necessary I'm trying to produce e voices and the voices With the application you are using and I'm trying to handle these relationships Correct in your color Here you see me using my mind Take your time and try to analyze it your mind the process that the journalis He has used his mind I am trying to I have Botticelli teaching me How he has used his mind I don't have any book that tells me That is step 1 That is step 2 I'm just trying to use my eyes And I understand what he has done there If your money is right then it is difficul It would be very wrong It is very important to make a payment that is significant Correct and precise And again feel free Use a schematic Actually In the pas I did not advise this to my students But as they become bigger I believe at the opportunity of the photograph is Excellent and must be secured our own photo from the studio eve If our bites are not the best So look really and take photos Even if you are not confide With your bites Just enjoy participating colors and photographing Whatever you like Of course it's a warm -up to take a photo yourself but it is not It is absolutely essential As you can see I am using my time wisely When I photograph the mind I am not so fas Until I do it in such a way that I amazed And it looks close to the original Also when you take photos something such a picture like the mind of Ven you must be Be careful so as not to Destroy the statement and keep it Her personal photographs As close as possible to the original I think this is the problem so that you do not do A mind that does not appear as the original Just because everyone knows the mind of the Venus And we've seen it before The first step to destroy It is of course to have a very strong and a hard office that is Exactly as the original And here you see me making a second degree of light A stronger light in the mind of Venus I wear white with small patterns I really like I use these features of Kolinsky They are incredible they hold a lot of color And they are very nice Can I make it in the place of my characteristic In a way that is very beautiful and nice And after I have made some of these e second light in the mind you see here Let me speak let me do the first speech In the first light For this I do I speak these two colors together and I create a very water-like way Trying to speak these two together Can you see me moving back and forth Creating different areas withou No significant consistency But the photo is a very large book of progress Very lively progress and Surely not I'm trying to hold on This printing when I take photos I don't follow any specific ladies I'm just trying to see what the photo needs and I will move forward I suggest you don' t follow my videos When I take blue photos in a blue way Just take the general rules e general advice and the advice I give you and Take pictures Some people tell me that they can't follow e way I photograph back and for ow to move from an area on the other hand very quickly I will recommend them at it is not necessary to follow My program in such a way Just follow the general rules For the first light and the second light and then you feel Take photos as you like Of course here you see me always moving between second and first light and to spea and create the scars on the face of the Venu Unfortunately I don't have a video or a photo my palette so I will give it to you A visual description I have a photography table and on the table I have a photographic eye and I speak in colors There in the photograph This Gives me the opportunity to make small changes and small changes in color And I talk quickly about these If I need to use a larger one Color piece I speak with these colors Very much in the photo but in that is a photograph or a photograph bu usuallyI I talk with colors in photography This point you only see me talking w The lights in the wine withou No specific goal I'm trying to do As close as possible to my position I am at a point where I am complete from the end of October It's fantastic and At this po The power is somewhat elusive to me Photos in small narrow lines This photo of this production meaning the wine for me looks very good And very confidential This is all I believe is all for The Mediterranean the summer is so White and white and amazing Of course I am in the process of completing the Poutouceli I can simply believe that Play such an unbelievable photo Many decades ago This played abou 1445 and I am about sure that my production is only eyes of the work of Potučel I have never seen this wine so close and alive It is in the Uffizi Gallery in Italy I am sure that nearby I will be incredible From his work I really love and thank his work Many decades ago And also I am trying to learn and To lead Potouzeli for this e photo Here I photograph the eyes I use a cold To take pictures of the small pieces of the eyes And I'm trying to produce e initial examples and to see how strong It is photographic and produce these photographs In my photo After the productio and the photo of the eyes I watch still greater solidarity and final solidarity in person Before I proceed with the eye photo They became very strong and very difficul For the photo So when I tried to imagine How should it have captured the eye of Botticell after the photograph of the photograp pieces I will start the photo with some photos and some tough In the eye I look at the Botticelli painting as closely as I can and then at the same time I am trying to Please my self because I am no a robot as strong as it was and I'm trying to learn how to be more grateful and I must accept tha I am the only student of his Meanwhile this is not an initial project from the beginning and is a production and is doing To learn something and to learn how to lear and then I will use what I have learned For my initial photographs This is how it should be Consider these studies as a way To learn something and to become best photographer and person and I think this comes from Let us be more grateful and accept it Ourself as people I would like to thank you e people who support me financially On Patreon com it's incredible at people are located In this video and they are free to Use money for a video Which is free for all And it's a great opportunity to see your progress and read comments from you saying How much does the video help you and how much do you like Watch this video So it's really wonderful at people will use Something that is free This shows eir trust but what I do It has some value for everyone Also thank you to my Patreons and all my authors It is really nice and it is really nice I will create more video Trying to help and to see as much as I can So here you see me forming These comments are about the lights These will help Let me help you o apply Comments and the lights in the photo of Vinu To make these comments I have characterized with a strong current with some egg and just a little b Black and a little also Then after this See me forming with more water flow A color that is very similar to the base Just trying to close again e comments we made before and I do a color that is Very similar to the base just enough to Let them leave the comments to watch and this creates some breadth and Hit on the head The more you work your hands the better they become Before the voice of the speakers The best thing would be as broad as possible And how beautifully it will play Just like the incident e head You should give it a feeling property Also without working the voices The same as the phasid the phasid must give you a sense of wholeness Also before adding the lights just by the fact that you have built the hardest one Features of the phasid This is what I do here I'm trying to make a comprehensive overview here Also before I add the lights Here you see me describing the first light of the phasidium trying to be guided by its character Botticelli who will teach me how to characterize the lights and which colors to use Well for this light I used white and white and a little ochre and I'm trying to I'm following as closely as I can how he has described these beautiful beautiful lights and how I should have described these lights on my own A harbor next to another of course the character here functions in a whimsical manner And the systematic nature of this color is of course very important It needs to be strong enough to stay above my color base I would like to see that you tried to use this character from Botticelli And that I did it to learn something It would be wonderful to see your progress and your efforts Please send me your photos to my inbox It is linked after the video description When I photograph this character it's a very specific form I'm trying not to be a competitor and to make the most of my time I think this is the strongest thing for me When I photograph something that is so beautiful I'm just a spectator to finish it and enjoy it being done But I need to be more comparative and spend more time when photographing these forms I need to try to take more photos say of the original Therefore I was trying here to ensure myself from just taking quick photos and finishing this form I could have done better I think The other thing is that Botticelli portrayed this figure in a very free manner He has freely used the forms of photography And that is something that is almost impossible to reveal 100% This is what I was trying to do here on the contrary was to free myself and to free my form a little I want to be close to the forms of him of course and the way in which Botticelli portrayed this figure But not to cut these shapes and this shape in say a blue way Trying to have more free forms and see if I could come up with something close to Botticelli's work Watch and this is one of my tips keep your pig dead but strong to end the base And try to work as much as possible in your own form One here close to the other and I think you will be impressed As you can see I work here as much as I can in the place of my form I am very satisfied with these Davinci models I use The carving knives I use are incredible And I'm almost ready with this first light of the form I think this production by Potticelli from Venice It is a limited production for many photos to be produced Maybe because the production of Venice is really so beautiful or perhaps because the production is so visual That no one believes there is any value in working from it I have seen many traditional productions of this play And they are truly excellent and interesting Also this is one of the most famous productions of all time But I hadn't seen many productions like this Trying to be close to the production of Venice Let's change it and make some of these productions So now that I've finished with this first voice You saw me specifically clean and speak that first voice With the base before With a bit less and better color I played this in a few small areas Where I felt I had to speak And here you see me playing some longer notes And clean these longer ones on the hand Also I'm trying to have a free line A quick yet specific line And of course the guide for this is again Botticelli I'm trying to follow along and see how these beautiful free voices played I can imagine the blessing that must have been fel When he took such a beautiful unbelievable photo And it is interesting how Botticelli's wor He died in confession after the period He was considered a unique individual until the 19th century Like many others But the world was discovered El Greco was one of them This is almost ready Now I take a second piece of the photograph forming these hands And I'm almost ready I hope you find this tutorial easy to follow and encourage you to take More specific photos And learn something from the process Thank you very much for your beautiful pieces And for the time you spent Also feel free to sign up It's truly wonderful for me to see The interest people have in my work I'll give you another nice tutorial soon Thank you for the week Hello