Dr. Steven Greer : How ETs Manufacture UFOs

I always tell people that the really hilarious story of this captain of a Navy contract vessel that was in the South Pacific in 63. Jacques Vallee had the story, but he didn't have the source. It was a third-hand story for him, where we were testing the Atlas intercontinental ballistic missiles. We were firing them downstream in the South Atlantic. And this captain who contacted me was on a ship that was retrieving them after a test fire. Now, these were not hot. They didn't have nuclear weapons on them. They were trying to get the missile to be accurate. But the missiles kept missing their mark, and they knew there was some kind of a subtle electromagnetic thing happening. And there was always an ET craft around. And they got these on radar. So one night, his radar guy had a new, I think it was RCA radar system. And it was sweeping around, and they picked up a craft. And so the captain was called, came up, they got it. He called the command center, and they got it on radar. Unfortunately, they didn't hit it with some kind of electronic weapon or something. And the thing blew up. There was an explosion in the sky, and it fell straight down into the water, this UFO. And the next morning, his ship was vectored into the point of impact. And they couldn't find the ship, but there was about a six-foot square pod that had ejected that had four of the ET beings in it. And this guy was a salt-of-the-earth Navy guy. And he said, well, they were handsome little men. Their skin was the color of a Sicilian. I never forget him saying that, Sicilian. OK. And bronze-colored, no hair, no pinna, which is the pinna is the flap, the monkey ears we have. They just have openings. Fine lips, sort of small nose. And just like the man that contacted me from Skunk Works at Lockheed about the astral projection experience, this person contacted me to find out something that had bugged him. It stuck in his mind and bothered him for 40 years. And I said, well, what is it? He says, well, we got them out of this thing, this pod. They were ordered to put them in the ship's freezer until a nuclear submarine came along and took them. And they were all threatened with death if they talked about this. And he says, these little men were in sort of these metallicized fabric. It was almost metal, soft metal-like fabric, one-piece suits. I said, yeah, like a onesie. They didn't have any buttons or zippers. And he said, how could they have gotten in them? And I said, this is why you're calling me? And it was. This was exactly why he was calling me. And I said, well, I don't know if you're going to like my answer. And he said, well, tell me. I know those damn things. You could have to cut them off, but we couldn't even cut them. I said, well, the way that that suit is made, they just stand into an energy field that has a resonant, and it materializes around them, like 3D printing, but like a 3D, zip. So there are no, and it comes off the same way. It dematerializes off and materializes on. But I said, did you notice anything about this thing that they were in that was floating? He said, yeah, it had no pieces. I said the same thing. So I call this sort of an infra-ultrasonic manufacturing, where if you imagine going beyond the speed of light, the speed of electrons, beyond the zero-point energy field, and creating sort of an architectural blueprint of a spacecraft that's in that dimension, like an astral, like your astral body, and have that resonate, and it comes into this dimension in toto. So it recruits the atoms, the molecules, the structures, not by digging them up, and smelting them, and banging them, and doing rivets like we do on an airplane. But it, and that's, I call this extraterrestrial manufacturing 101 that I'm sharing with you. So that's why these spacecraft, the guys who I know who have gone to ones that have retrieved them, they're seamless. Now, if you see one that has rivets, and seams, and parts of it, that's Lockheed, and Northrop, and Boeing's anti-gravity stuff. But these, the ET ones, are completely seamless. And the light coming from them is so amazing, they're so pure, you never quite forget it. Because the light is coming from a source and materials that aren't manufacturable. You couldn't even manufacture something that pure in space. And there was a part of a craft that they got in Brazil, and I forget it had magnesium, and some other stuff in it, but the elements that were in it were so pure that even in the vacuum of space, we could not manufacture it. And no one understood how they could be doing this. I said, because they're not going to some asteroid or planet, and digging up stuff out of the Earth, and smelting it, and melting it, and then putting it together. They're creating a field, and it resonates, and then comes in from that trans-dimensional virtual, near-astral, I call it, the near-astral. And it then pops as a totality into 3D. Make sense? Which, if you study the literature of the craft that have been retrieved, and even the clothing on these beings, they're consistently this same report. Now, why is that important? Because it means that when you're out under the stars, and you see something, and if it seems just it's too beautiful to be real, it looks like a jewel. We were once in Colorado, and there was an object. It looked like it was a crystalline jewel in the sky, and it was there for a number of minutes. And you couldn't even, it was painful, it was so beautiful. And then there was a fighter jet, it was vectored in. And the thing popped, and began to go off, looked exactly like a 737. Everyone saw it. So what's fascinating is the purity of the light, and the quality of it. And then there's one more thing. These craft are imbued at the level of nanobiotechnology. You know what that is, nanobiotechnology? Where they're actually living, and they're conscious. So the craft itself has the consciousness of the occupants, and often it's the chief pilot, or the person who's actually directing it, which is usually, they will either touch it and think, and they'll go. All right, but the craft itself is not just like a piece of machinery, it's actually living. And there have been more than one military guy I've interviewed who have been on retrieval missions when they get there, and the craft has been injured. I call it injured because it's organic. And there'll be a crack, and it'll be trying to heal. Like if you did a cut, and did a time lapse of a healing of a wound on skin, it's doing this kind of thing, trying to fix itself. And so the craft themselves are nanobiotechnology at the level where they then can subsume, or take on the awareness of the occupants. And that's how they operate. So many times, people have an experience with a UFO, but they'll feel that the UFO itself was communicating, or was conscious. I say, well, it is. That it was like this living, organic, conscious thing. And many times, people will dismiss it, and I'll go, no, thousands of people had the same experience. And it's because it is. It is a living, conscious nanobiotechnology at the level that it can then take on the awareness of the occupant, or the occupants. But usually, it's the main occupant, who's the anthropocentrically projecting here, captain, or the person in charge. Does that make sense to people? So the really important thing to know, because if you're out into the stars, I remember last year, just before I had to take this trip to Australia, and I was laying on the beach, and I was with a friend, and it was beautiful. You could see the whole Milky Way galaxy on the outer, I was on the outer banks. And I was out there, and we were talking about this stuff. And it was someone who had never seen one of these objects. And suddenly, in the Milky Way, an object about that big at arm's length, it was huge. It was pretty close, and pretty big, materialized, and it was this beautiful, kind of crimson, ruby red, but it was like it was living. It was like this thing that was living, and it moved, and went the whole distance of the Milky Way galaxy. It wasn't instantaneous, it was there for a little while. I don't know if anyone else on Earth saw it, but we saw it, we were looking straight up. And it was like it was alive. The sky was alive, the object was alive. And I realized it was going right in the direction of Australia, which a few days later, I was wheels up to Australia. So, and I think it was, I told my wife, I said, I think they were telling me, you know, bon voyage, and we'll be with you there. So, it was a beautiful, beautiful experience. And it can happen that easily, that quickly, you know, if you open up to it.