Bach Goldberg Variations BWV 988 Variatio 10. Fughetta. a 1 Clav. 巴哈 郭德堡變奏曲 バッハ Score Sheet 譜 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Goldberg Variations BWV 988
Variatio 10. Fughetta. a 1 Clav.
巴哈 郭德堡變奏曲 作品988
巴哈 郭德堡变奏曲 作品988
Bach Variaciones Goldberg BWV 988
バッハ ゴルトベルク変奏曲
Piano 鋼琴 ピアノ Keyboard キーボード 大鍵琴 Harpsichord Cembalo チェンバロ Clavecín
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Variation #Goldberg

Bach Goldberg Variations playlist
https://www.youtube.com/watch?v=VWLYG3cKves&list=PLu81SiUmmTCCpxMFAJmGSnXXdlBiU44Mp

《哥德堡變奏曲》（德語：Goldberg-Variationen，BWV 988），是約翰·塞巴斯蒂安·巴赫的一部晚期鍵盤作品，1741年出版。全曲32段，全部演出需40-80分鐘。作曲家本人給此曲定的原題是《為雙層羽管鍵琴所作的一段詠嘆調及其一些列變奏組成的鍵盤練習曲》
這部作品長期不受人們重視，直到20世紀前半葉。女大鍵琴家旺達·蘭多芙絲卡的公開演奏及錄音。之後，1955年加拿大鋼琴家格倫·古爾德將其選作自己的第一張錄音作品。而現在，這首曲子被視為巴赫作品中最重要的變奏曲。全作品包括主題，30個變奏，主題反覆。每三個變奏為一組，每組最後一曲為卡農曲（從一度至九度卡農），如V1-V2-V3（V3是一度卡農曲），V4-V5-V6（V6 二度卡農曲），V7-V8-V9（V9 三度卡農曲），V10-V11-V12（V12 四度卡農曲）等等。

The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.

Variatio 10. Fughetta. a 1 Clav.
Variation 10 is a four-voice fughetta, with a four-bar subject heavily decorated with ornaments and somewhat reminiscent of the opening aria's melody.
The exposition takes up the whole first section of this variation (pictured). First the subject is stated in the bass, starting on the G below middle C. The answer (in the tenor) enters in bar 5, but it's a tonal answer, so some of the intervals are altered. The soprano voice enters in bar 9, but only keeps the first two bars of the subject intact, changing the rest. The final entry occurs in the alto in bar 13. There is no regular counter-subject in this fugue.
The second section develops using the same thematic material with slight changes. It resembles a counter-exposition: the voices enter one by one, all begin by stating the subject (sometimes a bit altered, like in the first section). The section begins with the subject heard once again, in the soprano voice, accompanied by an active bass line, making the bass part the only exception since it doesn't pronounce the subject until bar 25.

Bach Goldberg Variations BWV 988
Aria
Variatio 1. a 1 Clav.
Variatio 2. a 1 Clav.
Variatio 3. Canone all'Unisono. a 1 Clav.
Variatio 4. a 1 Clav.
Variatio 5. a 1 ô vero 2 Clav.
Variatio 6. Canone alla Seconda. a 1 Clav.
Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga
Variatio 8. a 2 Clav.
Variatio 9. Canone alla Terza. a 1 Clav.
Variatio 10. Fughetta. a 1 Clav.
Variatio 11. a 2 Clav.
Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario
Variatio 13. a 2 Clav.
Variatio 14. a 2 Clav.
Variatio 15. Canone alla Quinta. a 1 Clav.: Andante
Variatio 16. Ouverture. a 1 Clav.
Variatio 17. a 2 Clav.
Variatio 18. Canone alla Sesta. a 1 Clav.
Variatio 19. a 1 Clav.
Variatio 20. a 2 Clav.
Variatio 21. Canone alla Settima
Variatio 22. a 1 Clav. alla breve
Variatio 23. a 2 Clav.
Variatio 24. Canone all'Ottava. a 1 Clav.
Variatio 25. a 2 Clav.: Adagio
Variatio 26. a 2 Clav.
Variatio 27. Canone alla Nona. a 2 Clav.
Variatio 28. a 2 Clav.
Variatio 29. a 1 ô vero 2 Clav.
Variatio 30. a 1 Clav. Quodlibet
Aria da Capo