《伊甸園之東》男人好心救下受傷的女人,卻帶來一場噩夢毀掉家族兩代人

影視亮點
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687 次觀看·2026年10月11日
視頻概述
AI 生成本劇改編自《伊甸園之東》,講述亞當與查爾斯兄弟在父親殘酷控制下成長,隨後因危險女性凱茜的介入而陷入悲劇。故事延續至下一代,探討亞當與兒子卡爾、亞倫在商業失敗與家庭創傷中的掙扎,揭示了原生家庭的陰暗循環以及最終透過選擇獲得救贖的可能性。
一個渾身是血的女人,拖着幾乎快要散架的身體,
一步一步爬到了一個農場。她的臉上滿是傷口,
頭髮被鮮血和泥土粘在一起,看起來就像剛從鬼門關逃出來。
屋裏的兩個男人聽到動靜後走出來。
弟弟的第一反應不是救人,而是直接舉起槍對準了女人。
可哥哥卻趕緊攔住弟弟,堅持要把這個女人救進屋裏。
一個說應該報警找警長,一個說必須馬上找醫生。
可誰也沒有想到,這個突然闖進來的女人會徹底改變這兩個兄弟的人生。
Hello,大家好,歡迎收看最新美劇《伊甸園之東》。
本劇改編自美國作家約翰斯坦貝克於一九五二年創作的經典小說,
但這次並不是翻拍一九五五年的電影版本,
而是把原著龐大的家族故事重新做成了一部七集限定劇。
如果用一句話介紹這部劇,那就是兩個性格截然不同的兄弟,
因爲一個神祕而危險的女人徹底走向了不同的人生。
這個女人就是凱茜。而故事真正開始之前,我們還得回到二十五年前,
一八七四年,美國康涅狄格州。這裏住着一個名叫塞勒斯的男人。
他曾經參加過戰爭,還因爲頭部受傷留下了殘疾。
在兩個兒子眼裏,父親幾乎就是這個世界全部。
可問題是,塞勒斯卻從來沒有真正把兩個兒子當成孩子。
在他眼裏,兒子更像是兩件需要不斷比較的作品。
哥哥亞當性格溫和,弟弟查爾斯則更加兇悍。
從他們很小的時候開始,塞勒斯就不停的把兩個人放在一起比較。
亞當沒有把槍裝好,塞勒斯就狠狠的懲罰他。
查爾斯則躲在角落裏,偷偷看着哥哥捱打。
兩個孩子明明是親兄弟,卻從小就被迫成爲競爭對手。
更加諷刺的是,他們根本不知道父親到底更喜歡誰,
因爲塞勒斯對他們的態度始終忽冷忽熱。直到有一天,塞勒斯過生日,
亞當撿到一隻小狗,把它當成禮物送給父親。塞勒斯明顯很高興。
查爾斯心裏非常不是滋味,因爲他也準備了一份禮物。
他用自己砍柴賺來的錢,精心挑選了一把刀。
可塞勒斯幾乎沒有把它放在心上。
對於一個普通孩子來說,這種差別看起來微不足道。
可對於查爾斯來說,這就像在告訴他,你永遠比不過哥哥。
How do you know I'm broke?
I didn't. I swear.一轉眼十年過去了,
亞當和查爾斯長大成了青年。
兄弟倆一起打獵,查爾斯的槍法明顯比亞當強得多。
他已經開始幻想離開這個家,去參軍,去看看外面的世界。
可他們不知道的是,父親早就替他們安排好了人生。
塞勒斯不久後將前往華盛頓任職,他決定讓亞當參軍,
至於查爾斯則留下來經營家裏的農場。
對於兩兄弟來說,這個決定是一種殘忍的折磨,因爲亞當恨透了軍隊。
他質問父親,爲什麼不讓更適合的查爾斯去當兵?
誰都看得出來,查爾斯會是一個更優秀的士兵。
To put Charles in an army would
be to loose things which
in him must be chained down.
塞勒斯之所以對亞當更加嚴厲,是因爲他認爲自己更愛這個兒子。
他希望通過戰爭讓亞當變成自己心目中真正的男人。
從這天開始,兩兄弟的人生開始徹底分叉。
查爾斯越想越窩火,於是跑到城裏的妓院找女人。
亞當也跟了過去,發泄過後,查爾斯終於繃不住了,
因爲他一直認爲亞當早就知道父親的安排,卻一直瞞着自己。
積壓多年的嫉妒和憤怒在這一刻徹底爆發,他瘋狂毆打自己的哥哥,
拳頭一下一下砸在亞當身上,直到亞當幾乎失去反抗能力。
可第二天,亞當還是帶着滿臉的傷痕,
頭也不回的離開了這個家,而查爾斯只能眼睜睜看着哥哥離開。
進入軍隊以後,亞當才真正發現父親給他的所謂榮耀,
其實是一條非常殘酷的路。戰爭並沒有讓他成爲父親期待的英雄,
反而讓他看見了大量死亡,尤其是親眼目睹對原住民村落的殺戮,
讓亞當越來越無法接受自己正在做的事情。
他開始懷疑自己究竟是在執行命令,
還是在用服從命令給自己的選擇找藉口。
而這也成爲亞當人生中最大的陰影之一。
幾年以後,亞當回到華盛頓見父親。
此時的塞勒斯已經進入了政府體系,而且野心越來越大。
他希望亞當退伍以後留在華盛頓,跟着自己發展。
可亞當已經受夠了父親替自己安排人生。
更重要的是,他也不想在回到和查爾斯不斷競爭的生活裏。
所以,他做出了一個讓塞勒斯非常失望的決定。
You haven't reenlisted.
I have.亞當從骨子裏討厭軍隊,
這是他在用自己的方式對抗父親。
而查爾斯呢,他依然留在家裏經營農場。
多年下來,農場逐漸有了起色,他也慢慢學會了獨自生活。
可是他心裏始終放不下哥哥。
到了一八九八年,家裏又發生了一件大事,查爾斯的母親去世了。
他親手爲母親挖好了墳墓。這個畫面非常壓抑。
查爾斯獨自躺在自己挖出的墓坑裏,像是在埋葬母親,
又像是在埋葬自己這些年的生活。父親希望他去華盛頓,
可查爾斯拒絕了,因爲他也不願意再按照父親的安排生活。Surely
the time for that has passed.
亞當這些年一直在外面漂泊,到了一八九九年,
他甚至要靠偷偷搭火車來趕路,像一個沒有家的流浪漢。
不久後,塞勒斯死了,亞當終於重新回到了老家,兄弟倆再次相見。
沒有了當年的劍拔弩張,只剩下歷經滄桑後的釋然。
兩人就像小時候一樣,重新生活在同一個屋檐下,
一起幹活,一起收拾房子。查爾斯還親手給亞當剪了頭髮。
多年積累的隔閡,似乎終於有機會慢慢消失。
可誰能想到,塞勒斯竟然給他們留下了這個家族最大的祕密。
在整理父親遺物時,亞當發現了一份非常關鍵的證明。
塞勒斯所謂的戰爭英雄身份,竟然是假的。
他當年參軍以後,僅僅過了幾個月,就因爲受傷被迫退役。也就是說,
他根本沒有自己吹噓的那麼偉大。That didn't mean
that he wasn't at Gettysburg.
我們總理的法案。荒野。
Richmond. 更離譜的是,
塞勒斯留給兩個兒子的鉅額財富同樣來路不明。
這筆錢超過十萬美元,在那個年代絕對是一個天文數字。
可查爾斯很快意識到,這筆錢是父親通過欺騙和盜竊得來的。
他可能闖入了退伍軍人協會的金庫,偷走了退伍軍人的基金。
查爾斯徹底憤怒了,而亞當卻沒有那麼在意,認爲既然錢到了他們手裏,
那就物盡其用。因爲他太想逃離這裏了,他想去加州重新開始,
遠離戰爭,也遠離這個讓自己痛苦了幾十年的家庭。
就在這時,門外突然傳來一陣奇怪的聲音,查爾斯警覺的拿起獵槍,
小心翼翼的走向門外,然後整個人都愣住了。
門口竟然躺着一個渾身是血的女人,
查爾斯認爲這種來歷不明的人必須交給警長處理,
可亞當卻堅持把她帶進屋,並小心翼翼的替女人擦去臉上的血。
這一刻,亞當看見的是一個需要幫助的女人,
可查爾斯看見的卻是一個突然出現在家門口的危險人物。
而最詭異的是,女人明明已經傷成這樣,
眼神卻始終保持着清醒,她似乎在觀察着兩個男人,
觀察這個家,也觀察他們之間那條早就存在的裂縫。
第二天,亞當找來了醫生,查爾斯則找來了警長。
醫生檢查完他的傷勢後,叮囑亞當必須好好照顧他,
因爲他頭部受到重擊,短時間內很可能記不起發生了什麼。
而警長想知道這個女人到底是誰,
又是誰把她打成這樣,可女人卻一個字都沒有說。
警長讓她寫下自己的名字,女人卻只寫了三個字,不知道。
看起來女人好像失去了記憶,亞當決定把她留在家裏,
日夜守在牀前,一口一口的喂她喝湯,眼中滿是化不開的憐惜。
查爾斯對此非常不爽,因爲這個女人身上的一點實在太多了。
他質問女人是不是在裝失憶,但女人卻面不改色,
甚至說自己喜歡亞當的陪伴。可當房間裏只剩亞當時,
他卻立刻換上了一副面孔,他緊緊抓住亞當的手,說自己其實沒有失憶,
是因爲深愛的家人陷入了絕境,爲了保護他們,纔不得已瞞身份。
這高明的欲擒故縱讓亞當徹底淪陷,他當場發誓不僅會替他保守祕密,
還要用盡全力保護他不受一點傷害。
我們把鏡頭拉回一八九三年,凱茜出生在一個非常普通的家庭,
可從小到大,他就和周圍的人不太一樣。
別人家的女孩想的是結婚生孩子,可凱茜卻想成爲一名老師。
他不喜歡別人替自己決定人生,
更不喜歡被困在一個家庭裏,每天重複着相同的生活。
可在那個年代,一個年輕女人想靠自己生活並不是一件容易的事情,
所以凱茜學會了另一種生存方式。
他很會觀察男人,更會觀察別人想從自己身上得到什麼。
在某次做完禮拜後,凱茜走在回家的小路上,他故意把手帕丟在了地上,
而身後的男人幫他撿了起來,還用自己漂亮的夾子把手帕固定住。
凱茜接過東西,臉上露出一個看起來非常純真的笑容。
可鏡頭很快告訴我們,這並不是凱茜第一次得到東西,
他似乎天生就知道怎麼讓別人主動把東西送到自己手裏。
此時的凱茜已經偷偷喜歡上了自己的老師,
這個男人年輕且英俊,兩個人很快發展成了祕密關係。
但凱茜很快發現,老師根本沒有他想象中那麼簡單,
他越來越沉迷於這段關係,甚至開始控制他。凱茜終於受不了了,
他警告老師,如果他再繼續糾纏自己,就把他們之間的事情全部說出去。
老師被徹底逼到絕境,他喝得酩酊大醉,
然後跑到凱茜家門口要求他原諒自己,結果被凱茜的父親趕了出去。
第二天,學校裏開始出現流言,所有人都在議論凱茜和老師之間的關係。
而就在這時,更加可怕的事情發生了,老師竟然自殺了,
醜聞很快傳回了家,凱茜的父親暴跳如雷,認爲女兒玷污了家族的榮譽,
這個家已經沒有了自己,甚至……回到房間後,
凱茜把老師寫給自己的信全部燒掉,他的表情也越來越平靜,
因爲他已經做出了決定,既然這個世界不允許他按照自己的方式活着,
那他就讓所有人知道凱茜已經死了。不久後的一天,
凱茜開始了他的表演,他殺了幾隻雞,將鮮血塗抹在地板和草垛上,
然後扯斷自己的髮帶,丟在血泊中,僞造了一個自己被侵犯的現場。
當天夜裏,他點燃了這座囚禁了他十幾年的房子,
而他的父母還被鎖在裏面。
大火迅速吞噬了整棟房子,所有人都認爲凱茜死在了火災裏。
可凱茜已經悄悄逃走,徹底從原來的身份中消失了。
一個死人當然不會有人繼續追查,
而一個死人也不需要再遵守任何人的規則。
時間回到現在,亞當和查爾斯正在討論這個女人到底應該怎麼辦。
查爾斯的態度依舊非常明確,
凱茜不能繼續留在這裏,因爲她的身上有太多祕密。
亞當卻認爲她只是受了傷,需要一個地方養傷而已。
兄弟倆又一次因爲一個女人產生了分歧,
而凱茜就在旁邊安靜的聽着,他沒有插嘴,只是默默觀察。
他很快發現這兩個兄弟之間本來就存在一道很深的裂痕,
一個善良,一個多疑,一個願意相信別人,一個習慣懷疑別人。
而凱茜最擅長的就是利用這種裂縫。身體漸漸恢復的凱茜開始主動出擊,
他端着精心準備的晚飯來到田間,試圖試探查爾斯的底線。
他甚至表現的非常害怕,害怕自己繼續留下來會給他們添麻煩。
可查爾斯根本不吃這一套,不僅拒絕了凱茜的示好,
甚至還暗示凱茜出現之後,父親還發現了一隻裝滿現金和珠寶的箱子,
這東西絕對和他脫不了干係。凱茜明顯愣了一下,
但他沒有回答,這也讓查爾斯更加確定這個女人有問題。
既然搞不定弟弟,那就死死咬住哥哥。
凱茜轉身跑去找亞當,哭着說自己不能留下來了,因爲他害怕查爾斯。
這招以退爲進,精準的刺中了亞當的軟肋,
迫使他做出了一個非常不理智的決定。
你願意嫁給我嗎?
沒錯,認識沒多久,亞當就決定娶凱茜。
他以爲自己是在拯救一個可憐的女人,
卻不知道自己正在把一個巨大的危險親手帶進自己的家門。
故事再次回到凱茜過去的經歷。
凱茜曾化名來到波士頓,試圖在風月場裏撈金。
老鴇見凱茜太漂亮,不敢收留。凱茜被盯上了幕後的大老闆托馬斯。
他紅着眼眶,編造了一個父親破產離世,
自己爲了保住母親的農場才被迫下海的悽慘故事。幾滴眼淚,
幾聲哽咽,就把這個在歡場摸爬滾打二十年的老江湖騙得團團轉。
托馬斯真的愛上了凱茜,他爲凱茜買房子,爲她爭風吃醋,
甚至在廁所裏爲她流下眼淚。而他的愛也變得越來越瘋狂。
他懷疑凱茜揹着自己見其他男人,於是安排手下跟蹤他。
而凱茜非常清楚,感情這種東西不可靠,只有錢纔是真的,
所以她偷偷拿走托馬斯的錢夾,私下裏藏匿了大筆現金。這天回到住處,
托馬斯早已等待多時,他甚至帶着香檳準備慶祝兩個人在一起一週年。
但托馬斯根本不知道,凱茜早就已經開始計劃離開他。
他逼凱茜喝酒,凱茜也一杯接一杯的喝,
直到最後他徹底爆發了,直接砸碎酒杯,抵住托馬斯的脖子。
每一根神經。
In your lousy body, you can't
even imagine the things
that I could do to you.
Do you want me to show you?這一刻,
托馬斯終於看清了,這個女人根本不是自己認識的那個柔弱女孩。
她可以笑着騙你,也可以笑着威脅你。
第二天,托馬斯離開之後,凱茜收拾東西準備逃走。
可就在他準備離開的時候,托馬斯又回來了。
他已經派人調查過那場大火,終於知道了凱茜的祕密。
他決定把凱茜帶回老家,想利用她的身份重新控制她。半路上,
凱茜試圖逃跑,但很快被托馬斯追上,便對他進行了慘無人道的毆打。
凱茜拼命掙扎,可最終被托馬斯用石頭砸中了腦袋。
托馬斯以爲凱茜死了,於是轉身離開。可凱茜卻憑藉極其頑強的生命力,
一步一步爬到了亞當和查爾斯的家門口。
回到現在,亞當不顧查爾斯的反對,和凱茜舉行了婚禮。 She's
no more wife than an alley cat.
I won't live in the same house.
They buy me out of the farm.
而查爾斯徹底瘋了。亞當哪裏聽得進去?
在他看來,查爾斯只是因爲嫉妒,
因爲他一直認爲弟弟不想看到自己幸福,所以他決定帶着凱茜離開這裏,
去加州,去建立一個真正屬於他們自己的家,重新開始生活。 I
don't want to go to California.
她根本不像個
妻子,就像隻
巷子裡的野貓。
我不會住在同一
間房子裡。他們
買下我的農場。
我不想去 California。
在他不在的時候,
她一直跟一個叫
John
的男人住在一起。
他是個好人,
但也是個壞人。
他是個壞人。
火車啓動,亞當和凱茜越來越遠。
查爾斯站在站臺上,一直看着火車消失在遠處,直到再也看不見。
他試圖用一個女人來忘掉凱茜,可進行到一半,
查爾斯卻突然崩潰了,因爲他腦子裏想的始終都是凱茜。
這個看起來極其兇狠的男人,竟然像個孩子一樣哭了起來。
另一邊,火車上的凱茜也不好受。她突然衝進廁所,劇烈嘔吐。
不用醫生檢查,大家其實也能猜到她懷孕了。
而此時,新世紀正式到來,車廂裏的人們歡呼慶祝,
所有人都在迎接一個新的時代。凱茜一個人坐在那裏,
臉色越來越難看,因爲她不知道肚子裏的孩子究竟是誰的。
來到加州之後,亞當像是換了一個人。
這裏沒有父親,沒有查爾斯,沒有過去那些讓他痛苦的回憶。
他終於可以按照自己的想法生活。
亞當僱了一個名叫塞繆爾的老頭當嚮導,
最終選中了一片未被開發的土地。在他眼裏,這裏簡直就是天堂。
他已經開始幻想爲凱茜建造一座夢幻般的宮殿。
亞當一直認爲凱茜過去吃了太多苦,
所以只要自己對他足夠好,他一定會慢慢愛上自己。
可亞當不知道的是,他爲凱茜準備的恰恰是凱茜最害怕的東西:
家庭、婚姻、孩子、責任,還有一個永遠甩不掉的丈夫。
就在亞當興奮的爲未來做準備時,凱茜一個人留在旅館。
他看着自己的肚子,臉上的表情越來越恐懼。
然後他做出了一個瘋狂的決定,他要打掉孩子。
凱茜把一根針放在火上燒熱,然後刺入了自己的身體,
試圖用這種極其危險的方法終止妊娠。
亞當回來時發現凱茜已經昏倒,他趕緊叫了醫生。
醫生檢查後很快發現凱茜懷孕了,而且孩子還活着。他趕走亞當,
然後警告凱茜,如果孩子死了,他會因爲墮胎受到法律懲罰。
而凱茜爲了掩蓋真正的原因,編了一個謊話。
他說自己的家族有癲癇病史,之所以想終止妊娠,
只是因爲害怕孩子會遺傳疾病。
醫生當然不會相信這種說法,但也沒有繼續逼問。
亞當得知凱茜懷孕,興奮的像個孩子。他立刻着手修繕房子,
打理農場,甚至寫信給查爾斯,邀請弟弟來到加州。
他始終覺得他們兄弟之間已經經歷了太多,現在自己有了家庭,
也有了新的生活,或許查爾斯也應該來到這裏,大家重新開始。
可最終他還是沒有把這封信寄出去。
亞當在塞繆爾的介紹下僱傭了一名華人管家,名叫老李。老李說着長辮,
總是操着一口生硬的洋涇浜英語,低眉順眼的伺候着一家人。
而凱茜越來越沉默,因爲她根本不喜歡這裏,不喜歡這個家,
更不喜歡亞當每天圍着自己轉。老李很快察覺到凱茜的不對勁,
因爲凱茜一個人的時候臉上完全沒有表情,可只要亞當出現,
她就會立刻換成另外一張臉,彷彿剛纔那個冷漠的女人根本不存在。
某次聚餐,塞繆爾來家裏做客,
可凱茜卻像一個被迫參加家庭聚會的人,甚至連笑都笑得非常勉強。
塞繆爾也注意到了這一點,他在飯後找到老李,
而老李也終於說出了自己的擔憂。 And shuffle.
So you speak pigeon and shuffle.
And while this was happening,
Kate also finally told Adam
that she didn't want to come
to California, and she
didn't want to stay here.
Adam整個人都愣住了,因爲他一直以爲自己給凱茜的就是幸福,
可凱茜卻告訴他,這根本不是他想要的生活。
然而孩子馬上就要出生了,時間根本不給他們重新選擇的機會。
凱茜臨盆這天,塞繆爾趕來幫忙,凱茜疼得幾乎失去理智,
甚至在劇烈疼痛之下一口咬住了塞繆爾的手。
最終,凱茜生下了兩個男孩。
這本來是一個幸福的時刻,亞當興奮的幾乎不知道該怎麼辦。
可凱茜卻完全沒有這種感覺,她的臉上只有恐懼和厭惡。
Adam徹底懵了,他不明白爲什麼一個母親會對自己的孩子如此冷漠,
而凱茜甚至把臉藏起來,拒絕看孩子一眼。凱茜拒絕爲孩子餵奶,
塞繆爾只能找到自己的妻子,幫着老李一起照顧兩個孩子。
亞當則一直守在凱茜身邊,他還是不願意放棄,
因爲在他的認知裏,只要自己再努力一點,凱茜一定會改變。
可現實卻狠狠給了他一巴掌。不久後,凱茜終於從房間裏走了出來,
她說自己想出去走走,順便給兩個孩子買新的奶瓶。
亞當終於鬆了一口氣,以爲妻子終於想通了。
可這只是凱茜的最後一次僞裝,因爲她已經準備逃走。
趁着老李不在,凱茜悄悄收拾好了行李。
I'm going away now. Adam終於失控了,
因爲他已經忍了太久。可凱茜根本不在乎,甚至讓亞當把孩子扔進井裏。
亞當猛地將凱茜推倒在地,然後反鎖了房門。
而凱茜又一次施展了她最擅長的僞裝,她的聲音裏帶着哭腔,
說自己只是害怕,只要給她時間,她一定會變成一個溫柔的妻子。
而亞當最終還是心軟了,顫抖着打開了房門。
子彈擊中了亞當的胳膊,凱茜甚至沒有多看他一眼,
只是把槍放在櫃子上,然後提着行李離開了這個家。
一直到了夜裏,老李纔回來。
他聽到了孩子的哭聲,趕緊衝進屋裏,隨後又發現了倒在地上的亞當。
警長很快趕到,可亞當卻告訴警長是自己擦槍時不小心走火了。
警長當然不相信,因爲傷口的位置和現場情況怎麼看都不像意外。
但亞當死活不願意說出真相。一年的時間過去了,
莊園四周長滿了荒草,亞當就像一具行屍走肉,整日坐在門廊上發呆。
而那兩個可憐的孩子至今連個名字都沒有。塞繆爾實在看不下去了,
於是狠狠的給了亞當一拳,試圖將他從絕望的泥潭裏打醒。
老李坐在一旁,緩緩講述了一個關於人性的故事。
一個孩子最大的恐懼就是不被愛,
被拒絕會產生憤怒,而憤怒會帶來複仇的渴望。
這就是人類的故事,也是聖經中該隱與亞伯的悲劇。
看着兩個天真無邪的孩子,亞當封閉的心房終於再次被打開,
決定不再讓他們重蹈自己和弟弟的覆轍。
最終,塞繆爾給兩個孩子取了名字,一個叫卡爾,一個叫亞倫。
兩個名字也意味着兩個全新的生命。可諷刺的是,
當亞當想要抱抱孩子的時候,其中一個孩子卻下意識的躲開了他的手。
這一幕看起來很小,卻像是一個預兆,
因爲從這一刻開始,這個家族的故事又進入了下一代。
時間回到一年前,凱茜來到一家妓院,想在這裏工作。
老闆叫做費伊,經營這家妓院已經很多年。
他上下打量着這個神祕女人,顯然不太放心。
因爲凱茜雖然穿着普通,但身上卻有一種很特別的氣質。
她不像來工作的,更像一個隨時準備反客爲主的人。
但費伊沒有頂破,而是偷偷讓手下的姑娘去找警長。
沒過多久,警長就找上了門。
凱茜原本準備繼續編故事,可警長根本不給他機會,
因爲他已經看過了凱茜和亞當的結婚照,早就知道他是誰。
但警長並沒有逮捕凱茜,因爲他也有自己的算盤。他的兒子是個老嫖客,
經常來找凱茜,但他知道凱茜有多危險,所以他告訴凱茜,
兒子再來找他的時候,就打發他去找妓院裏的另一個女孩。
從這天開始,凱茜正式在妓院裏落了腳,並很快贏得了
其他姑娘和客人的喜歡,甚至連費伊也越來越欣賞這個新人。
而凱茜很快發現妓院的管理實在太混亂,
所以她主動提出幫費伊處理雜事,
包括洗衣服、買東西、算賬、接待客人等等。
原本一團亂麻的妓院竟然在他手裏變得井井有條,
而最重要的是收入更是增加了不少。
費伊也越來越信任凱茜,覺得自己終於找到了一個幫自己管理妓院的人。
可凱茜真正厲害的地方從來不是賺錢,而是看人。
他知道每個人想要什麼,也知道每個人怕什麼,
然後把這些東西變成控制對方的工具。
而一個名叫愛麗絲的姑娘就是第一個被她真正保護的人。
一天晚上,凱茜聽到愛麗絲在悄悄哭泣,因爲有個客人對她使用了暴力。
凱茜沒有像其他人一樣勸她忍一忍,
反而給她講了愛麗絲夢遊仙境的故事。第二天晚上,
那個男人再次來到妓院,他完全沒有想到凱茜會主動找上門。
Would you rather beat me until I
call you father? From this day起,
姑娘們開始真正相信凱茜,因爲這個女人似乎真的願意保護她們。
但沒有人知道凱茜保護別人從來不是單純因爲善良,她只是很清楚,
只有讓別人相信自己,自己才能真正控制這個地方。時間轉眼過去一年,
費伊已經越來越依賴凱茜,甚至開始把她當成自己的女兒。
他不希望凱茜一直接客,而是提出讓她真正管理這家妓院。
但凱茜卻拒絕了,說自己必須繼續工作。
而費伊並不知道,他已經一步一步掉進了凱茜設計好的陷阱。
因爲凱茜真正想要的不是管理妓院,而是擁有妓院。
凱茜在姑娘們面前散播了一個消息,
說費伊的身體越來越差,可能撐不了多久了。
而大家也都知道,如果費伊死了,這家妓院會落在誰的手裏。
這天夜裏,費伊突然邀請凱茜共進晚餐,凱茜則拿出一塊懷錶送給費伊,
這是亞當送給他的。可他卻告訴費伊,這是母親留給他的遺物。
費伊根本不知道這個禮物背後藏着一段死去的婚姻。而作爲回報,
費伊拿出了一個紅木盒子,裏面裝着一份剛剛公證過的遺囑。
他將名下超過六萬美元的鉅額資產以及這家日進斗金的妓院全部留給了
凱茜。My girl, I have no kin,
and if I did, who would know?
Do you think you were the
only one with secrets?
凱茜終於露出笑容,可這個笑容怎麼看都讓人覺得不對勁,
因爲他想要的東西終於自己送上門了。兩人喝了很多酒,費伊漸漸醉了,
而凱茜也裝出醉醺醺的樣子,不停給費伊灌酒,直到不省人事。
I'll show you how to run
a real whorehouse, mother.
These sluts they come here and
dump their future little loves.
第二天,費伊從宿醉中醒來,他完全忘了昨晚發生了什麼,
以爲自己只是做了一個噩夢,甚至邀請凱茜一起去歐洲,
表示只要他願意,以後完全可以離開妓院。
凱茜表面上答應,甚至承諾以後不會再接客,
而其他姑娘已經知道費伊已經把所有東西都留給了凱茜,
所以對他產生了敵意。但凱茜根本不在乎,她已經開始準備接管一切,
而她心裏也很清楚,只要費伊還活着一天,這份遺囑就隨時可能作廢。
他必須讓費伊順理成章的病死。於是,一場精心策劃的慢性謀殺開始了。
凱茜趁着去診所拿藥的機會,偷偷撬開門鎖。
他先是翻看醫書,然後在藥房裏偷走了幾種藥,其中包括顛茄和參。
從這天起,凱茜將藥物偷偷滴入費伊的飲食中,先導致胃部不適,
牽引發劇烈頭痛、癲癇,帶來無法忍受的噁心。在不知不覺中,
費伊的身體每況愈下,所有人都以爲他只是普通的消化不良和心臟衰竭。
爲了徹底撇清嫌疑,凱茜策劃了一場天衣無縫的意外。
趁着週末廚師休息,凱茜親自下廚做了一道動過手腳的四季豆。
爲了讓這場戲演得逼真,凱茜甚至自己也吃下了一些。
沒過多久,兩個人同時出現嘔吐的症狀。當醫生趕到時,
費伊已經生命垂危,而醫生判斷這是罐頭食品引發的肉毒桿菌中毒。
經過治療,凱茜的身體慢慢恢復,可費伊的情況越來越嚴重。
晚上,凱茜一個人來到費伊的房間,
安靜地看着這個曾經幫助過自己的女人,然後親手送她上路。
做完這一切,凱茜在院子裏挖了一個坑,將那些藥瓶全部埋了,
然後把泥土踩平,彷彿什麼都沒有發生過。
第二天一早,凱茜抱着費伊的屍體,哭得撕心裂肺。
其他姑娘聽到聲音後衝進來,看到的是一個正在失去母親的可憐女人。
沒有人懷疑她,也沒有人會聯想到這一切根本不是意外。
一九零二年,凱茜終於得到了她想要的一切,並開始擴建這家妓院。
工人問他房子準備刷什麼顏色。 Paint it black.
Paint it all black. 時間來到十年後,
亞當的兩個兒子已經慢慢長大,兄弟倆的性格也越來越明顯。
亞倫陽光開朗,在學校裏幾乎所有人都喜歡他。
卡爾卻完全不同,他聰明敏感,反應快,而且非常會觀察別人,
有時候甚至讓人覺得有些難以捉摸。兩個孩子雖然是雙胞胎,
但性格卻越來越像兩個極端,一個像陽光,一個像隱藏在陰影裏的影子。
換句話說,亞倫像父親,卡爾卻越來越像那個已經消失的母親。
而真正陪伴兩個孩子長大的,其實並不是亞當,而是老李。
開槍離開之後,亞當一直沉浸在自己的世界裏。
老李承擔起了照顧兩個孩子的責任,在他們心裏,
老李早就不是一個管家,更像是這個家的另一位父親。
這天,農場迎來了幾位客人,
培根夫婦帶着他們的女兒艾布拉來到了亞當的農場。
他們原本只是路過,因爲突然下雨,汽車無法繼續前進,
所以暫時來到這裏避雨。培根先生很快發現亞當的農場非常大,
而且環境也很好,但亞當根本沒有認真經營。亞當也很坦誠,
說自己繼承了一大筆財富,所以並沒有太大的動力去賺錢。
說白了,亞當就是一個擁有很多資源卻不太懂得利用的人。
與此同時,培根的女兒艾布拉正在和雙胞胎玩耍。
這個女孩的出現也給兩個孩子的生活帶來了變化。
卡爾突然說自己知道一個祕密,
他在鎮上的郵局聽到別人說他們的母親根本沒死,只是拋棄了他們跑了。
而對於亞倫來說,這個消息對他來說太殘酷了,
因爲亞倫一直相信母親已經死了,甚至在心裏幻想過母親的樣子。
可卡爾卻告訴他母親是主動離開的。對於一個孩子來說,
這可比失去要痛苦的多,因爲死亡代表無奈,但離開代表選擇。
亞倫哪裏受得了這種刺激?他不相信父親會說謊,
更不願接受自己被拋棄的事實,當場發瘋似的和卡爾扭打在一起。
可打歸打,兩個孩子還是會抱團取暖。You know
that starlight made me look.
他說那是她的母親。
And she would love us as long
as that light was there.
This day,老爺子塞米爾趕來道別,因爲他要搬去和女兒同住。
他希望亞當能振作起來。
孩子們已經沒有了母親,難道還要讓他們失去父親嗎?
臨走前,塞米爾又下了一劑猛藥。
他告訴亞當,凱茜還活着,而且還在附近的鎮上開了一家妓院。
She runs the most vicious
and depraved in this whole end
of the country. 十年來,
亞當一直認爲凱茜已經消失,可現在他卻突然出現,
而且活成了一個完全陌生的人。他決定去找凱茜,
因爲他想知道凱茜當年爲什麼要離開,爲什麼要拋棄孩子。
可這一拖就拖了半年,直到來鎮上參加塞米爾的葬禮,
亞當才終於來到凱茜的妓院。
如今的凱茜早已不再是那個需要別人保護的女人,
而是一個讓別人害怕的人。
I want to understand
the woman that I love.
You didn't love me. I loved
you more than anything.
How can you love someone
you barely even know?凱茜說出了
那個把老師逼到自殺的祕密。她告訴亞當自己經歷過很多痛苦,
也正因爲這些經歷,她學會了一件事,那就是不要相信任何人。
所以她選擇控制別人,掌握別人的祕密,讓自己永遠處於主動位置。
緊接着,凱茜拿出一堆照片,向亞當炫耀自己的戰利品。
這些照片裏有議員,有法官,有教授,
這些平日裏道貌岸然的大人物全都有把柄捏在她的手裏。
而爲了讓亞當徹底死心,凱茜直接爆出了那個驚天祕密。
I may be their mother, yes, but.
你怎麼知道你是父親?
How many times did I let
you come close enough
for us to have children?
Adam徹底被擊垮了,因爲卡爾和亞倫一直是他人生裏最後的希望,
可連這個希望都開始動搖了。回到家,亞當反而感覺輕鬆了一些,
因爲過去十年他一直困在凱茜留下的陰影裏。現在至少他知道了真相。
他告訴兩個孩子,他們可以搬到城裏去住,重新開始生活。
可真正的問題並沒有解決。
老李再次提醒亞當,孩子必須知道母親的事情,
因爲他們已經不是小孩子了,他們需要面對真實的人生。
但亞當依舊猶豫。搬到城裏之後,亞當買了一輛敞篷跑車,
準備帶着孩子們去感受新世界的風。
他還鼓起勇氣給弟弟查爾斯寄了一封信,邀請他搬來同住。
可就在日子慢慢好起來的時候,老李卻突然決定離開。
這些年,他一直把這裏當成自己的家。
可是他突然意識到自己不能永遠停留在這裏。
他想去舊金山開一家自己的書店,尋找屬於自己的生活。
亞當雖然萬般不捨,但還是尊重了老李的決定。
可外面的世界並沒有老李想象的那麼美好。
曾經熟悉的唐人街早就被大火吞噬,舊時也杳無音信。
他曾經以爲自己想要的是自由,但真正離開以後,
他才發現自己早已經把那個家庭當成了自己的歸宿。
與此同時,亞當收到了一封信,但並不是查爾斯寄來的,
因爲那個和他糾纏了一輩子的弟弟已經去世。
查爾斯留下了一筆鉅額遺產,希望由亞當和凱茜共同繼承。
看到這個消息,亞當終於忍不住流下眼淚,
因爲這個名字代表了他生命裏太多無法釋懷的東西:
父親的偏愛、兄弟之間的競爭,還有那個毀掉家庭的女人。
不久後,凱茜收到一封信,信封裏是一張照片,
正是當年三人的家庭合照,也是被他親手放棄的人生。
另一邊,老李滿懷期待的站在舊金山的街頭,
他本想在這裏買下一間鋪面,開一家夢想中的書店,
可中介卻用充滿歧視的眼神告訴他,舊金山不歡迎華人買房。
在同鄉的勸導下,老李終於明白了一個殘忍的真相,
他唯一能找到歸屬感的地方,竟然是那個屬於別人的家。
所以,他再次回到了亞當的家裏,並向他提出了重返家庭的條件。
他不僅要掌心,更要獲得對這個家的掌控權,
因爲在這個家裏,他纔是那個真正在撫養孩子的人。
I've never been so kind
in my life.轉眼間又是五年過去了,
卡爾和亞倫已經長大成人,而亞當竟然開始了一場瘋狂的商業冒險。
他偶然發現,如果用碎冰和蠟紙把生菜包裹起來,就能保鮮好幾個星期。
在那個冬天幾乎見不到新鮮蔬菜的年代,這絕對是個改變世界的點子。
他決定盤下鎮上的製冰廠,把當地的生菜運到紐約去賣。
他和鎮上的商人威爾商量了這件事,可威爾卻毫不客氣的潑了冷水。
他警告亞當,天氣、火車、市場有太多不可控的變量。
在戰爭即將來臨的年代,能填飽肚子的幹豆子纔是硬通貨,
而這些東西根本不需要冰塊保鮮。可固執的亞當根本聽不進去。
他包下了一整列火車,在鎮上舉辦了聖誕開業儀式。
在衆人的歡呼聲中,他彷彿已經看到了自己成爲商業大亨的輝煌未來。
可他不知道的是,這場美夢很快就會變成一場徹頭徹尾的災難。
卡爾看着父親在生意上大展拳腳,也想出一份力。
他提議讓自己來打理自家的農場,不僅能省下成本,還能賺得更多。
可亞當不僅當面拒絕,還嘲諷卡爾一無是處,毫無責任感。
被父親全盤否定的卡爾像個遊魂一樣在夜裏的街頭遊蕩,
在一個老嫖客的指引下,他走進了鎮上最臭名昭著的妓院,很快就認出了
臺上的老闆正是他的母親凱茜,因爲他看到過父親和母親的結婚照。
而凱茜也注意到了卡爾的眼神,但他卻無暇顧及,
因爲一個被他趕走的姑娘突然找上了門,
手裏還拿着他曾經埋在土裏的藥瓶。
女人開出每個月一百萬美元的封口費,凱茜表面上不動聲色,
痛快的給了錢,可轉過頭,他就利用自己手裏掌握的官員黑料買通了
法官,直接給這個女人扣上一個偷竊的罪名,強行把她驅逐出境。
這就是凱茜的生存法則,絕不受任何人的威脅。
可殺了人終究是要付出代價的,雖然解決了麻煩,
但凱茜的神經卻徹底崩潰了,他開始變得極度怕光,
整天把自己關在拉滿窗簾的房間裏。
而更可怕的是,他還出現了嚴重的幻聽,
費伊的聲音像詛咒一樣,每分每秒都在他的耳邊迴盪。
爲了壓制這種恐懼,凱茜只能靠大劑量的藥物和毒品來麻痹自己。
他以爲自己掌控了一切,卻不知道自己已經變成了一個徹頭徹尾的瘋子。
另一邊,亞當的冷藏列車正式發車,
可卡爾卻發現冰廠存在一些問題,並提出了一些改進建議。
然而亞當並沒有接受,甚至覺得卡爾只是年輕氣盛,
根本不知道做生意有多難。這讓卡爾非常失落,
因爲他突然發現無論自己做什麼,父親好像永遠看不到自己的價值。
當天夜裏,卡爾因爲心裏憋悶跑去賭場賭博,結果被警察抓了個正着。
亞當把兒子保釋回家,原以爲會遭到一頓毒打,
可亞當卻向兒子袒露了自己童年的創傷。
他承認自己就像自己的父親一樣,沒有把卡爾當成一個獨立的人。
看着脆弱的父親,卡爾的眼眶紅了。他坦白自己心裏雖然藏着惡意,
但他真的想成爲一個好人,想保護這個家。
第二天,卡爾告訴老李,他見到了自己的母親。
老李慢慢坐到卡爾身旁,把過去的一切都告訴了卡爾。
直到這一刻,卡爾終於明白
自己的性格到底是隨了誰。
It will be you, doesn't it?
卡爾決定親自去見凱茜,他想知道這個女人爲什麼要拋棄自己和亞倫,
更想知道自己到底是不是也像她一樣。
他一路跟蹤凱茜,直到凱茜發現他。
而凱茜再次看到卡爾的時候,也明顯愣住了。
面對親生兒子,凱茜沒有表現出任何後悔。
她告訴卡爾,自己從來不適合那個家庭。
她不想成爲一個妻子,也不想成爲一個母親。
她想要的是自由,而不是被家庭束縛。
可對於卡爾來說,這些話更加殘忍,因爲他最想聽到的不是解釋,
而是一句我當年爲什麼沒有選擇你。
回到家,卡爾像什麼事兒都沒發生過一樣,熱情地給了老李一個擁抱。
而就在這時,亞當回了家,並帶來了一個非常不好的消息。
因爲雪崩封山和調度失誤,他的生菜冷鏈列車在半路上停滯了足足七天。
等到達紐約時,整整一列火車的生菜已經變成了一堆散發着惡臭的爛泥。
亞當不僅沒賺到一分錢,反而賠了個底朝天。
看着父親瞬間蒼老的面容,卡爾再次想幫助父親,
認爲只要自己賺到錢,就能證明自己,也能讓父親重新站起來。
而促使這一切發生的還有另一個原因:
亞倫和培根夫婦的女兒艾布拉關係越來越親密。
兩個人一起成長,一起學習,彼此之間產生了感情。
在所有人眼裏,亞倫似乎擁有一個完美人生,
優秀的成績,深愛他的父親,還有喜歡他的女孩。
而這一切,在卡爾眼裏就像是一種諷刺,
因爲他覺得自己努力了這麼多年,卻永遠比不上弟弟。
所以,他偷偷找到老李,借走了他攢了一輩子的五千美元,
然後找到了商人威爾,提出了一個極其大膽的計劃:趁着現在價格低廉,
用這五千美元作爲保證金,大量囤積幹豆子。因爲卡爾敏銳地察覺到,
戰爭馬上就要全面爆發,到時候豆子的價格絕對會翻上好幾倍。
他做這一切不是爲了證明自己有多聰明,
他只是想把父親失去的錢全都賺回來,買回父親的一個微笑。
不僅如此,他還向亞倫承諾,自己一定會賺到錢,供他去上最好的大學。
卡爾雖然繼承了母親的黑暗,
但他卻用自己的雙手死死抓住了屬於父親的那一抹光明。
時間來到第一次世界大戰時期,此刻的凱茜已經徹底陷入精神崩潰。
他每天對着空氣自言自語,總覺得查爾斯就站在自己身後,
把他的祕密一個接一個全都說了出來。而亞當進了當地的徵兵委員會,
看着這些朝氣蓬勃的年輕人被送上戰場,他的內心備受煎熬,
生怕自己批准服役的男孩死在戰場上。亞倫順利通過了大學入學考試,
即將前往斯坦福深造,和女友艾布拉的關係也是越來越好。
而卡爾依然瞞着父親,每天都在忙着他的幹豆子生意。
但亞倫並沒有告訴父親上大學的消息,亞當還是從老李口中得知的,這讓
卡爾非常生氣。 In the last one to know,
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
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father, you made him
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once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
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once. In Aaron's view, father,
you made him be the last one
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upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
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once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
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once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
I don't know why you're upset.
You get to be the good son for
once. In Aaron's view, father,
you made him be the last one
to know. I don't know why you're
upset. You get to be the good
son for once. In Aaron's view,
father, you made him
be the last one to know.
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你瘋了。
I don't think I am.凱茜的日子卻沒有那麼好過。
她曾經犯下的過錯開始反噬,手下的馬仔不僅貪污,
還陽奉陰違,讓習慣了掌控一切的凱茜感到了深深的恐懼。
她就像一隻躲在陰溝裏的老鼠,生怕哪天就被人反咬一口。
不僅如此,凱茜依然會看到查爾斯,每天只能靠嗎啡度日。
You know that you're talking
to yourself, don't you?
不久後,感恩節到了。
亞倫從大學回家,而全劇最讓人心碎的名場面也正式上演。
餐桌上,卡爾拿出了一個紅色的信封,裏面是一萬五千美金。
這都是他利用戰爭爆發倒賣豆子賺來的血汗錢。
卡爾挺直了腰板,眼神裏閃爍着期待,就像一個終於考了滿分,眼巴巴
等着家長誇獎的小孩。How did you get this?
我成功了。
For you to make up for the
lettuce. Reality狠狠給了卡爾一個巴掌。
亞當知道錢的來源後,不僅沒有高興,
反而覺得這筆錢散發着令人作嘔的血腥味兒。
這樣的財富不是什麼值得驕傲的東西,而更讓卡爾崩潰的是,
亞當再一次拿他和亞倫做了對比。If you
wanted to give me a present.
Live a good life.一切彷彿歷史重演,
亞當終於活成了自己的父親。
Live a good life.一切彷彿歷史重演,
亞當終於活成了自己的父親。現在他又把這份偏愛給了亞倫。
至於卡爾,無論他多麼努力,卻依然得不到認可。
而卡爾也終於明白,自己永遠無法成爲父親眼中的那個好兒子,
所以他心底的那根弦徹底斷了。
在憤怒和痛苦中,卡爾做出了一個錯誤決定。
他帶着亞倫去見了他們的母親。
他想讓亞倫知道,他心中的那個完美世界根本不存在。
那個他一直幻想的母親,其實就是一個傷害過他們的人。
可是卡爾沒有想到,亞倫承受真相的能力遠遠沒有他想象中那麼強大。
當亞倫看到凱茜的時候,整個人都崩潰了。
因爲眼前這個女人和自己幻想中的母親完全不同。
他無法接受母親還活着,卻從來沒有尋找過他們。更無法接受母親變成了
現在這個樣子。 Goodbye, mother.
第二天,凱茜在嗎啡的作用下回憶起小時候看過的《愛麗絲夢遊仙境》,
幻想着只要喝下那瓶神奇的藥水就能變小,小到壞人再也找不到她。
她吞下了過量的嗎啡,在瀕死的幻覺裏,壁爐中爬出了一個小女孩,
那是童年時的凱茜。凱茜抱着小女孩,終於露出了釋懷的微笑。
這個讓所有人痛苦了一輩子的毒婦就這樣詭異的下線了。
而卡爾這次報復的代價是整個家族的毀滅。
受到巨大打擊之後,亞倫虛報了年齡,直接報名參軍,
被送上了法國的絞肉機戰場。得知消息的亞當急火攻心,當場中風。
卡爾終於意識到自己做了一件無法挽回的事情。
他本來只是想讓亞倫痛苦,讓父親知道自己這些年的委屈,
可是他沒有想到自己推倒的是弟弟人生最後的支柱。
而另一邊,警長在搜查妓院時發現了凱茜留下的遺囑,
他竟然把所有的髒錢和這家妓院全部留給了亞倫,
這就像是一個跨越生死的巨大嘲諷。在亞倫上戰場的時候,
卡爾卻和艾布拉越走越近,這簡直就是一個被詛咒的家庭。
幾個月後,前線發來電報,亞倫死在了戰場上。
亞當無法接受這個噩耗,再次中風,生命即將走到盡頭。
卡爾也陷入了無盡的自我厭惡中。
他曾經害怕自己像母親一樣冷酷,可爲了證明自己,
他傷害了最親近的人,不僅毀掉了弟弟,也傷害了父親。
在這萬念俱灰的時刻,一直默默守護這個家的老李成了最後的破局人。
他強行拉着卡爾來到了瀕死的亞當牀前。
Give your only son your
blessing.看着滿眼恐懼與愧疚的卡爾,
亞當的眼神終於變得柔軟。
他用盡生命中最後的一絲力氣,艱難的從喉嚨裏擠出了一個詞:天赦爾。
在希伯來語中,天赦爾的意思是你可以選擇。
這是亞當留給兒子最後的,也是最偉大的遺產。
他是在告訴卡爾,你不需要活在母親邪惡基因的陰影下,
也不需要爲弟弟的死揹負一輩子的枷鎖。
你是自由的,你有權利,也有能力去選擇成爲一個好人。
人的這一生,或許無法選擇出生在什麼樣的家庭,
也無法選擇遇見什麼樣的人,更無法抹掉那些已經發生過的傷害。
但我們可以選擇自己究竟要成爲什麼樣的人。
查爾斯把父親的偏愛變成了恨,凱茜把自己的痛苦變成了傷害。
亞當一輩子都在渴望被父親認可,而到了卡爾和亞倫這一代,
他們同樣繼承了上一代留下的傷痕。
但相似的考題,卻從來沒有規定必須交出相同的答案。
卡爾可以選擇嫉妒,也可以選擇改變;
亞倫可以選擇逃避,也可以選擇面對。
無論過去發生過什麼,我們始終擁有重新選擇的機會。
人這一生最大的自由,不是想做什麼就做什麼,
而是在命運已經把牌發到你手裏的時候,依然可以決定自己怎麼打。
