📍Turin, Reggia Di Venaria, Galleria Grande: the baroque triumphal procession of light. Who stands here, understands: This gallery is not a mere connection corridor. It is a monument of the claim. A space built from proportion, luminosity and sophistication – and from a vision. 👑 Remodeled in 1716 by Filippo Juvarra for the Savoy court, it once connected the apartments of King Carlo Emanuele III with those of his son. But Juvarra thought further: He created a corridor 73 meters long and 15 meters high, which not only allowed two rooms, but two generations to merge with each other. 🪞Oval windows flood the gallery with daylight, which dances to the plastered angel figures, shells and scenes of triumph. A room with almost no shadow – and yet full of depth. ⚫️⚪️ The chessboard floor, reconstructed according to Juvarra’s original plans from 1720, reinforces the flight effect into infinity. This is where architecture begins to sing. 🎖️ And like a baroque final chord, each end of the gal
📍Turin, Reggia Di Venaria, Galleria Grande: the baroque triumphal procession of light. Who stands here, understands: This gallery is not a mere connection corridor. It is a monument of the claim. A space built from proportion, luminosity and sophistication – and from a vision. 👑 Remodeled in 1716 by Filippo Juvarra for the Savoy court, it once connected the apartments of King Carlo Emanuele III with those of his son. But Juvarra thought further: He created a corridor 73 meters long and 15 meters high, which not only allowed two rooms, but two generations to merge with each other. 🪞Oval windows flood the gallery with daylight, which dances to the plastered angel figures, shells and scenes of triumph. A room with almost no shadow – and yet full of depth. ⚫️⚪️ The chessboard floor, reconstructed according to Juvarra’s original plans from 1720, reinforces the flight effect into infinity. This is where architecture begins to sing. 🎖️ And like a baroque final chord, each end of the gal