Walking through Kyoto’s majestic ancient temples, narrow streets, and carefully maintained gardens, visitors can still find traces of a civilization that crossed the sea from China more than a millennium ago. The influence can be seen in the city’s layout, architecture, Buddhist traditions, use of Chinese characters and ideas surrounding ritual, aesthetics, and social order.

When Japan moved its capital to Heian-kyō, the predecessor of modern Kyoto, in 794, the city was designed in part around models developed in China during the Sui and Tang dynasties. Suzaku Avenue formed its central axis, the imperial palace stood to the north, and the city unfolded in a highly ordered grid.

Its eastern and western districts even borrowed the names of China’s ancient capitals, Luoyang and Chang’an. Over time, the eastern section became the more prosperous part of the city, and “Luoyang” itself became another name for Kyoto. Japanese expressions such as Jōraku, Rakuchū and Rakugai preserve that connection today.

Influences from Tang China

For Japan, Tang-era China represented far more than a neighboring state. At its height, Chang’an was among the largest and most cosmopolitan cities in the world, drawing merchants, diplomats, monks, and scholars from across Central, South, and West Asia. Luoyang likewise served as a major political and cultural center, filled with palaces, temples, markets and workshops where Buddhism, literature, painting, music, and architecture flourished for hundreds of years.

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Japanese envoys crossed the sea to study this civilization directly. They returned not merely with books, but with writing systems, legal and administrative ideas, Buddhism, architecture, urban planning, clothing, music, painting and elements of ritual and everyday life. Over generations, those influences were absorbed into Japan and reshaped according to local traditions.

Kyoto became one of the clearest places where that cultural transmission endured: Ancient temples still stand, while traditional gardens remain carefully maintained. Tea ceremony, calligraphy, kimono, and craft traditions continue to be practiced, honed, and passed down among generations.

Though individual buildings may have been restored and objects replaced over time, much of the cultural environment surrounding them survived. Visitors therefore encounter more than preserved monuments. They encounter traditions that remain part of daily cultural life.

The cultural losses of the Cultural Revolution

That continuity also creates a difficult contrast. Many of the cultural forms once transmitted from China survived in Japan while their counterparts on the mainland were damaged, lost or severed from the communities that had sustained them. Chang’an and Luoyang were once monumental centers of imperial China, but much of their Tang-era urban fabric survives today primarily through ruins, archaeological remains and historical reconstruction.

Some losses came through war, fire, political upheaval, and the passage of time. Others were the result of deliberate political campaigns. During the Cultural Revolution, launched by Chinese Communist Party (CCP) leader Mao Zedong, authorities carried out the “Destroy the Four Olds” campaign targeting what the Party labeled old ideas, culture, customs, and habits.

Hundreds of ancient temples, ancestral halls, historic buildings, inscriptions, books, and other cultural artifacts were destroyed, while religious practices, traditional customs, and long-standing social institutions came under sustained attack. The brutal campaign also unleashed a decade of political persecution and upheaval that subjected millions of people to persecution, imprisonment, and public humiliation.

Preserving a lost culture

The damage extended beyond physical objects. When an ancestral hall disappeared, so too could the family histories and rituals associated with it. When temples were destroyed, religious, artistic and community traditions built over centuries were disrupted. When books and records were burned, pieces of historical memory vanished with them.

But traditional culture is not preserved by architecture alone. It survives through communities, habits, rituals and ways of life transmitted from one generation to the next. Buildings can be reconstructed and objects reproduced, but once a living cultural environment is dismantled, restoring it in its original form becomes far more difficult.

Original article