The French film star whose image defined an era and whose later activism reshaped her public legacy died Sunday at her home in southern France, according to her foundation.

By yourNEWS Media Newsroom

Brigitte Bardot, the French actress who rose to global fame in the 1950s and 1960s as one of cinema’s most enduring sex symbols before reinventing herself as a militant animal rights activist, has died. She was 91.

Bruno Jacquelin, a representative of the Brigitte Bardot Foundation for the protection of animals, confirmed her death Sunday to The Associated Press, saying she died at her home in southern France. He declined to provide a cause of death and said no funeral or memorial arrangements had yet been announced. Bardot had been hospitalized last month.

Bardot became an international sensation in 1956 with her breakthrough role in And God Created Woman, directed by her then-husband Roger Vadim. Cast as a teenage bride whose uninhibited sexuality defied social norms, Bardot sparked scandal with scenes that challenged postwar moral conventions and helped usher in a new era of cinematic sensuality.

Over a film career spanning roughly three decades, 28 movies, and three marriages, Bardot came to embody a France shedding bourgeois restraint. Her tousled blond hair, voluptuous figure, and defiant pout made her one of the most recognizable faces of the 20th century. Her influence was so widespread that in 1969 her likeness was chosen as the model for “Marianne,” the female symbol of the French Republic, appearing on statues, stamps, and coins.

While her acting talent was often overshadowed by her physical image, Bardot later spoke candidly about her discomfort with the industry and the way she was treated early in her career. She said she struggled under the weight of fame and resented being reduced to an object of desire.

After retiring from filmmaking at age 39 in 1973, Bardot withdrew from public life and reemerged years later with a dramatically different mission. She devoted herself entirely to animal rights activism, selling personal belongings to fund what would become the Brigitte Bardot Foundation. Her campaigns took her from Europe to the Arctic, where she protested the killing of baby seals, and extended to opposition against animal testing, the use of animals in entertainment, and the exploitation of wildlife worldwide.

“Man is an insatiable predator,” Bardot told the Associated Press on her 73rd birthday in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

Her activism initially earned widespread admiration in France, and in 1985 she was awarded the Legion of Honor. Over time, however, her rhetoric grew increasingly polarizing. Bardot became associated with far-right politics and was repeatedly convicted in French courts for inciting racial hatred, particularly over her denunciations of Muslim ritual animal slaughter practices.

Her fourth marriage, in 1992, to Bernard d’Ormale, a former adviser to National Front founder Jean-Marie Le Pen, further cemented her political shift. She later publicly supported Marine Le Pen’s presidential bid and continued to generate controversy with outspoken views on immigration, feminism, and the #MeToo movement.

Born Brigitte Anne-Marie Bardot on Sept. 28, 1934, to a wealthy Parisian family, she studied classical ballet as a child and was discovered as a teenager after appearing on the cover of Elle magazine. She later described her upbringing as strict and emotionally difficult.

Bardot’s personal life was marked by instability and depression. She attempted suicide following relentless media intrusion after the birth of her only child, Nicolas, in 1960. She later acknowledged she was unprepared for motherhood and gave custody to the child’s father, actor Jacques Charrier.

Despite her struggles, Bardot’s cinematic legacy endured. Her films, including The Truth, Private Life, Contempt, and Shalako, became emblematic of an era defined by sexual liberation and celebrity culture, even as Bardot herself retreated from the spotlight.

In later years, she said she identified with the animals she sought to protect, drawing parallels between their vulnerability and her own experiences with relentless public scrutiny.

“I can understand hunted animals because of the way I was treated,” Bardot once said. “What happened to me was inhuman. I was constantly surrounded by the world press.”

Her death closes the chapter on a life that spanned two radically different public identities — one as a symbol of cinematic freedom, the other as an uncompromising advocate for animals — both of which left a lasting mark on French and global culture.

Original article