Andrea del Sarto An Italian Painter

Andrea del Sarto An Italian Painter

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Andrea del Sarto
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Andrea del Sarto An Italian Painter
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Andrea del Sarto (1486 - 1530) (or Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael.

It was Michelangelo who had introduced Vasari in 1524 to Andrea's studio. He is said to have thought very highly of Andrea's talents. Of those who initially followed his style in Florence, the most prominent would have been Jacopo Pontormo, but also Rosso Fiorentino, Francesco Salviati and Jacopino del Conte. Other lesser known assistants and pupils include Bernardo del Buda, Lamberto Lombardi, Nannuccio Fiorentino and Andrea Squazzella.[13]

Vasari, however, was highly critical of his teacher, alleging that, though having all the prerequisites of a great artist, he lacked ambition and that divine fire of inspiration which animated the works of his more famous contemporaries: Leonardo da Vinci, Michelangelo and Raphael.

On 21 November 1848, the play Andre del Sarto, by Alfred de Musset, premiered in Paris.

In 1968 the opera Andrea del Sarto by French composer Jean-Yves Daniel-Lesur was based on Alfred de Musset's 1848 play.

Andrea del Sarto selected works

Holy Family with St Peter Martyr (1507-1508, Pinacoteca di Bari)
Noli me tangere (c. 1510, Museo del Cenacolo di Andrea del Sarto, Florence)
Virgin, Child, Elizabeth and John the Baptist (c. 1513, National Gallery, London)
Portrait of the Artist's Wife (1513-1514, Museo del Prado, Madrid)
Nativity of the Virgin (1513-1514, Santissima Annunziata, Florence)
Madonna of the Harpies (Virgin and Child, with St Francis, St John the Evangelist, and two angels) (1517, painted at S. Francesco, now in Uffizi, Florence)
Charity (1518, Louvre, Paris)
Julius Caesar receives Tribute (c. 1520, fresco at Poggio a Caiano, Italy; completed by Alessandro Allori)
Virgin surrounded by Saints (Pitti Palace, Florence) [14]
Madonna della Scala (c. 1522-1523, Museo del Prado, Madrid)
Panciatichi Assumption (c. 1522-1523, Galleria Palatina, Pitti Palace, Florence)
Pietà (1523-1524, Galleria Palatina, Pitti Palace, Florence)
Passerini Assumption (1526, Galleria Palatina, Pitti Palace, Florence)
Last Supper (1511-1527, Museo del Cenacolo di Andrea del Sarto, Florence)
Fathers Disputing on the Doctrine of the Trinity (c. 1528, altarpiece for the monastery of San Gallo, now in the Uffizi, Florence)
Gambassi Altarpiece (c. 1528, Galleria Palatina, Pitti Palace, Florence)
Barberini Holy Family (c. 1528, Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome)
St. James with Two Youngs (c. 1528-1529, Uffizi, Florence)
Vallombrosa Polyptych (c. 1528-1529, Uffizi, Florence)
Holy Family with John the Baptist (c. 1529, Hermitage, St. Petersburg)
Borgherini Holy Family (c. 1529, Metropolitan Museum, New York)
Medici Holy Family (c. 1529, Galleria Palatina, Palazzo Pitti, Florence)
Madonna in Glory with Four Saints (1530, Galleria Palatina, Palazzo Pitti, Florence)