奧爾松·奇韋萊克·塔辛·阿爾斯蘭- R.史特勞斯 - 單簧管與巴鬆管二重奏協奏曲 Orçun Civelek&Tahsin Arslan - R.Strauss - Duet concertino for clarinet and bassoon

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Orçun Civelek&Tahsin Arslan - R.Strauss - Duet concertino for clarinet and bassoon
奧爾松·奇韋萊克·塔辛·阿爾斯蘭- R.史特勞斯 - 單簧管與巴鬆管二重奏協奏曲

85 views Nov 4, 2024
Rengim Gökmen, conductor
Orçun Civelek, clarinet
Tahsin Arslan, bassoon
İzmir Karsiyaka Chamber Orchestra
6 November 2017
85 瀏覽 2024 年 11 月 4 日
倫吉姆‧格克曼，指揮
奧爾桑·奇韋萊克，單簧管
塔辛‧阿爾斯蘭，巴鬆管
伊茲密爾卡爾西亞卡室內樂團
2017 年 11 月 6 日

I.Allegro Moderato 00:45
II.Andante 07:05
III.Rondo 10:09
一.快板 00:45
二、行板 07:05
三、迴旋曲 10:09

The Duet-Concertino for clarinet and bassoon, TrV 293, with string orchestra and harp in F major, was written by Richard Strauss in 1946/47 and premiered in 1948. It is the last purely instrumental work he wrote.
The first mention of the Duet-Concertino in Strauss's notebook is 15 December 1946 when he was in Baden, Switzerland. He mentioned working on it again in September 1947 when at Pontresina, finishing the score on 16 December 1947 when he was in Montreux. The impetus for completing it was a commission in the summer of 1947 from Otmar Nussio for his orchestra, the Orchestra della Svizzera Italiana. The concerto was written with an old friend in mind: Professor Hugo Burghauser, who had been the principal bassoonist with the Vienna Philharmonic but had since emigrated to New York. The score published by Boosey & Hawkes in 1949 has the dedication to Burghauser. Strauss had written to him in 1946:
F大調弦樂與豎琴的單簧管與巴鬆管二重奏協奏曲TrV 293由理查史特勞斯於1946/47創作，並於1948年首演。
史特勞斯的筆記本中第一次提到二重奏協奏曲是 1946 年 12 月 15 日，當時他在瑞士巴登。他提到 1947 年 9 月在蓬特雷西納時再次創作此曲，並於 1947 年 12 月 16 日在蒙特勒完成了配樂。完成作品的動力來自 1947 年夏天奧特瑪·努西奧 (Otmar Nussio) 為其管弦樂團意大利斯維澤拉管弦樂團 (Orchestra della Svizzera Italiana) 的委託。這首協奏曲是為一位老朋友而寫的：雨果·布格豪瑟教授，他曾是維也納愛樂樂團的首席巴鬆管演奏家，但後來移居紐約。 Boosey & Hawkes 於 1949 年出版的樂譜是獻給布格豪瑟的。 1946 年史特勞斯寫信給他.

The work is written in three movements (Allegro moderato – Andante – Rondo), although the second movement acts as little more than a brief transition between the outer movements. The dance-like third movement is very much in the spirit of his Oboe Concerto. David Hurwitz writes that "Works such as this are unique and have no true antecedents in the orchestral literature ... That Strauss wrote it at all is something miraculous." May relates the piece to a comment Strauss had made in his 1904 update on Berlioz' Treatise on Instrumentation, where he comments on a bassoon passage: "One can't help hearing the voice of an old man humming the melodies dearest to him when he was a youth"
作品由三個樂章組成（中板快板 - 行板 - 迴旋曲），儘管第二樂章只不過是外部樂章之間的短暫過渡。類似舞蹈的第三樂章非常符合他的雙簧管協奏曲的精神。大衛·赫維茨寫道：“諸如此類的作品是獨一無二的，在管弦樂文獻中沒有真正的前身……施特勞斯寫出它真是一個奇蹟。”梅將這首曲子與史特勞斯在1904 年對柏遼茲《樂器論》的更新中所做的評論聯繫起來，他在其中評論了巴鬆管段落：「當一個老人哼唱他最喜愛的旋律時，人們會情不自禁地聽到他的聲音。

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由 Onur Senler 提供給 YouTube