【4K🇨🇳】栩栩如生中國宋明羅漢，造像傑作，黑神話出鏡古剎，山東濟南靈岩寺千佛殿A lifelike Arhat from Song Dynasty and Ming Dynasty in CHINA

3:58 千佛殿內明代三身佛造像
7:41 千佛殿內羅漢造像
34:23 千佛殿內倒坐觀音造像
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靈巖寺位於中國山東省濟南市長清區萬德街道，位於泰山西北，現為世界自然與文化遺產泰山的重要組成部分。
靈巖寺建於東晉，於北魏孝明帝正興元年開始重建，至唐代達到鼎盛，有闢支塔、千佛殿等景觀。靈巖寺佛教底蘊豐厚，唐玄奘曾住在寺內翻譯經文，唐高宗以來的歷代皇帝到泰山封禪，也多到寺內參拜。
千佛殿，位於寺內，是靈巖寺中保持完好、規模最宏大的主體建築。為唐高僧慧崇所建，宋代擴建，唐宋時為大雄寶殿，千佛殿一名始見於宋慶歷年間（1042～10448年），張公亮《齊州景德靈岩禪寺記》：「千佛殿、般舟殿，闢支塔皆為古剎塔」。現存之殿為明嘉靖年間（1522～1156年）重建，梁間有「時大明萬歷十五年歲次丁亥九月初八日德府重修」的墨跡為記。千佛殿屹立於踏步11級高約2公尺的石基之上，殿面闊7間，進深4間，單簷廡殿頂，上蓋灰簡瓦和綠琉璃瓦，前簷8根石柱，雕刻精麗華美，柱週雕深凹入直櫺16條，至頂微微收分，簷下多棱石柱，彩繪鬥拱，簷下出「鋪作」鬥拱3跳，使該殿出挑疏朗宏大。殿雖經歷代重修，有些已非原物，但它仍保存著唐宋的風格。
千佛殿正中，置長方形石座，上有3尊大佛，中為毗盧遮那佛，傳為宋英宗治平年間（1064～1067年）僧惠在錢塘製造運來，是藤胎髹漆塑造，端坐在蓮花座上。東為藥師佛，建於明成化十三年（1477年）。西側為阿彌陀佛，建於明嘉靖二十二年（1543年）。這兩座佛像均為銅鑄。週壁有數以千計高30公分銅鑄或木質小佛（明代所置現存不足半數）。千佛殿由此得名。殿東西及後壁台座上有40尊羅漢泥塑，這些羅漢像是北宋宣和年間（1119～1125年）宋齊古施捨的，原列於魯班洞（在辟支塔東）上「十王殿」中，殿前有碑記之。清末移於千佛殿。每尊羅漢身高1～1.2米，泥塑羅漢身上的妝鑾月硃砂紅、黃丹、雄黃、石綠、大青、天藍、茄批紫等礦物質顏料塗飾，故永不退色。每個羅漢不同膚色、袈裟、袍袖、手帕、衣帶、纓穗以及花邊圖案等，設色非常和諧精當，與身份神態十分協調。服飾的細微也卓見天巧。每尊羅漢的神情狀貌喜怒哀樂俱形於色，無一雷同，擺脫了一般佛教塑像的固定形式。
Lingyan Temple is located in Wande Street, Changqing District, Jinan City, Shandong Province, China. It is located in the northwest of Mount Tai and is now an important part of the world's natural and cultural heritage Mount Tai.
Lingyan Temple was first built in the Eastern Jin Dynasty and began to be rebuilt in the first year of Zhengxing of Emperor Xiaoming of the Northern Wei Dynasty. It reached its peak in the Tang Dynasty, with landscapes such as Pizhi Pagoda and Thousand Buddha Hall. Lingyan Temple has a rich Buddhist heritage. Xuanzang of the Tang Dynasty once lived in the temple to translate scriptures. Emperors of all dynasties since Emperor Gaozong of the Tang Dynasty also visited the temple to worship when they went to Mount Tai.
Thousand Buddha Hall, located in the temple, is the main building in Lingyan Temple that is well preserved and the largest in scale. It was built by the Tang monk Hui Chong and expanded and renovated in the Song Dynasty. It was the Great Hall of the Buddha during the Tang and Song Dynasties. The name of Thousand Buddha Hall first appeared during the Qingli period of the Song Dynasty (1042-10448). Zhang Gongliang's "Records of Lingyan Zen Temple in Jingde, Qizhou": "Thousand Buddha Hall, Panzhou Hall, and Pizhi Pagoda are all ancient temple towers." The existing hall was rebuilt during the Jiajing period of the Ming Dynasty (1522-1156). There is a mark on the beams that reads "Rebuilt by the Defu on the eighth day of the ninth month of the 15th year of the Wanli reign of the Ming Dynasty". The Thousand Buddha Hall stands on a stone foundation with 11 steps and a height of about 2 meters. The hall is 7 bays wide and 4 bays deep. It has a single-eaved hip roof, covered with gray tiles and green glazed tiles. There are 8 stone pillars on the front eaves, which are exquisitely carved. There are 16 deep vertical lattices carved around the pillars, which are slightly narrowed at the top. There are multi-faceted stone pillars and painted brackets under the eaves. There are 3 "paving" brackets under the eaves, making the hall stand out and be spacious. Although the hall has been rebuilt for generations and some of them are no longer original, it still retains the style of the Tang and Song dynasties.
In the center of the Thousand Buddha Hall, there is a rectangular stone pedestal with three large Buddhas on it. The middle one is Vairocana Buddha, which is said to have been made and shipped from Qiantang by Monk Hui during the reign of Emperor Yingzong of Song (1064-1067). It is made of rattan and painted with lacquer, and sits on a lotus pedestal. To the east is Medicine Buddha, built in the 13th year of Chenghua in the Ming Dynasty (1477). To the west is Amitabha Buddha, built in the 22nd year of Jiajing in the Ming Dynasty (1543). Both Buddha statues are cast in bronze. There are thousands of small Buddha statues 30 cm high cast in bronze or wood on the walls around the hall (less than half of those placed in the Ming Dynasty are still in existence). The Thousand Buddha Hall got its name from this. There are 40 clay sculptures of Arhats on the pedestals on the east and west walls and the back wall of the hall. These Arhats were donated by Song Qi Gu during the Xuanhe period of the Northern Song Dynasty (1119-1125). They were originally listed in the "Ten Kings Hall" on Luban Cave (east of the Pizhi Pagoda), and there is a stele in front of the hall. They were moved to the Thousand Buddha Hall in the late Qing Dynasty. Each arhat is 1 to 1.2 meters tall.