
Camptown Races Stephen Foster 康城賽馬 康城赛马 薩克斯風 サクソフォーン Play-Along accompaniment【Kero MyPlay Saxophone】
【Kero MyPlay Saxophone】
Camptown Races Stephen Foster 康城賽馬 康城赛马
Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment
#Kero #薩克斯風 #康城賽馬 #Stephen #Foster #Camptown #Races
🔥訂閱Subscribe: https://www.youtube.com/channel/UCXwExSLMSpQUiFijSujdZiA?sub_confirmation=1
Source: https://www.youtube.com/watch?v=161_voFBAJQ&ab_channel=TheVictorianChinese
----- Camptown Races
De Camptown ladies sing dis song, Doo-dah! doo-dah!
De Camptown race-track five miles long, Oh, doo-dah day!
I come down dah wid my hat caved in, Doo-dah! doo-dah!
I go back home wid a pocket full of tin, Oh, doo-dah day!
Gwine to run all night! Gwine to run all day!
I’ll bet my money on de bob-tail nag,
Somebody bet on de bay.
De long tail filly and de big black hoss, Doo-dah! doo-dah!
Dey fly de track and dey both cut across, Oh, doo-dah-day!
De blind hoss sticken in a big mud hole, Doo-dah! doo-dah!
Can’t touch bottom wid a ten foot pole, Oh, doo-dah-day!
Old muley cow come on to de track, Doo-dah! doo-dah!
De bob-tail fling her ober his back, Oh, doo-dah-day!
Den fly along like a rail-road car, Doo-dah! doo-dah!
Runnin’ a race wid a shootin’ star, Oh, doo-dah-day!
See dem flyin’ on a ten mile heat, Doo-dah doo-dah! R
ound de race track, den repeat, Oh, doo-dah-day!
I win my money on de bob-tail nag, Doo-dah! doo-dah!
I keep my money in an old tow-bag, Oh, doo-dah-day!
"**Gwine to Run All Night, or De Camptown Races**" (popularly known simply as "**Camptown Races**") is a minstrel song by Stephen Foster (1826–1864). It was published in February 1850 by F. D. Benteen of Baltimore, Maryland, and Benteen published a different version with guitar accompaniment in 1852 under the title "**The Celebrated Ethiopian Song/Camptown Races**". The song quickly entered the realm of popular Americana. Louis Moreau Gottschalk (1829–1869) quotes the melody in his virtuoso piano work Grotesque Fantasie, the Banjo, op. 15 published in 1855. In 1909, composer Charles Ives incorporated the tune and other vernacular American melodies into his orchestral Symphony No. 2.
