Dvorak B.9 Op.3 Symphony No.1 Bells of Zlonice 德弗札克 交響曲 第1號 茲洛尼采之鐘 ドヴォルザーク Score Sheet 譜 楽譜付き 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Dvorak B.9 Op.3 Symphony No.1 in C minor
The Bells of Zlonice
德弗札克 作品9 交響曲 第1號 C小調 茲洛尼采之鐘
德弗札克 作品9 交响曲 第1号 C小调 兹洛尼采之钟
Dvořák Sinfonía n.º 1 Op.3 en do menor Las campanas de Zlonice
ドヴォルザーク 交響曲 第1番 ズロニツェの鐘
Classical music Música clásica クラッシック 古典音樂 古典音乐
#kero #dvorak #Symphony
00:00 I Maestoso – Allegro
13:54 II Adagio di molto
28:53 III Allegretto Scherzo
32:58 Trio
38:49 IV Final Allegro animato
The **Symphony No. 1** in C minor, B. 9, subtitled _**The Bells of Zlonice**_ (Czech: _Zlonické zvony_), was composed by Antonín Dvořák during February and March 1865. It is written in the early Romantic style, inspired by the works of Ludwig van Beethoven and Felix Mendelssohn. Dvořák never heard or revised the symphony, because the completed work was lost during his lifetime. It premiered in 1936.
Dvořák submitted the score for a competition in Germany, but never saw it again, and always believed it was destroyed or irretrievably lost. He later included the work in a list of early compositions he claimed to have destroyed.
However, in 1882, an unrelated person named Dr. Rudolf Dvořák, a 22-year-old Oriental scholar, came across the score in a second-hand bookshop in Leipzig, and bought it. At that time the composer Dvořák was not widely known: although he had written six symphonies, only one of them (No. 6) had been published and only three of them (Nos. 3 , 5 and 6) had been performed. Rudolf Dvořák kept the score in his possession, telling nobody about it, not even the composer. He died 38 years later, in 1920, when it passed to his son. The son brought it to the attention of the musical world in 1923. Its authenticity was proven beyond doubt, but it did not receive its first performance until 4 October 1936 in Brno, and even then, in a somewhat edited form. The orchestra was conducted by Milan Sachs, who was a Czech but was most notable for his work in opera in Zagreb, Croatia (then part of Yugoslavia). Following the work's premiere, Hans Holländer wrote a review of the work. He noted that, although the writing was at times awkward, the orchestration was not. He noted that it seemed to be similar in style to Ludwig van Beethoven and Bedřich Smetana. The symphony was not published until 1961, and was the last of Dvořák's symphonies to be either performed or published. Unlike many other early compositions, Dvořák never had a chance to revise the symphony, and so it is "particularly interesting as a very early Dvořák orchestral score in pristine condition".
The title _The Bells of Zlonice_ does not appear in the score, although Dvořák is reputed to have referred to it this way in later years. While some argue that there is no programmatic content, it has been noted that several passages sound much like bells. It was originally conceived as a three-movement work, and the _Allegretto_ was added later. The 658-measure first movement, marked _Maestoso_ — _Allegro_, is, in the original version, the longest movement of all his symphonic works, owing to a 278-measure repeated exposition section comprising 44 score pages, thereby requiring just under 19 minutes to perform uncut.
The work is scored for two flutes (one doubling piccolo), two oboes (one doubling English horn), two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, and strings.