Beethoven Piano Sonata No.14 Op. 27-2 Moonlight 貝多芬 鋼琴 奏鳴曲 月光 ベートーヴェン ピアノ ソナタ Score Sheet 譜 谱 【Kero】

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Beethoven Piano Sonata No.14 Op.27 No.2 27-2 C sharp minor Moonlight
貝多芬 第14號 鋼琴 奏鳴曲 作品27-2 升C小調 月光
贝多芬 第14号 钢琴 奏鸣曲 作品27-2 升C小调 月光
Beethoven Sonata para piano n.º 14 en do sostenido menor Op. 27-2 Claro de luna Quasi una fantasia
ベートーヴェン ピアノソナタ 第14番 嬰ハ短調 作品27-2 幻想曲風 月光
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Beethoven #Sonata #Moonlight

00:00 I Adagio sostenuto
05:26 II Allegretto
07:37 III Presto agitato

《C♯小調第14號鋼琴奏鳴曲》，作品27之2，是路德維希·范·貝多芬於1801年在匈牙利創作的獨奏鋼琴作品，並於1802年題獻給貝多芬的學生裘莉塔·圭齊亞蒂（Giulietta Guicciardi）伯爵夫人。流行的別稱《月光奏鳴曲》（英語：Moonlight Sonata，德語：Mondscheinsonate）來自貝多芬去世後評論家的評論。該作品是貝多芬最受歡迎的鋼琴作品之一。

The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Giulietta Guicciardi.[b] The popular name Moonlight Sonata goes back to a critic's remark after Beethoven's death.
The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.

The first edition of the score is headed Sonata quasi una fantasia, the same title as that of its companion piece, Op. 27, No. 1. Grove Music Online translates the Italian title as "sonata in the manner of a fantasy". "The subtitle reminds listeners that the piece, although technically a sonata, is suggestive of a free-flowing, improvised fantasia."
The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name "Moonlight Sonata" ("Mondscheinsonate" in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name.
Many critics have objected to the subjective, romantic nature of the title "Moonlight", which has at times been called "a misleading approach to a movement with almost the character of a funeral march" and "absurd". Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title "harmless", remarking that "it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab", and adding, "what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten."
Although no direct testimony exists as to the specific reasons why Beethoven decided to title both the Op. 27 works as Sonata quasi una fantasia, it may be significant that the layout of the present work does not follow the traditional movement arrangement in the Classical period of fast–slow–[fast]–fast. Instead, the sonata possesses an end-weighted trajectory, with the rapid music held off until the third movement. In his analysis, German critic Paul Bekker states: "The opening sonata-allegro movement gave the work a definite character from the beginning... which succeeding movements could supplement but not change. Beethoven rebelled against this determinative quality in the first movement. He wanted a prelude, an introduction, not a proposition".
The sonata consists of three movements.