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Yu Menglong's Reply: Persecuted Celebrities

Lemon: Thank you, blogger. Reba's beauty and talent, her excellence and kindness, are enough to leave an indelible mark upon this era—otherwise it would have been impossible for her to grow popular even abroad, with people from different countries coming to love her. I would very much like to hear her story. Actually, I have another question: in the entertainment industry there are this person and that person from Xinjiang—why are they still doing perfectly fine? I truly cannot imagine that super top-tier actresses could earn them even more wealth, so why would they bring her to fame only to persecute her?

Yu Menglong: That is precisely for the sacrificial offering of the Satanic cult. Being made famous means that enough of the fans' essence and vital energy has already been absorbed, and the fruit of the sacrifice has ripened.


Lemon: I would like to ask Yu: did Zhao Lusi and Chen Duling come out of the industrial chain? Are their parents real?

Yu Menglong: They are all fake parents.


Lemon: I am very curious—do the persecuted celebrities/entertainers have any karmic relationship with their persecutors from past lives?

Yu En Transmission: It is hard to say—perhaps yes, perhaps no.

But if every act of harm is explained by karmic relationship, then there would be no such thing as committing evil deeds.


Lemon: Why is it that they go looking for female stars? Is it that the Satanic cult believes female stars in particular possess the kind of human energy or something of the sort?

Yu Menglong: I must sorrowfully say that the great majority of entertainers in the domestic entertainment industry have never had a single day of freedom.

Why is it that for sacrificial offerings they seek out female stars, the more famous the better? Because what they want is the essential vital energy of the fans.

Why is it that the domestic entertainment industry does not directly release the news of an entertainer's death? Because the Satanic cult still wishes to harvest the essential vital energy of the fans, and even if you are not a fan, but follow their dramas, you too will absorb the essential vital energy through the screen.

Many people, while watching dramas performed by entertainers who have in fact already passed away, feel unwell and abandon the show—and the reason lies precisely in this.


Lemon: Why is it that high-ranking CCP officials insist on seeking female stars from the domestic entertainment industry to serve as surrogate mothers?

Yu Menglong: Female stars in the domestic entertainment industry are easily set their sights upon by high-ranking CCP officials, and become the victims of this group of people. Around these stars there are always agents keeping strict watch over them. Compared to ordinary women taken by force, or surrogate mothers obtained by paying money, the female stars of the domestic entertainment industry are both beautiful and easy to control.


Lemon: I don't quite dare to face this, but I still want to know the truth. I would like to ask Menglong: regarding Yang Mi—is she a person who wished to help Yu but was powerless to do so, or is she on the side of the perpetrators?

Yu Menglong: I generally do not like to name names, because it tends to create opposition and may cause the other party to lose the chance to obtain the key to the new universe. But one of my secondary souls did once ask Deborah to remind the fans not to trust Yang Mi.

The statements Yang Mi has made public include the claim that she tried three times to rescue Yu, and wished to help me break free from the entertainment company, but failed.

In truth, many of those within the Black Industrial Chain of the domestic entertainment industry who harm others are themselves also victims.


Lemon: May I ask, Yu, Li Tingzhe also spoke out publicly, and is now a live-streaming product-selling blogger on Douyin. Is the fact that nothing has happened to him because of the tacit approval of the CCP? Before, Han Hong and many other celebrities in the domestic entertainment industry also spoke out for Yu—were they sincere?

Yu Menglong: Many of those within the industry who have publicly spoken out on my behalf were instructed by the domestic entertainment industry to steer the narrative.

Once everyone has come to trust them, they will be assigned tasks—to help the domestic entertainment industry whitewash the situation, and to use this to put my matter to rest.

But in truth, they too are victims; if they did not act in accordance with these instructions, their lives would be hard to preserve. Those who genuinely speak out on my behalf will end up like Teacher Chen Kun…


Lemon: The YouTube channel "Lao Gao yu Xiao Mo," which has a million subscribers, has recently released new videos, and there is much about them that is unusual. May I ask Yu—were they, like the entertainers in the domestic entertainment industry, already in a situation where their YouTube account was under others' control? Are Lao Gao and Xiao Mo currently being held in confinement?

Yu Menglong: In the age of AI, video and voiceprint can no longer serve as evidence. Continued on-screen appearance does not mean a person is still alive. In the eyes of the CCP, independent media creators are also entertainers of the domestic entertainment industry.


Lemon: There is a girl who says she is Zhao Liying's cousin, currently living overseas. Last year, or perhaps the year before, she posted a photo on Instagram… Could it be that the photo she posted indicates she knew Zhao herself was already no longer here? In the film and television industry, when an entertainer who has been "disappeared" is replaced by a body double, do the fake families of these entertainers know? And as to whether the death was by sacrificial offering or by some other means, do the fake families know that too?

Yu Menglong: It is not appropriate for me to comment on any personal privacy unrelated to the Black Industrial Chain.

When an entertainer in the film and television industry who has been "disappeared" is replaced by a body double, it is not only the fake family who know—many people within the domestic entertainment industry circle know as well.

 

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