Name: Tchaikovsky - The Seasons, Op. 37a (1876) {Earl Wild} | Videos | Gan Jing World
Uploaded: 2023-11-18T18:35:36.958Z
Duration: 36 min 18 s
Description: Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as P... | Videos | Gan Jing World

Bartje Bartmans

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Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893),  often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.

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The Seasons, Op. 37a (1876)

1. January: By the Hearth (0:00)
2. February: Carnival (3:45)
3. March: Song of the Lark (6:02)
4. April: Snowdrop (8:08)
5. May: May Nights (10:18)
6. June: Barcarolle (13:46)
7. July: Song of the Reaper (18:20)
8. August: The Harvest (19:57)
9. September: The Hunt (22:55)
10. October: Autumn Song (25:17)
11. November: Troika (29:54)
12. December: Christmas (32:47)

Earl Wild, piano

The Seasons was commenced shortly after the premiere of Tchaikovsky's First Piano Concerto, and continued while he was completing his first ballet, Swan Lake.

In 1875, Nikolay Matveyevich Bernard, the editor of the St. Petersburg music magazine Nouvellist, commissioned Tchaikovsky to write 12 short piano pieces, one for each month of the year. Bernard suggested a subtitle for each month's piece. Tchaikovsky accepted the commission and all of Bernard's subtitles, and in the December 1875 edition of the magazine, readers were promised a new Tchaikovsky piece each month throughout 1876. The January and February pieces were written in late 1875 and sent to Bernard in December, with a request for some feedback as to whether they were suitable, and if not, Tchaikovsky would rewrite February and ensure the remainder were in the style Bernard was after. March, April and May appear to have been composed separately; however the remaining seven pieces were all composed at the same time and written in the same copybook, and evidence suggests they were written between 22 April and 27 May. The orchestration of Swan Lake was finished by 22 April, leaving the composer free to focus on other music; and he left for abroad at the end of May. This seems to put the lie to Nikolay Kashkin's published version of events, which was that each month the composer would sit down to write a single piece, but only after being reminded to do so by his valet.

The epigraphs that appeared on publication of the pieces were chosen by Bernard, not by Tchaikovsky. In 1886 the publisher P. Jurgenson acquired the rights to The Seasons and the piece has been reprinted many times.

Tchaikovsky did not devote his most serious compositional efforts to these pieces; they were composed to order, and they were a way of supplementing his income. He saw the writing of music to a commission as just as valid as writing music from his own inner inspiration; however, for the former he needed a definite plot or text, a time limit, and the promise of payment at the end. Most of the pieces were in simple ABA form.